Celebrating 17 Years of Film.Biz.Fans.

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  • Indiewire
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    Decade: Mike Leigh on "Happy-Go-Lucky"

    EDITOR'S NOTE: Every day for the next month, indieWIRE will be republishing profiles and interviews from the past ten years (in their original, retro format) with some of the people that have defined independent cinema in the first decade of this century. Today, we'll step back to 2008 with an inte...

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  • Indiewire
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    Decade: Steven Soderbergh on "Che"

    EDITOR'S NOTE: Every day for the next month, indieWIRE will be republishing profiles and interviews from the past ten years (in their original, retro format) with some of the people that have defined independent cinema in the first decade of this century. Today, we'll step back to 2008 with an inte...

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  • Thompson on Hollywood
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    Patton Oswalt: Christmas Shoes

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  • Thompson on Hollywood
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    The Muppets Ring Christmas Bells

    [Hat Tip: Movie Marketing Madness]

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  • Thompson on Hollywood
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    Happy Domino Holidays

    Dominoes Everywhere for the holidays from Jared Lyon on Vimeo.

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  • Thompson on Hollywood
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  • THE BACK ROW MANIFESTO by Tom Hall
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    Vic Chesnutt

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  • Matt Dentler's Blog
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    R.I.P. Vic Chesnutt

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  • The Lost Boys
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    Merry Christmas

    I'll be off the blog until New Years Eve, I've decided. Joyous family stuff trumps all the list making this blog has promised. I'll leave you with this list instead. Happy Holidays!

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  • REVERSEBLOG: the reverse shot blog
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    Best of the Decade #6

    The first decade of the 21st century, even with all the technological changes that have greatly expanded knowledge of our origins and pointed towards our potential futures, holds no monopoly on the great unending debate of what the word “human” means. But this troubled decade may well have produced one of the purest artistic examinations to date of what makes us us. Steven Spielberg’s A.I.: Artificial Intelligence only seemed truly landmark to a few hardy souls back in the naive summer of 2001 (as an aside, if it weren’t for A.I., a true cinematic rallying point for myself, my co-editor, and several other Reverse Shot writers, this journal it...

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