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  • Thompson on Hollywood
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    Oscar Predictions 2016

    As always, the Oscar race starts at Sundance, followed by Berlin and Cannes.

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  • Indiewire
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    Rose Byrne on Transitioning to Comedy and Why 'Damages' Should Be Considered Groundbreaking TV

    In an interview with Indiewire, the "Adult Beginners" actress also divulged details on the what's behind The Doll House Collective, a new all-female production company she co-founded.

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  • The Playlist
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  • The Playlist
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  • Indiewire
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  • Women and Hollywood
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    Daily Reads: 'Ex Machina's Feminist Sci-Fi, Native American Actors Call Adam Sandler's Movie Racist, and More

    Plus: What TV endings mean (and why Tony Soprano is probably dead), why the true auteur of Francis Ford Coppola's best movie is its editor.

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  • Indiewire
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    Watch: 'SNL' Editor Adam Epstein Talks the 'Drug Rush' of Digital Shorts

    You may not know his name, but you definitely know his work.

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    Watch: 'Game of Thrones' Meets 'Too Many Cooks' for Fun Mash-Up Or Helpful Character Guide?

    As bizarre — and kind of disturbing — as this is, it works incredibly well.

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  • The Playlist
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  • /Bent
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  • Thompson on Hollywood
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    Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent"

    Emily Blunt, Benicio Del Toro and Josh Brolin star in the Canadian director's 2015 Cannes competition entry.

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  • Indiewire
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    Watch: Alicia Vikander Heads to WWI in Gorgeous 'Testament of Youth' Trailer

    The "Ex Machina" breakout is at the center of director James Kent's WWI period piece.

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  • Thompson on Hollywood
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    Why Courtney Love Asked Brett Morgen to Film 'Kurt Cobain: Montage of Heck': “I wanted someone to tell the truth"

    “I wanted someone to tell the truth,” Love said, in answer to why she let Morgen make his movie. “Brett spent a lot of time with Kurt’s spirit; his movie’s as close to the truth as anyone’s going to get.”

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    Gemma Arterton Turns Heads in Exclusive 'Gemma Bovery' Poster

    The film debuted at the Toronto Film Festival last fall.

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  • Indiewire
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  • Thompson on Hollywood
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    Seeing Fellini's '8 1/2,' Then and Now (Video)

    Federico Fellini’s follow up to 'La Dolce Vita' (and his last black-and-white movie) is the rare classic that rewards each viewing over a lifetime with new and different insights.

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  • The Playlist
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  • Press Play
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    Watch: Wes Anderson's Films Are More Violent Than You Think

    If you like Wes Anderson's films, and you probably do, do you ever wonder if the reasons you like them aren't quite the reasons you profess?

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