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    Yugoslav Filmmakers Fight A Different War: Speaking with Goran Paskaljevic and Srdjan Dragojevic

    "In my country, there are no happy endings," says Goran Paskaljevic, the acclaimed director of "Cabaret Balkan," one of three Yugoslav movies hitting American shores with a sobering vengeance this season. Next week, Srdjan Dragojevic's "The Wounds" opens in Boston, followed by the release of Emir Kusturica's long-awaited "Black Cat, White Cat" in the Fall (after being pushed back several times by distributor-in-transition USA Films.) These are three very different movies by three very different Yugoslavian directors, offering a heavy dose of pain, parody, and cinematic achievement -- humanizi...

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    DAILY NEWS: Chicago Underground Pix; Fine Line Grabs Doc

    by Eugene Hernandez/indieWIRE

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    FESTIVALS: Florida Fest Retains Regional Crown

    FESTIVALS: Florida Fest Retains Regional Crown

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    REVIEWS: A Violent, Gutsy "Cabaret Balkan," and "After Life" Vanishes

    REVIEWS: A Violent, Gutsy "Cabaret Balkan," and "After Life" Vanishes

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    DAILY NEWS: Sony Takes Woody Film; 7th Art Acquires "Strings"

    by Eugene Hernandez/indieWIRE

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    INTERVIEW: Coming Up "Rosie" with Patrice Toye

    INTERVIEW: Coming Up "Rosie" with Patrice Toye

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    Good Machine and Roadside Play a "Trick"

    by Anthony Kaufman

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    DAILY NEWS: Festival Films -- Toronto, Urbanworld, Hollywood

    by Eugene Hernandez/indieWIRE

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