For better or worse, the teacher/classroom genre is a Hollywood staple. From "Dangerous Minds" and "Freedom Writers" to "Mr. Holland's Opus" and "Dead Poets Society," these films tend to follow a standard plot formula (and often reap considerable box office and Oscar nominations anyway). Quebecois import "Monsieur Lazhar" -- fresh off an Academy Award nomination for foreign language film -- manages to transcend the genre with a moving, realistic take on student-teacher relations.
Directed by Philippe Falardeau, the film follows Bachir Lazhar (Mohamed Fellag), an Algerian immigrant who is hired to replace a teacher at a Montreal elementary school who kills herself. Honest and sincere in a manner rare to its Hollywood counterparts, "Lazhar" is a powerful little film that effectively takes on a multitude of issues permeating today's society.
READ MORE: Here's 8 Great Teacher/Student Films, In Honor of 'Monsieur Lazhar'
Extras: A half-hour sitdown (in French) between Falardeau and writer Evelyne de la Cheneliere (who wrote the one-man play on which Falardeau based his screenplay); a 20-minute Q&A with Falardeau; audition tapes from the young actors who play Alice and Simon; and the theatrical trailer.
Director Eduardo Sanchez helped begin the found footage genre when he co-directed "The Blair Witch Project" 13 years ago. Plenty of other directors have since added their own takes, with diminishing results ("The Devil Inside," anyone?), but Sanchez revisits the style again in his latest horror film "Lovely Molly" with some terrifying results. Using a standard narrative with intermittent first-person POV footage, the film finds a newlywed woman moving into her abandoned childhood home. She starts experiencing strange, terrifying events and believes a malevolent force is out to get her and her family.
Extras: Three featurettes, each around seven minutes in length; the theatrical trailer; and trailers for "The Double," "Beneath the Darkness" and "Monster Brawl."
With The Who all the rage again thanks to the London Olympics closing night ceremony, the Criterion Collection has released the groups' classic rock opera "Quadrophenia" on their label. Directed by Franc Roddam, "Quadrophenia" is one of the quintessential chronicles of youthful rebellion and turmoil, with Pete Townshend's roaring songs (including "I've Had Enough" and "Love Reign O'er Me") leading the fray. The film centers on Jimmy (Phil Daniels), a teenager who spends his time scooter-driving and pill-popping with his fellow mods. Tension ensues when his group decides to act on their contempt for the motorcycle-riding rockers in town.
Extras: New audio commentary featuring Roddam and Tufano; a new interview with Bill Curbishley, the film’s coproducer and The Who’s comanager; a new interview with The Who’s sound engineer, Bob Pridden, featuring a discussion of the new mix as well as a restoration demonstration; a segment on the film from a 1979 episode of the BBC series "Talking Pictures" featuring interviews and on-set footage; a segment from a 1964 episode of the French news program "Sept jours du monde," about mods and rockers; a 1965 episode of a French youth-culture program, featuring early footage of The Who; plus a booklet featuring an essay by critic Howard Hampton, a 1985 personal history by original mod Irish Jack, and Pete Townshend’s liner notes from the 1973 album.