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  • The Playlist
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    Where Did This Come From? Trailer & Pics For 'Justice' Starring Nicolas Cage & January Jones

    Well, this is a weird surprise. We have to admit, we had pretty much entirely forgotten about "The Hungry Rabbit Jumps." First announced way back in September 2009, the film stars the pretty promising trio of Nicolas Cage, January Jones and Guy Pearce in the Tobey Maguire-produced film about a man (Cage) who becomes involved with an underground vigilante organization after a brutal attack on his wife (Jones). And with Roger Donaldson ("The Bank Job," "Thirteen Days," "No Way Out") -- who is no stranger to making genre fare classier than it should be -- directing, and with comparisons to "The Game" and "Strangers on a Train" being tossed around, it seemed like it could be something potentially interesting. But somewhere along the journey, the movie seems to have lost its way. Though a first look at the film popped up last summer, it has since been mysteriously scrubbed from the EW page where it originated perhaps pointing to distributor woes stateside. However, the movie is unspooling overseas, hitting the U.K. this fall and The Sun has the first trailer. It won't take you too long to realize why this one has been collecting dust.

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  • Women and Hollywood
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    Hot Trailer: The Girl With the Dragon Tattoo

    Now this is more like what I was expecting. Mara actually looks and sounds quite good as Lisbeth. Thoughts?

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  • The Playlist
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    Danny McBride & Craig Robinson Part Of Swelling Cast Of 'Jay & Seth Versus The Apocalypse'

    But It Looks Like Daniel Radcliffe Is OutWe've never liked the term The Frat Pack (for all their potty mouths, the particular comedies that those to whom the term is applied make aren't actually that fratty; Todd Phillips' output is a better fit), but there's no denying that the ever-expanding family tree of actors and comics who've risen up in the last few years, mostly thanks to the patronage of Judd Apatow, are an incestuous lot. Clearly great friends in real life, they like nothing better than cameoing in each other's work, teaming up for buddy pictures, and generally getting paid to hang out on screen.

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  • Shadow and Act
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    Watch Trailer for Docu "Sarabah" About Senegalese Rapper/Singer/Activist Sister Fa

    The film Documentary Sarabah will be featured at the 2011 Heartland Film Festival, which runs from Oct 13th through Oct 22nd. The 60-min documentary by Gloria Bremer and Maria Luisa Gambale centers around Senegalese rapper/singer/activist Fatou Mandiang Diatta AKA Sister Fa and her music and activism against "Female Genital Cutting" of girls in Senegal.

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  • The Playlist
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    Don Cheadle & Bruce Greenwood Take 'Flight' With Robert Zemeckis & Denzel Washington

    Steven Soderbergh says something on the "Out of Sight" DVD commentary that few would disagree with: "If you can put Don Cheadle in your movie, you should put Don Cheadle in your movie." He's been true to his word, going on to cast the great actor in "Traffic" and three "Ocean's Eleven" movies, and Cheadle's livened up plenty of other projects as well, from his Oscar-nominated turn in "Hotel Rwanda" to, most recently, playing straight man to Brendan Gleeson in "The Guard." Hell, he was even brilliant as Captain Planet. Now, Robert Zemeckis has taken the tip, as Cheadle, along with another stalwart character actor, seems to have come on board the latest from the "Back to the Future" director.

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  • ReelPolitik
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    Doc Filmmakers Enter Death Penalty Politics; Michael Moore Declares Boycott of Georgia

    Doc Filmmakers Enter Death Penalty Politics; Michael Moore Declares Boycott of Georgia

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  • Caryn James
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    Jon Stewart And A Talking Emmy On The End of "Don't Ask Don't Tell"

    The end of “Don’t Ask Don’t Tell” was obvious fodder for late night shows, but Jon Stewart handled the story best, with a mix of absurdist gay jokes (Jason Jones dancing in teeny cut-off jeans) and sincere relief that the policy has changed.

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  • The Playlist
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    Universal Wants You To Say Hello To Their Little Friend, A New 'Scarface' Movie

    You can pretty much feel the change in thinking over at Universal with this bit of news. After spending the last year or so cancelling a plethora of potentially risky projects (“At the Mountains of Madness,” “Memphis,” “In the Heights,” “The Dark Tower,” “Clue,” “Ouija,” “Wicked Lovely”) and currently smarting from some less than stellar box office returns for films like “Your Highness,” “The Change-Up” and “Cowboys & Aliens” this year, it seems the studio is sticking with brands that they know. And one of their biggest catalog titles is "Scarface," and since there are only so many times you can reissue that thing on DVD and BluRay (the most recent upgrade just came out a couple of weeks ago) they are just gonna go ahead and make a new movie.

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  • Hope for Film
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    Brian Godshall on "8 Developments in The World of Music"

    Music is a big deal for every filmmaker. But every Producer also knows that come music clearance time, money is running out, nerves have been scraped raw, and it is a hell of a lot of work and time to get the clearances in place. And usually you can not get paid until you complete delivery, and that includes delivery of the music licenses.Those dedicated, music-loving souls whom do the clearances are one of the many unsung heroes of the film biz. I have had the pleasure of working with Brian Godshall on several of my films, and he is one of the really great ones. Today, he extends his generosity to share some of the latest developments of where the film and music world meet.

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  • Peter Bogdanovich
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    Bluebeard

    The career of director Edgar G. Ulmer, one of diehard film buffs’ major cult favorites, is an object lesson in the triumph of talent, courage, ingenuity and passion over time and money. Ulmer rarely had more than a minuscule budget and six days to shoot an entire feature; this is one to two days shorter than TV directors today are given to film a one-hour (actually more like 48-minute) series episode. The discipline and resourcefulness required to be able to turn out any sort of full-length product in that short a time is impressive by itself, forget about also revealing a strong personality and an often vivid style as Ulmer did repeatedly in numerous Poverty Row classics like the nightmarish Detour (1946), or the uncompromising Ruthless (1948), or the remarkably atmospheric period horror tale of 19th century Paris, 1944’s BLUEBEARD (available on DVD). The star is the legendary patriarch of one of our most enduring acting families, John Carradine, in a role he always ranked high among his best.

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