Chances are that you've never seen anything quite like "Holy Motors," Leos Carax's farcical but deeply felt odyssey through modern Paris (and his first feature in almost thirteen years -- you can read our review from Cannes here). At a New York Film Festival press screening for the film, Carax chatted with critic Amy Taubin and took questions from the audience, but those looking for answers to his deeply mysterious concoction will be left disappointed. Such is "Holy Motors."
Read More »As was announced earlier this week by the Academy of Motion Pictures Arts and Sciences, a record-setting 71 different countries submitted films for consideration to be nominees for next year's Best Foreign Language Film Oscar.
Read More »Eagerly anticipated for several months now, because former Venice Film Festival head Marco Mueller had been playing up his desire to turn the Rome Film Festival -- which he is now the artistic director of -- into a major fall film festival player, the line-up was announced this AM. And in typical online fashion, there was minor griping about the absensce of hotly rumored titles like Quentin Tarantino's upcoming slave drama "Django Unchained," Steven Spielberg's "Lincoln" (which surprise-screened at the New York FIlm Festival), Gus Van Sant's "Promised Land," and Tom Hooper's "Les Misérables," among others.
Read More »The cinematic revolution in the Middle East over the last few of decades, led principally by a generation of Iranian filmmakers who've flourished creatively despite restrictions placed on them by the regime, hasn't necessarily carried over to every region. Saudi Arabia, for instance, is hardly known for its cinema, which isn't necessarily surprising, given that movie theaters were banned in the country 30 years ago.
Read More »Announced at the 2012 American Black Film Festival, where the film screened, Matthew Cherry's family drama, The Last Fall, was acquired by Image Entertainment (which recently joined Bob Johnson's RLJ family) in a deal that included all non-theatrical North American rights (DVD, VOD, Digital Download, etc).
Read More »After "Iron Man," Christopher Nolan's Batman trilogy, "The Avengers" and oh, you know, every other title that arrives every six months, comic-book movies are obviously still all the rage. But it wasn't always like that. In the early aughts there were plenty of misfires, with many of them coming from 20th Century Fox: "Daredevil," "Elektra," "Fantastic Four," "Fantastic Four: Rise of the Silver Surfer," and "X-Men Origins: Wolverine" were all mostly moneymakers, but were all generally reviled. The same applied to lesser-known titles adapted from comics like "The League of Extraordinary Gentlemen," which was also a Fox property based off a comic book series written by Alan Moore that was such a bad film it practically sent him to an early grave and hastened Sean Connery's retirement (of course, we're not even counting dreck like Warner Bros.' "Catwoman").
Read More »Given his eventful life both on the screen and off, it's no surprise that Errol Flynn has already been portrayed by the likes of Jude Law ("The Aviator") and Guy Pearce ("Flynn"). But it looks like the screen legend is getting another go 'round on the big screen, and an equally capable actor is taking him on.
Read More »I suppose this means that I/you/we can expect even more emails alerting us to Kickstarter project campaigns.
Read More »Perennial Iranian director/legend Abbas Kiarostami’s second filmmaking-holiday (the first being the wonderful “Certified Copy”) finds him in Japan, observing two days in the life of an unlikely trio: a student moonlighting as a call girl, her aged, patriarchal client, and the woman’s hot-head boyfriend. “Like Someone In Love” contains many of the auteur’s persistent fascinations -- long car rides, lengthy conversation, numerous off camera actions and characters, leisurely pacing -- but has the unfortunate position of coming directly after a very unique, wonderful piece of cinema. Reactions have been quite mixed since its first festival appearance early this year (our man at Cannes was not as impressed while this writer thought it was lovely) but most can agree that it’s a visually stunning film with plenty of substance to ruminate on.
Read More »Following up with yesterday's news that Beyoncé dropped out of Clint Eastwood's A Star Is Born remake, citing a jam-packed schedule... the singer/actress released a statement to The Hollywood Reporter regarding her exit, stating:
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