|
Heeb Film Festival Redux.
As we get closer to the event itself, I'd like to remind all of you to BUY TICKETS to one or more screening at THE HEEB FILM FESTIVAL, which takes place this Saturday and Sunday at the 92YTribeca. I promise it won't disappoint. Check out our marvelous Jew-rific poster art by the multi-talented Zack Sultan. Sita Sings the Blues at MoMA!
A strikingly original work of expressionistic self-analysis, Nina Paley's Sita Sings the Blues is like an animated diary film replete with spiritual flourishes. It inadvertently ignited controversy several months back because Paley, a Jewish woman in her forties, analogizes her divorce to the renowned plight of Sita in the ancient Hindu text Ramayana. I wrote about the conversations surrounding the film in a piece for The Forward earlier this year; now, it has been nominated for IFP's "Best Film Not Coming to a Theater Near You" award. Since it screens this week at MoMA, Spout talks with Paley for its "Media Diet" feature. Read the interview and see the film; it needs some friends. Heeb Film Festival!
But that's not to say we don't have a few familiar tropes as well: Jan Troell's surreal drama of literary confusion, Love Comes Lately, adapted from several Isaac Bashevis Singer stories, will screen in nebbish vision later that evening. On Sunday, November 23, pack some kosher tacos for our Spanish-language matinee double-bill of El Brindis and My Mexican Shivah, which together showcase modern Latin American Jewry. These will be followed by the New York premiere of My Mother's Garden, a fascinating diary film by Cynthia Lester about her mother's debilitating hoarding disorder. Finally, the festival closes out with an evening of short films I've titled THE GENTILE GAZE, partly because I like the way it sounds, but mostly because of the program's provocative content, which centers on non-Jewish and Jewish identities coming to blows. That said, most of the shorts are directed by members of the tribe. The purpose of highlighting the gentile gaze is not to create a sense of boundaries, but rather to question preconceived notions of those boundaries. Y'see, when it's all said and done, the gentile gaze is itself fairly Jewish. Nosh on that, Lenny Bruce. Full list of program (with shorts) below. BUY TICKETS HERE! (Please.) SATURDAY, NOVEMBER 22: 7:30 p.m. 9:30 p.m.
SUNDAY, NOVEMBER 23:
SPANISH LANGUAGE DOUBLE BILL! 1:00 p.m.
5:30 p.m. NEW YORK CITY PREMIERE! Uber Alice
Jewish identity gets sized up from a variety of non-Jewish perspectives in this diverse, international selection of recent short films. Give me your ideas! List some great dark comedies.
A producer friend e-mailed me with the following query: I'm helping a friend who is trying to write a $1Mil dark comedy. Can you give me your list on what you think the 5-10 best low-budget dark comedies are that somehow involve killing (i.e. Heathers) or kidnapping (i.e. Buffalo 66). I have some ideas of my own, but wanted to see if anyone out there has some suggestions to share. If so, please speak up in the comments! Blogging Toronto: Bahrani Scores!
Ramin Bahrani's latest film, Goodbye Solo, has a more controlled, somewhat predictably linear set-up than his last two films, Chop Shop and Man Push Cart. But I'm not complaining. It's still a sharp, moving work, one that refreshingly operates outside of modern Hollywood cliches. Here are my thoughts at the Jaman blog. Ebert/Lumenick: I'm just glad it wasn't me.
The Roger Ebert-versus-Lou Lumenick kerfuffle reported in The Daily News today merits little discussion beyond what Ebert has already stated about it, but since I nearly took Lumenick's spot before he arrived, I can't help myself. Here are my thoughts on the story at the Jaman blog. |