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Cannes Review: 'Only Lovers Left Alive'
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ReelPolitik0 comments
Political Pics on Khmer Rouge and Palestinian Occupation Win Cannes Prizes
It's not the first time a documentary has won a top prize in Cannes -- Michael Moore's "Fahrenheit 9/11" paved the way in 2004 -- but it's still a rare day in France when nonfiction takes center stage. On Saturday, the awards in the Un Certain Regard sidebar were handed out, with Cambodian filmmaker Rithy Panh's "A Missing Picture," about Cambodia's nightmarish 1970s dictatorship, winning top honors. The runner-up prize went to Palestinian born "Paradise Now" director Hany Abu-Assad's latest "Omar."
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Thompson on Hollywood0 comments
Cannes: Oscar-Worthy Cotillard and Director Gray Talk Divisive 'The Immigrant'
Characteristic of a number of Cannes competition titles, "The Immigrant" has divided audiences though its morning screening Friday did not receive the audible Boos that greeted the credit roll of "Only God Forgives" the day prior. An unscientific poll of random inquiries by badge holders here who have seen the film suggests that it has won over more moviegoers than not.
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- » Cannes: Tilda Swinton Suggests ‘Only Lovers Left Alive’ Could Be A Documentary For The Outsiders Of The World; Jim Jarmusch Won’t Analyze This
- » Cannes Review: Emmanuelle Seigner A Raucous Revelation In Polanski’s Otherwise Stagy, Pointless ‘Venus In Fur’
- » Watch: Teasers For New Seasons Of HBO's 'The Newsroom' & 'Boardwalk Empire'
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