It could be argued that the movie sticks to Lola's narcissistic perspective so only her problems really matter, but "Lola Versus" is too superficial to encourage a close reading. Like "Breaking Upwards," the script contains numerous references to the impact of 21st-century technology on interpersonal communication ranging from iPhone-texting to Facebook-stalking. (When Lola and Alice hit up a grimy nightclub, Alice proclaims that it has landed "number one on Yelp for best bar in a scary neighborhood." And so on.)
One wonders how much the movie will speak to this era in 20 years even though it essentially reduces it to simplicity. While "Breaking Upwards" used the techno-speak to tap into the essence of modern romance, "Lola Versus" only contains it to remind viewers of the contemporary setting. The movie works hard to amuse at the expense of its credibility. It has no new ideas.
Instead, "Lola Versus" deserves the bulk of the ire being misdirected at the new HBO series "Girls," which at least deals with its overprivileged young white urbanities in a (some might say radically) self-aware fashion. By comparison, even when "Lola Versus" nails that sense of free-falling in the wake of a lifestyle shake-up, it's inoffensively familiar. Funny moments abound, but it never strays from predictability. With its blasé resolution and a tidy lineup of sitcom-ready characters, the best thing one can say about "Lola Versus" is that it successfully underwhelms.
Criticwire grade: B-
HOW WILL IT PLAY? Fox Searchlight releases "Lola Versus" on Friday. Although the company is known for its clever marketing tactics, Gerwig's star power might not be bright enough to carry this one to much business beyond its opening weekend.
Editor's note: A version of this review originally ran during the 2012 Tribeca Film Festival.
Watch the "Lola Versus" trailer below: