The Slamdance Film Festival unveiled its winners Friday night with Lynn Shelton's "We Go Way Back," receiving the fest's Grand Jury Award for Best Narrative Feature, and "Empire In Africa," directed by Philippe Diaz, taking the Grand Jury Award for Best Documentary. Slamdance announced winners in ov...
Read More »Sundance Film Festival director Geoff Gilmore praised Ramin Bahrani's Spectrum film "Man Push Cart" Thursday afternoon when introducing the screening and the film's director. Gilmore said during the intro that people often ask him how they decide which films run in competition and which ones are pro...
Read More »Foreign sales rep Katapult has purchased the worldwide rights excluding North America for producer/co-director Michael Cain and editor/co-director Matt Radecki's Sundance competition documentary "TV Junkie." ICM is co-repping the documentary with Josh Braun of Submarine Entertainment and Roger Kass of Ring the Jing Entertainment Ltd. and are in discussions for theatrical distributors for the North American theatrical rights. Thomas Mai negotiated on behalf of Katapult. "TV Junkie" is a portrait of Rick Kirkham and his struggles to balance his personal life as a father and husband with his career as a professional journalist, while dealing wi...
Read More »The Slamdance Film Festival announced its winners Friday night with Lynn Shelton's drama "We Go Way Back taking the grand jury award for best narrative feature, while Philippe Diaz's "Empire in Africa" won the grand jury award for best documentary feature. Slamdance's grand jury prize for best narrative short went to "The Saviour," by Peter Templeman and Lila Place's "Under The Roller Coaster" took best documentary short. Writer/director Tim Skousen's "The Sasquatch Dumpling Gang" won the festival's audience prize for best narrative feature, and the audience prize for documentary went to "Abduction: The Megumi Yakota Story" by Chris Sherida...
Read More »Every day through the end of the Sundance Film Festival, including weekends, indieWIRE will be publishing two interviews with Sundance '06 competition filmmakers. Sixty filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions.
Read More »Every day through the end of the Sundance Film Festival, including weekends, indieWIRE will be publishing two interviews with Sundance '06 competition filmmakers. Sixty filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions.
Read More »Andrucha Waddington's "The House of Sand," written by Elena Soarez, won this year's Sundance Film Festival Alfred P. Sloan Prize, winning a $20,000 cash award. The award will be presented Saturday at the Sundance Film Festival award ceremony in Park City.
Read More »Many filmmakers at the Sundance Film Festival are beginning to see the potential that digital technology in production and distribution can offer them in making their films available to an international audience. Instead of "being confined to art houses in large cities," through the Web, digital satellite distribution, and gadgets such as hand-held computers and cell phones, films will be able to reach every corner of the world. Of course, celluloid film has a long way to go before it becomes obsolete, but "this is more of a democratic technology, and that's great," said Marvin Jarrett, director of "Fast Future Generation." It's good news for...
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