That feeling was amplified with "Miami Connection," which was initially discovered by Drafthouse archivist and programmer Zack Carlson. In 2009, Carlson bought a print of "Miami Connection" on eBay without knowing anything about the movie. Intrigued by the title and a fairly low price tag for a 35mm print, Carlson included the beginning of the movie in one of the Drafthouse's "Reel One" parties. When the first sequence, which includes ninjas kicking the crap out of gangsters, segued into a rock concert and then settled into a story about giddy teenagers straight out of "Grease," the audience instantly fell in love, begging for more when the reel came to a close.
Four months later, the Drafthouse screened the entire feature, then brought it to Cinefamily, where Husney saw it. As with "Wake in Fright," the movie became an immediate acquisition interest when Husney started his new job. In this case, most of the people involved with the production thought he was kidding when he got in touch about picking it up. "It was something they had aggressively forgotten about," Husney said. "They would quickly hang up the phone. Based on my experience releasing unearthed niche films, that can happen."
It's not hard to see why the "Miami Connection" team may have tried to distance themselves from the production. The brainchild of Korean Tae Kwon Do instructor-cum-motivational speaker W.K. Kim, the movie stars Kim as Mark, the motorcycle-driving frontman for rock group Dragon Sounds who leads his disciples on routine missions to take out the underbelly of Miami crime.
An instantly ridiculous premise just keeps getting sillier, with a barrage of subplots involving the various teen characters training for battle, rocking out, facing relationship problems and, eventually, going shirtless in a swamp for mano-a-mano battles with a rival group of ninjas. If John Hughes teamed up with Steven Seagal, they might get about half way to the continually off-kilter entertainment value of "The Miami Connection," because they would lack the inspired energy that Kim brings to it.
With not an ounce of self-awareness, the sincerity of "Miami Connection" keeps it in flux, which is a big reason why the Drafthouse team was drawn to it. Kim, a Korean immigrant who arrived penniless in the U.S. before rising to prominence with a martial arts school, invested everything in the ill-fated project. "He built up enough money to survive and then put everything he had into this movie," Carlson said. "And then he obliterated everything he had again."
Having faced defeat twice, Kim long assumed "The Miami Connection" was a lost cause, but still begrudgingly attended a screening earlier this year at the New York Asian Film Festival, where he met Husney. "He looked me in the eye and said, 'Why did you buy this garbage?'" Husney recalls. "I had a hard time explaining it, but I don't think it's garbage. It's super fun and has a lot of heart."
When Kim saw the crowd reaction, he started to come around, a revelation on full display at this year's Fantastic Fest: Before the Austin screening, Kim showed off his swordsmanship to a raucous crowd; an afterparty featuring the reunion of the film's band members performing its two songs was also a big hit. If Drafthouse can replicate that kind of enthusiasm when the movie opens in 25 cities starting November 2 -- mostly with midnight screenings -- Husney thinks the company can propel it to newfound cult status. "It's so rare to find movies that are valuable as curiosities and also as pure entertainment," he said.
No matter what happens, to date the new wave of interest in the movie has already had a significant impact on its maker. When Carlson moderated a commentary track for the DVD that's set to come out in December, he asked Kim if the production was worth all the trouble. Kim, a middle-aged man accustomed to speaking enthusiastically whenever he faces a microphone, was suddenly stunned into silence. According to Carlson, a pair of tears streamed down the Tae Kwon Do master's cheeks. Finally, he quietly responded, "Yes."