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DAILY NEWS : Toronto Malaise; NYFF Shorts and Avant Garde
DAILY NEWS: Toronto Malaise; NYFF Shorts and Avant Gardeby Eugene Hernandez/indieWIRE
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TORONTO 2000 REVIEW: Mamet Misfires on Corner of "State and Main"
TORONTO 2000 REVIEW: Mamet Misfires on Corner of "State and Main"
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VENICE 2000 REVIEW: Bleak House; Gritty "Last Resort" Emerges as Lido Stand Out
VENICE 2000 REVIEW: Bleak House; Gritty "Last Resort" Emerges as Lido Stand Out
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VENICE 2000 REVIEW: Female Trouble in Iran, Panahi's "The Circle"
VENICE 2000 REVIEW: Female Trouble in Iran, Panahi's "The Circle"
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TORONTO 2000: Female Filmmakers Take the Lead in Toronto
TORONTO 2000: Female Filmmakers Take the Lead in Toronto
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VENICE 2000 UPDATE: Venice Awards "Circle," "Before Night Falls," and Italian Hopes
VENICE 2000 UPDATE: Venice Awards "Circle," "Before Night Falls," and Italian Hopes
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DAILY NEWS: "Memento" In the Spotlight; Creative Planet's Indie Focus; and Toronto Parties
DAILY NEWS: "Memento" In the Spotlight; Creative Planet's Indie Focus; and Toronto Partiesby Eugene Hernandez/indieWIRE with a report from A.G. Basoli
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TORONTO 2000 REVIEW: Crowe Charms Again with Slight "Almost Famous"
TORONTO 2000 REVIEW: Crowe Charms Again with Slight "Almost Famous"
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VENICE 2000 REVIEW: Schnabel's Spirited, Sensuous "Before Night Falls'" Flawed Beauty
VENICE 2000 REVIEW: Schnabel's Spirited, Sensuous "Before Night Falls'" Flawed Beauty
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VENICE 2000: "The Circle" Spins for Gold, Ed Harris Defends "Pollock," and "The Last Resort" Readies
VENICE 2000: "The Circle" Spins for Gold, Ed Harris Defends "Pollock," and "The Last Resort" Readies for Toronto
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