“Worthwhile” Weekend: Milos Forman Helps Kick Off Karlovy Vary
by Peter Knegt (July 6, 2009)
The scene at the Karlovy Vary International Film Festival. Photo by Peter Knegt.
From its swarms of onlookers hoping to catch a film or a glimpse of a celebrity, to its gorgeous European backdrop - save for a concrete monstrosity that serves as festival headquarters - the Karlovy Vary International Film Festival can feel a lot like Cannes, Jr. upon first glance. But, it quickly becomes clear that this is far from the case. For one, the setting - rightfully described as a “Baroque Disneyland” by many - arguably makes Cannes look like Fort Lauderdale. And those onlookers? Unlike Cannes, they actually get to see the films. Last year, the festival sold 143,781 tickets (which cost just 65 koruna, or $3.50) - a new record - mostly to a wide array of young backpackers and students from the Czech Republic and surrounding countries who camp out during the 8 day event. With beer stands set up through out the town to accomodate the festival’s demographic, you often question whether you’re at a film festival or a college orientation week. A less reputable - but still charming - difference between the fests is the grade of celebrity that festival goers will spend hours waiting to catch a glimpse of. The festival’s opening gala - an elaborate affair complete with a glitzy stage show and fireworks - focused on a screening of Shana Feste’s Sundance alum “The Greatest.” It was a somewhat puzzling opening night selection. Attendees were as lukewarm to the film as they were at Sundance, and the film’s stars - Susan Sarandon, Pierce Brosnan and Carey Mulligan - were nowhere to be seen. But hundreds still lined up along the red carpet to enthusiastically cheer on just about anybody who walked on it. The true celebrity arrival of opening weekend came care of the Czech Republic’s most internationally renowned cinematic export, director Milos Forman. Forman was in Karlovy Vary to premiere “A Walk Worthwhile,” a film version of the 1960s Gershwin-style musical from legendary Czech writers Jiri Suchy and Jiri Slitr. Forman directed a revival of the musical at Prague’s National Theater in 2007, and, in a similar vein to Spike Lee’s recent “Passing Strange,” decided to film one of the performances. “It’s not a standard film,” Forman said at the film’s press conference Saturday. “But in contrast to theater you have the advantage of seeing the actors close up.”
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