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What Cameras Did the 2013 SXSW Filmmakers Use?

Photo of Bryce J. Renninger By Bryce J. Renninger | Indiewire March 20, 2013 at 9:53AM

We asked several SXSW filmmakers from the Competitions, Headliners, Spotlight, Visions and Midnighters sections (read their interviews here) to tell us a little bit about themselves, and we also asked them some questions about their process, like what camera they used.
7
"Touba"
"Touba"

We asked several SXSW filmmakers from the Competitions, Headliners, Spotlight, Visions and Midnighters sections (read their interviews here) to tell us a little bit about themselves, and we also asked them some questions about their process, like what camera they used.

READ MORE: SXSW Filmmakers Prove Crowdfunding Might Not Be the Norm and Final Cut Pro is Still Alive

Riding with indie film trends, the RED EPIC, with the Arri Alexa and the Canon 5D and 7D, were the fest's most popular cameras. 

Here's the list of the cameras some of this year's SXSW'ers used:

Aaton XTR Prod Super16

"Touba"

Aaton A Minima Super16

"Touba"

Apple iPhone

"Twelve O'Clock Boys" (tertiary)

Arri Alexa

"The Bounceback"
"Burma"
"Cheap Thrills"
"Everyone's Going to Die"
"Go for Sisters"
"Gus"
"Plus One"
"The Rambler"

Arri SR-3

"Before You Know It"

Beaulieu Super-8

"Before You Know It"

Canon 5D

"Big Ass Spider!"
"Good Ol' Freda"
"Improvement Club"
"Los Wild Ones"
"The Network"
"The Other Shore"
"Swim Little Fish Swim"
"Tiny" (secondary)

Canon 5D Mark II

"These Birds Walk"

Canon 7D

"Improvement Club"
"Los Wild Ones"
"Loves Her Gun" (with a PL mount adapter)
"Maidentrip"
"Swim Little Fish Swim"
"Tiny" (primary)
"Twelve O'Clock Boys" (primary)

Canon C300

"Sake-Bomb"
"The Short Game"

Canon XF100

"Tiny" (tertiary)

Canon (various)

"Downloaded"

Go-Pro

"Big Ass Spider!"
"Loves Her Gun"
"The Other Shore"
"Reality Show"

JVC GY-HM100u

"Tiny" (secondary)

Panasonic HPX-170

"Getting Back to Abnormal"
"Tiny" (secondary)
"William and the Windmill"

Panasonic HVX-200

"Medora"
"Milius"
"Reality Show"
"We Always Lie to Strangers"

Panisonic VariCam

"Touba"

Phantom HD

"Twelve O'Clock Boys" (secondary)

RED ONE

"Fall and Winter"
"The Retrieval"

RED EPIC

"Coldwater" (with Panavision Primo lenses)
"Holy Ghost People"
"Licks"
"Milo"
"Plus One"
"Short Term 12"
"White Reindeer"
"Xmas Without China"
"Zero Charisma"

RED MX

"Snap"

RED SCARLET

"Grow Up, Tony Phillips!"
"Holy Ghost People"

RED (unspecified)

"Big Ass Spider!"
"Touba"
"An Unreal Dream"
"The Wait"

Sony CineAlta F65

"Evil Dead" (Master Prime and Fujinon Alura Lenses.)

Sony EX1

"Good Ol' Freda"

Sony EX3

"Before You Know It"
"Big Joy"
"Maidentrip" (with Letus adapter and vintage Zeiss lenses)
"The Other Shore"

Sony F3

"This Is Where We Live"

Sony Handicam

"Maidentrip"

DSLRs and "good ol' fashioned Super-8"

"Lunarcy!"

Archival Super-8's

"Our Nixon"

The one we rented from the guy with the funny hat standing behind Home Depot.

"Lords of Salem"

Many Different Cameras and Formats

"I am Divine"

This article is related to: Filmmaker Toolkit: Production, South By Southwest Film Conference and Festival (SXSW)






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