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    DAILY NEWS: The Weekly Box Office;Sundance/NHK Finalists and Education at EFA Conference

    DAILY NEWS: The Weekly Box Office;Sundance/NHK Finalists and Education at EFA Conferenceby Eugene Hernandez/indieWIRE with a report by Caroline Wells

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    INTERVIEW: Psychosis and Self-Distribution; Tim McCann Starts A "Revolution #9"

    INTERVIEW: Psychosis and Self-Distribution; Tim McCann Starts A "Revolution #9"

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    INTERVIEW: Men on the Verge; Almodovar Tosses a Change Up with "Talk to Her"

    INTERVIEW: Men on the Verge; Almodovar Tosses a Change Up with "Talk to Her"

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    DAILY NEWS: Another Director Refused Entry; "Dischord" Deal; and IDFA Doc Fest Set

    DAILY NEWS: Another Director Refused Entry; "Dischord" Deal; and IDFA Doc Fest Setby Matthew Ross, Brian Brooks/indieWIRE with an article by Chritopher Henderson

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    INTERVIEW: "Don't All Guys Fantasize About Bazookas?"; An Interview with Takashi Miike

    INTERVIEW: "Don't All Guys Fantasize About Bazookas?"; An Interview with Takashi Miike

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    DAILY NEWS: European Film Award Nominees, Raindance Winners, and iW Buzz for the Week

    DAILY NEWS: European Film Award Nominees, Raindance Winners, and iW Buzz for the Weekby Eugene Hernandez and Wendy Mitchell/indieWIRE

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    FESTIVAL: Local Hospitality and International Scope At the Viennale 2002

    FESTIVAL: Local Hospitality and International Scope At the Viennale 2002

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    DAILY NEWS: Thessaloniki Lineup; and Latino Producers Conference

    DAILY NEWS: Thessaloniki Lineup; and Latino Producers Conferenceby Eugene Hernandez and Brian Brooks/indieWIRE

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    DAILY NEWS: Film Momement Acquisition; St. Louis Fest and Docs in Miami

    DAILY NEWS: Film Momement Acquisition; St. Louis Fest and Docs in Miamiby Eugene Hernandez and Brian Brooks/indieWIRE with an article by Christopher Henderson

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    WORLD CINEMA REPORT: Where Did Lola Go?; German Filmmakers Raise Profile While Facing New Challenges

    WORLD CINEMA REPORT: Where Did Lola Go?; German Filmmakers Raise Profile While Facing New Challengesby Anthony Kaufman(indieWIRE: 11.06.02) -- Ever since "Run Lola Run" blazed across cinema screens three years ago, the hope of a German film renaissance has been building. With $7 million in U.S. box-office receipts, the creation of a new international star in Franke Potente, and director Tom Tykwer's launch into the world marketplace, you'd think the German industry had finally found its stride. But Teutonic movies still face a host of hurdles in the States. As one acquisitive executive notes, "You'll often hear, 'We'd never buy a German film....

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