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  • Shadow and Act
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    Halle Berry Will Play "A Jewish Woman In The 1930s" & "An Old Tribal Woman" In Wachowski/Tykwer "Cloud Atlas" Adaptation

    Some interesting tidbits about the upcoming, highly anticipated film, from a profile in yesterday's New York Times...

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  • Women and Hollywood
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    I Admit it: I Love Sons of Anarchy

    On the occasion of the fourth season finale tonight I am coming out and admitting to my deep affection for the TV show Sons of Anarchy. This might seem a bit off based on what I usually write about, but my TV watching is very different from my movie watching. I watch a lot of male centric and crime shows on TV. I'm a big fan of Criminal Minds and you can't find a Law and Order I won't watch.

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  • The Playlist
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    Halle Berry Reveals She Plays A 1930s Jewish Woman & Old Tribal Woman In "Phantasmagorical" 'Cloud Atlas'

    To call "Cloud Atlas" ambitious would be an understatement. The film is based on the complex novel by David Mitchell, and the story follows six plot threads across time—a 19th century notary on a Pacific expedition, a bisexual musician in the 1930s, a female journalist embroiled in a thriller in 1970s California, an aging publisher in London in the present, a clone in a futuristic dystopia, and a Pacific survivor in a post-apocalyptic world—all of which fold in on themselves. Oh yeah, all the characters may be sharing the same soul that has traveled through time.

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  • The Playlist
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    So, Bryan Singer's 'The Munsters' Will Apparently Be A Mix Between 'True Blood' & 'Modern Family'

    We're not even sure why they're resurrecting "The Munsters," other than perhaps some executive at NBC heard from this daughter that monsters were cool and dusted off the old TV show, but this thing is happening. And if you though they couldn't make a bad idea sound worse, well, they can.

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  • Press Play
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    THREE REASONS FOR CRITERION CONSIDERATION: Shuji Terayama's PASTORAL, TO DIE FOR THE COUNTRY (1974)

    Every great filmmaker reaches a point in their career when they need to reflect upon their life and childhood, tracing the path that lead them to where they are today. Most often these nostalgic quandaries find their way into new fictionalized scenarios, drawing on personal experience to entertain themselves as well as audiences. Sometimes a director takes a more direct approach, probing their past in the form of autobiographical diaries. Our experiences as children inevitably make us who we are today, and tapping into those memories can provide some tasty material for any filmmaker who questions why they make the kind of films they make. (Look to Federico Fellini’s entire career for further evidence of that point.) Not all memories are immediately accessible to recall, especially those associated with extreme emotional connections.

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  • ReelPolitik
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    Occupy Cinema Occupies Wall Street "Charging Bull"

    Long considered off-limits for Occupy Wall Street, the famous charging bull statue in Wall Street has become a symbol of the brutal ways of American Capitalism, and as reconfigured in Adbuster's imagery, a symbol worth reclaiming and co-opting for the OWS movement. Tonight, starting at 6pm, the Occupy Cinema group has come up with an intriguing way to get around the police barricades and make Adbuster's image a reality.

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  • Thompson on Hollywood
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    Trailer Watch: Extremely Loud Gets Closer with Second Trailer, Press Screenings

    The message in the new trailer for Stephen Daldry's "Extremely Loud & Incredibly Close" is: "if things were easy to find, they wouldn't be worth finding." Loss and grief are front and center after Sandra Bullock and Thomas Horn's characters lose husband/father (Tom Hanks) on 9/11. The young son's need to understand what happened leads him on a journey through Manhattan to discover what the key his father left him means. We're partial to the first trailer, where U2's "Where the Streets Have No Name" and slick editing allude to the story's emotional core. "Extremely Loud" opens Christmas Day.

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  • The Playlist
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    New Posters & Images From 'The Flowers Of War' Starring Christian Bale

    Pretty much all the Oscar contenders are out of the gate and jockeying for position, but one film that still remains an unknown quantity is Zhang Yimou's "The Flowers of War" starring Christian Bale. The expensive Chinese production that splits the language duties between English and Mandarin, has been earning its fair share of buzz, but mostly around the unusual situation of a major Hollywood star stepping into a foreign film. But a recent profile on the film in THR reveals it was none other than Steven Spielberg who championed his "Empire of the Sun" star to Zhang.

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  • ReelPolitik
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    Tributing Jafar Panahi and Mohammad Rasoulof

    New York's Exit Art's Digimovies is hosting tribute screenings in honor of convicted Iranian filmmakers Jafar Panahi and Mohammad Rasoulof, starting tonight, with the Gotham premiere of Rasoulof's Cannes premiere "Goodbye." I've seen the film, and like Panahi's "This Is Not a Film" (currently appearing on 10 best lists) can attest to its unsparing and incisive examination of living within Iran's current oppressive political environment.

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  • The Playlist
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    Danny Elfman Out, James Newton Howard In To Score 'The Hunger Games'

    Ah, ye olde "scheduling conflicts," a catch-all excuse usually utilized to cover up more nefarious frictions between creative types, but in the case of "The Hunger Games," it seems to be the real deal.

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