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    REVIEW: Kitano Strives to be Different with "Kikujiro"

    REVIEW: Kitano Strives to be Different with "Kikujiro"

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    CANNES REVIEW: Ullman's "Faithless," It's Bergman

    CANNES REVIEW: Ullman's "Faithless," It's Bergman

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    ND/NF: Short Films Make it Big, Where You'll Find the Next Spike Jonze

    ND/NF: Short Films Make it Big, Where You'll Find the Next Spike Jonze

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    ROTTERDAM 2000: Japanese Pics Bloody Fest, Fukasaku and Takahashi's Yakuza Films

    ROTTERDAM 2000: Japanese Pics Bloody Fest, Fukasaku and Takahashi's Yakuza Filmsby Edward Crouse(indieWIRE/2.9.2000) -- Poor Kinji Fukasaku, his retrospective oversold in Rotterdam,expectations rode so high that he couldn't --as a modest genreprofessional -- help but pale next to recent Western re-d...

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    INTERVIEW: From "Fucking Åmål" to "Show Me Love": Scandinavian Smash Comes To America

    INTERVIEW: From "Fucking Åmål" to "Show Me Love": Scandinavian Smash Comes To America

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    INTERVIEW: Reed Paget Risks Life and Film with "Amerikan Passport"

    INTERVIEW: Reed Paget Risks Life and Film with "Amerikan Passport"

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    BIZ: "The Red Violin" Plays Passionately, without Resonance

    BIZ: "The Red Violin" Plays Passionately, without Resonance

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    Does Kazan Deserve An Honorary Academy Award?

    by Mark Rabinowitz[The following editorial solely represents the views of the author, and does not necessarily reflect the views of this publication.]

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    What's the Deal with the New York International Independent Film and Video Fest?

    What's the Deal with the New York International Independent Film andVideo Fest?

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    On the Edge of a Breakthrough: Todd Stephens, writer/producer of "Edge of Seventeen"

    On the Edge of a Breakthrough: Todd Stephens,writer/producer of "Edge of Seventeen"

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