Click to Skip Ad
Closing in...
Celebrating 17 Years of Film.Biz.Fans.

the Blogs

recent Posts

  • Women and Hollywood
    0 comments

    Feed is Fixed

    Thanks to a heads up we learned that the RSS feed for Women and Hollywood was broken. It took a bit of detective work but the good folks at Indiewire have now fixed it so you probably got all the feeds at once last night. We also migrated some old feeds to the new feeds so you might get two. Sorry about that. You can deactivate one of them.

    Read More »
  • The Playlist
    0 comments

    Sundance Review: 'Liberal Arts' Is A Mostly Charming Sophomore Effort From Writer/Director Josh Radnor

    Every young filmmaker dreams of getting their debut into Sundance and hopes that if it goes over well, they can turn that buzz into a distribution deal with a successful theatrical run not far behind. But getting in to the festival is only the beginning. Even if your film is a hit, Sundance audiences are not always the most reliable indicator of what will click with audiences outside the buzzy confines of Park City. Just ask “How I Met Your Mother” actor Josh Radnor, whose debut film as a writer/director "Happythankyoumoreplease" received the audience award back in 2010 only to hit theaters over a year later and fizzle with critics and audiences (though the film has developed a following since becoming available on Netflix Instant). Radnor is back this year with his sophomore effort "Liberal Arts," which has already garnered comparisons to some of his cinematic idols and received not one but two standing ovations during festival screenings. Whether that buzz will translate into a wider audience is anybody's guess but right now things are looking pretty good for the actor-turned-filmmaker.

    Read More »
  • The Playlist
    0 comments

    Sundance Review: 'The Imposter' A Remarkable & Entertaining Tale About The Illusion Of Truth

    It isn’t often that audiences will feel inclined to believe the word of a proven liar over a family who suffered as a result of his dishonesty, but “The Imposter” achieves that unusual feat. A documentary about a family stricken with tragedy that unwittingly takes in a con artist, director Bart Layton tells an almost too-amazing-to-be-true story that creates a truth, establishes sympathies, and then razes everything we think we know. A remarkable, entertaining and even sometimes shocking film, “The Imposter” utilizes reenactments and first-person interview footage to create a vivid account of a story whose actual details seem impossible to parse out from an entanglement of the participants’ recollections, feelings and most unexpectedly of all, their hopes about what actually happened.

    Read More »
  • The Playlist
    0 comments

    Sundance Review: 'Safety Not Guaranteed' A Grounded, Genuine, Oddly Effective Charmer

    Although at this point there are way too many stories about quirky man-children and the women who love them, “Safety Not Guaranteed” is an oddly effective little charmer. A film that harkens back to the magical-realism adventures of the 1980s rather than the twee dollhouse making of the last decade, Colin Trevorrow’s tale of a trio of journalists who investigate a personals ad from an oddball requesting a partner in a time-travel experiment is far more grounded, genuine, and moving than its conceit suggests. At the same time, there’s little that’s especially new or original about “Safety Not Guaranteed,” but it ekes out a victory over so much of its indie-darling competition simply by following through on the ideas it introduces.

    Read More »
  • The Playlist
    0 comments

    Sundance Review: 'Bachelorette' Is The Movie For Anyone Who Wished 'Bridesmaids' Was More Like 'The Hangover'

    Produced by Will Ferrell and Adam McKay's Gary Sanchez Productions, "Bachelorette" is the movie for all those people that wished "Bridesmaids" was more like "The Hangover." Three bridesmaids embark on a non-stop parade of debauchery fueled by coke, booze, and pills that make "The Hangover" dudes seem kind of like pussies. Kirsten Dunst plays Queen Bee Regan, leader of the "B-Faces" (short for "bitch faces"), a group of high school friends now in their early '30s scattered across the country in various stages of their lives. This crew includes promiscuous cokehead Gena (Lizzy Caplan), spacey retail worker Katie (Isla Fisher) and Becky ("Bridesmaids" scene stealer Rebel Wilson), a girl who was known as "Pig Face" in high school. Improbably, Becky becomes the first of the group to get engaged, to one of NYC's most wealthy men, and this confuses Regan -- who works with sick kids, keeps a perfect figure, and does everything she thinks she should to be the first one to walk down the aisle -- to no end. She tries (with all the muscles in her face) to remain supportive as she receives the news, but it's painfully clear she is not happy about it.

    Read More »
  • The Playlist
    0 comments

    Annapurna Pictures Drops Out Of 'Side Effects' Over Casting; Potential Options Emerge, While Catherine Zeta-Jones Joins Cast

    Well, that was quick. Just one week after announcing it had signed on with Open Road, the distributors of the film, to co-finance Steven Soderbergh’s psychological thriller, “Side Effects,” Megan Ellison’s Annapurna pictures has backed out of the project (however, Open Road is staying put to distribute the film). But it's not all gloom and doom for "Side Effects," though, as Soderbergh's "Traffic" co-star Catherine Zeta-Jones has just signed onto the project (via Deadline).

    Read More »
  • SydneysBuzz
    0 comments

    Sundance Institute and Mahindra Global Filmmaking Award

    Sundance Institute and Mahindra announced the winners of the 2012 Sundance Institute/ Mahindra Global Filmmaking Award, in recognition and support of emerging independent filmmakers from around the world at a private ceremony on January 24 at the 2012 Sundance Film Festival in Park City, Utah.

    Read More »
  • The Playlist
    0 comments

    'Man On A Ledge' Star Anthony Mackie Was "Excited Beyond Belief" To Play Jimi Hendrix In Paul Greengrass' Aborted Biopic

    Seeing the name Anthony Mackie in the opening credits is fast becoming a reassuring sign. Not necessarily of the quality of a movie -- we can't say we adored "Real Steel" or "What's Your Number," exactly -- but an indication that at least one good performance will take place over the course of the running time.

    Read More »
  • Thompson on Hollywood
    0 comments

    Sundance Reviews: Sony Pictures Classics Pick-Up 'Celeste & Jesse Forever'

    Sony Picture Classics has acquired all North American, Latin American, and Eastern European rights to Sundance Premiere title "Celeste & Jesse Forever."

    Read More »
  • Thompson on Hollywood
    0 comments

    Focus Acquires Raunchy Comedy 'For a Good Time, Call...'

    Focus Features made its first buy at Sundance today, paying some $2 million to beat out rival bidders to acquire worldwide rights to first-time director Jamie Travis's "For a Good Time, Call..." The film, which had its world premiere this week in Park City, is a timely comedy about two young women with little in common who room together in New York. When the reserved Lauren finds out that Katie, her roommate, works part-time as a phone-sex operator, the two strike up a friendship and a business partnership to boot, starting their own 1-900 business.

    Read More »