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TRIBECA REVIEW: Why Bradley Rust Grey's 'Jack & Diane' Isn't the Lesbian Werewolf Extravaganza You Hoped For

Photo of Eric Kohn By Eric Kohn | Indiewire April 24, 2012 at 10:33AM

Hyped for years as a whimsical project to watch, "Jack and Diane" never finds a coherent hook and instead drowns itself in atmosphere, a danger Gray's earlier films managed to avoid.
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Aided by special effects by the legendary animators known as the Brothers Quay, "Jack and Diane" contains terrific visuals and a contemplative soundtrack by Múm that justify the allegorical ingredients, even though they only take up a few seconds of screen time. That's a compliment to the Quays and Gray's underlying premise, with the seemingly meek Diane struggling against her inner demons. But the screenplay, in typical Grey fashion, focuses on quiet moments and insinuations too cryptic to complement the fantasy sequences, resulting in a mush of half-formed incidents.  

One might call it Grey's "Requiem for a Dream," but that overstates its significance.


None of this detracts from Gray's conviction in the material, and his game leads maintain a credible romantic chemistry that imbues the movie with purpose even as it wanders from one disconnected moment to another. As a visible attempt to increase his ambition, it's a wondrous, unpredictable journey into the emotional reality of a troubled relationship. It turns out the "lesbian werewolf" hype was an extreme misnomer, but the beast that Diane imagines for herself represents her psychological instability to an excessively cryptic effect, and looks fearsome enough to legitimize her frustrations. One might call it Grey's "Requiem for a Dream," but that overstates its significance. "Jack and Diane" showcases a terrific filmmaker tripping over his own daunting material.

Despite the unique concept, Grey's story suffers from underwritten characters bouncing around an undercooked scenario. Questions about his titular lovers loom too large for the erratic events to escape scrutiny, and other tangents -- such as Diane's twin sister getting involved in an online sex video -- further complicate the murky plot. The disconnection of "Jack and Diane" explains its discomfiting aura, and those familiar with Grey's earlier films will recognize his vision here. With its use of city imagery and young lovers as its narrative anchor, "Jack and Diane" has much in common with Grey's "The Exploding Girl," but the simplicity of that movie's plot stabilized it. "Jack and Diane" never settles on the clarity it yearns for. Instead, the mystical allure of a "lesbian werewolf movie" turns out to provide more value than the real thing.

Criticwire grade: C+

HOW WILL IT PLAY? Picked up for release months ago by Magnolia Pictures, "Jack and Diane" has enough hip cred and sexiness in its premise to attract strong numbers on VOD, where it lands on September 28th ahead of its November 2nd theatrical release.






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