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  • iW NOW
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    "Precious" Producer and Time Warner to be Honored by Reel Works

    Producer Lisa Cortes ("Precious: Based on the Novel 'Push' by Sapphire") and Time Warner will be honored at an upcoming gala to benefit Reel Works Teen Filmmaking, an organization that pairs at risk teens with New York filmmakers. Cortes will receive the Visionary Filmmaker Award, while Time Warner ...

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  • Thompson on Hollywood
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    Will MGM Go Asian?

    The Wall Street Journal reports that Indian conglomerate Sahara India Pariwar is in exploratory talks to buy MGM for more than $2 billion, according to one source:

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  • Leonard Maltin
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    maltin on movies: Mesrine: Public Enemy #1

    Mesrine: Part II - Public Enemy 1 | Leonard Maltin | Maltin on Movies | Movie Trailer

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  • Indiewire
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    O-Scope Lands "Rare Exports" in Toronto

    North American rights to Jalmari Helander's Toronto debut, "Rare Exports: A Christmas Tale" have been acquired by Oscilloscope Laboratories, the company said Sunday. Oscilloscope plans a December release and the film will have its U.S. premiere next weekend at Fantastic Fest in Austin, TX. It marks ...

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  • Thompson on Hollywood
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    Boardwalk Empire: Best TV Pilot of 2010 and Third-Best Scorsese Movie of This Century

    I have ordered my TiVo Season Pass to Martin Scorsese and Terence Winter's Boardwalk Empire, which starts on HBO tonight. TOH critic Tim Appelo has already seen it. "(Steve) Buscemi and (Michael) Pitt have roles to kill for, their best career catapults yet," Appelo writes in his rave review:In the S...

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  • Indiewire
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    51

    "King's Speech" Wins Toronto's Audience Award; "Incendies" Takes Canadian Prize

    Tom Hooper's "The King's Speech" and Denis Villeneuve's "Incendies" were among the big winners at the 2010 Toronto International Film Festival's awards ceremony. At a brunch at the Intercontinental Hotel on Front Street this afternoon, a variety of prizes were announced, with "Speech" taking the to...

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  • Spout
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    In Defense of Wikipedia's "Catfish" Plot Spoilers

    Another "twist movie" out in theaters, another obnoxious debate about movie spoilers. Funnily enough, despite there being a new M. Night Shyamalan story opening this weekend, that is not the impetus for the New York Times article about Wikipedia's controversial allowance of full plot details. including "spoiled" endings without warning. In fact, "Devil," which Shyamalan conceived but did not direct, has only a basic premise listed on its Wikipedia page. No mention of which character is revealed to be Satan. Rather, film-wise, it's the documentary "Catfish" that is central to the piece, which also addresses entries for the Agatha Christie play...

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  • Indiewire
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    Flurry of Deals As Toronto Fest Winds Down

    As the Toronto International Film Festival enters its final hours, a flurry of deals have continued to make this a very successful year for the festival's marketplace. Last night, indieWIRE reported that Oscilloscope had picked up Kelly Reichardt's acclaimed "Meek's Cutoff," while by midnight Deadli...

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  • Peter Bogdanovich
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    The Heartbreak Kid

    I have a certain nostalgic fondness for the original 1972 Elaine May-Neil Simon comedy, THE HEARTBREAK KID (available on DVD), which goes beyond the darkly hilarious film itself, because at the time of its making and release I was living with one of the stars, Cybill Shepherd. This warm feeling only increased with the publication of Cybill’s memoirs (Cybill Disobedience), in which there are numerous revelations—-to me, too—-about her various doings during our nine-year relationship (and, of course, before and after). It turns out that on The Heartbreak Kid, there were no extracurricular encounters, though things might have gone a bit dif...

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  • Peter Bogdanovich
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    Casablanca

    There is no more enduring cosmic lucky accident in picture history than the 1943 Warner Bros. classic World War II romantic foreign adventure, Casablanca (available on DVD). “Most of the good things in pictures,” John Ford said, “happened by accident.” When he told me this, rather offhandedly, he was in his seventies and had directed nearly 140 films while I had directed one, and was more than a little surprised by his comment. Ford was Orson Welles’ favorite American director and when I repeated the old man’s remark to Welles, his eyes brightened as he confirmed the statement with an inspired, “Yes!” He paused and then added, excite...

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