If there's anything to be gleaned from Angelina Maccarone's fascinating documentary "Charlotte Rampling: The Look," it's that its subject, the incomparable Charlotte Rampling ("The Night Porter," "Stardust Memories," "Swimming Pool"), is just as complex, wise, funny, sexy and mysterious as the array of memorable characters she's played over the last 45 years. Rather than present us with a talking-heads documentary portrait of the celebrated British actress, Maccarone uses the deft approach of having Rampling, 65, muse over a variety of large-scale topics (age, desire, death, love, etc.) with her peers and allies, to present a deeply personal look into what makes Rampling tick.
Prior to the film opening in theaters, Rampling spoke with Indiewire about being a documentary subject. "Certainly if you’re doing a thing like this, you’re not playing a role," she said. "That’s why I didn’t want to know from Angelina what we were going to talk about, or hardly who we were going to talk with. That was, of course, tougher," she laughed. "But I needed it to be as spontaneous because I knew if it wasn’t like that then I would mentally start to work things out. And I know for me that’s not helpful at all, it’s not a good way."
Extras: Not much. Included on the disc is a pretty small stills gallery, the film's trailer, and trailers of other Kino Lorber releases.
"Into the Abyss" finds the veteran documentary filmmaker Werner Herzog delving into the legacy of a triple homicide in Texas. To flesh the story out, Herzog interviewed the victims' families and those convicted for the crime, including one man on death row, eight days before his execution.
Extras: A Herzog movie cries out for deleted scenes, but you won't find them here. All you'll find is the trailer.
Meryl Streep gives a career-defining turn (and that's saying a lot) as the divisive, pearl-loving Margaret Thatcher in "The Iron Lady." She provided a bit of an upset at this year's Oscars by snagging her third Oscar for her efforts, over Viola Davis' favored win for her work in "The Help." The film -- directed by Streep's "Mamma Mia!" helmer Phyllida Lloyd and penned by "Shame" screenwriter Abi Morgan -- also won for Best Makeup.
Indiewire caught up with Welsh actress Alexandra Roach, who played Thatcher in her younger years, before the film opened. "When I was cast, I thought this would be intimidating with Meryl Streep attached," Roach said. "But all that disappeared as soon as I met Meryl. She's so open, kind and encouraging. She would watch me on set, but she was so calming. She'd just give me a wink every now then, a little thumbs up."
Extras: Included are some engaging mini-documentaries ("Recreating the Young Margaret Thatcher," "Battle in the House of Commons," and "Denis: The Man Behind the Woman"), along with making-of and costume design featurettes. Also included is a digital copy.