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Cannes Review: 'Only Lovers Left Alive'
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ReelPolitik0 comments
Political Pics on Khmer Rouge and Palestinian Occupation Win Cannes Prizes
It's not the first time a documentary has won a top prize in Cannes -- Michael Moore's "Fahrenheit 9/11" paved the way in 2004 -- but it's still a rare day in France when nonfiction takes center stage. On Saturday, the awards in the Un Certain Regard sidebar were handed out, with Cambodian filmmaker Rithy Panh's "A Missing Picture," about Cambodia's nightmarish 1970s dictatorship, winning top honors. The runner-up prize went to Palestinian born "Paradise Now" director Hany Abu-Assad's latest "Omar."
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Thompson on Hollywood0 comments
Cannes: Oscar-Worthy Cotillard and Director Gray Talk Divisive 'The Immigrant'
Characteristic of a number of Cannes competition titles, "The Immigrant" has divided audiences though its morning screening Friday did not receive the audible Boos that greeted the credit roll of "Only God Forgives" the day prior. An unscientific poll of random inquiries by badge holders here who have seen the film suggests that it has won over more moviegoers than not.
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Thompson on Hollywood0 comments
'Fast & Furious 6' Revs Up Holiday Weekend Box Office, 'Before Midnight' Starts Strong
After months of grosses that often fell short of last year, Friday's results indicate a huge uptick in business just as the summer season revs into high gear. With three new films joining three May hits, the top 10 yesterday grossed around $84 million, nearly double the Friday of Memorial Day weekend last year ($44 million).
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The Playlist0 comments
Cannes: Tilda Swinton Suggests ‘Only Lovers Left Alive’ Could Be A Documentary For The Outsiders Of The World; Jim Jarmusch Won’t Analyze This
The 66th Annual Cannes Film Festival is quickly coming to a close In fact, the Un Certain Regard winners were just announced a short while ago (you can see them all right here). But this year’s line-up, unlike year’s past, placed a lot of heavy weights near the end of the festival like Roman Polanski’s “Venus In Fur” (which screened today) and Jim Jarmusch’s deadpanned, odd and deeply enjoyable vampire movie, “Only Lovers Left Alive” which screened last night (you can read our review right here).
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The Playlist
- » Cannes: Tilda Swinton Suggests ‘Only Lovers Left Alive’ Could Be A Documentary For The Outsiders Of The World; Jim Jarmusch Won’t Analyze This
- » Cannes Review: Emmanuelle Seigner A Raucous Revelation In Polanski’s Otherwise Stagy, Pointless ‘Venus In Fur’
- » Watch: Teasers For New Seasons Of HBO's 'The Newsroom' & 'Boardwalk Empire'
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