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  • The Playlist
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    First Look: Rachel Weisz & Tom Hiddleston In Terrence Davies' 'The Deep Blue Sea'

    Terrence Davies doesn't make movies very often, but when he does, we sit up and pay attention because he is one of the masters. His last film was the documentary/memoir/tone poem "Of Time And The City," and that was four years ago. Eight years before then was "The House Of Mirth." So when it was announced that Rachel Weisz would be leading his latest effort, "The Deep Blue Sea," we nearly toppled over in excitement.

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  • The Lost Boys
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    If The indieWIRE Critics Poll Picked The Oscars

    The 2010 indieWIRE Critics Poll in all its glory is now complete and online for your pleasure. Though you could go ahead and figure this out yourself, I did you the geeky service of going through and compiling what the results would look like if the categories were Academy Award-style. It's a dreamy list. And while some categories look to have near zero crossover with Oscar, strangely enough best actor and best supporting actor here could end up going 4 out of 5.

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  • Thompson on Hollywood
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    The Fighter's Dicky Eklund HBO Backstory

    The Fighter is based on real characters from Lowell, Massachusetts, and the HBO doc on Dicky Eklund (played by Christan Bale), is up on Snagfilms.

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    More: Genres, Video, TV, Drama, HBO
  • The Playlist
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    Sundance Selects Goes Theatrical In 2011 & New Rental Service SundanceNow Launches

    This afternoon we spoke to Jonathan Sehring, President of IFC Entertainment. With the year coming to a close, 2010 marks IFC's tenth anniversary as a film distributor and in that time, they have become one of the most respected and important players on the market. They've adapted to the continually shifting world of independent cinema, embraced as one of the pioneers of theatrical/VOD day and date distribution and this year found the company launching yet another outlet, IFC Midnight, an outlet for genre films such as "The Human Centipede" and "Antichrist." But as we head into 2011, IFC Entertainment will continue to forge ahead with new venues for film lovers to find their favorites of today and yesterday.

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  • REVERSEBLOG: the reverse shot blog
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    No Way Out: Lee Chang-dong's "Secret Sunshine"

    Teeming with incident, full of emotions, roiling with anger, Secret Sunshine is nevertheless something like a blank canvas. Director Lee Chang-dong’s protracted yet endlessly involving tale of grief and regeneration is a classically tailored assemblage of small, clipped moments, prizing the intricacies of human behavior but also acknowledging it as remote and difficult to define. Likewise, Cannes Best Actress-winner Do-yeon Jeon, who remains the center of the film for its 142-minute running time, is kept at a curious arm’s length—every time we feel we’re one step closer to her, the film takes two steps back. Though Secret Sunshine’s schizophrenic storytelling ensures that Do-yeon will toggle between hope, desperation, despair, hostility, and peace, the director makes all of these fluctuations as ungraspable as gusts of wind.

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  • The Playlist
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    Exclusive: Sofia Coppola Says Roman Coppola Is Working On A New Feature-Length Film

    Project Is Under Wraps, But It'll Be His First Feature Since 2001Filmmaker Roman Coppola hasn't made a film since 2001, the weird and wonderful "CQ," his paean to the groovy films of the '60s, perhaps completely influenced by the cheesy/awesome super-thief Mario Bava action-heist film, "Danger: Diabolik." Yes, "CQ" is different. It's a film within a film, and the story of a young director (Jeremy Davies) who moves to Paris to make sci-fi films, but it has similar sensibilities with its purposeful cornball, period-piece effects and it's excellent psychedelic go-go score by the French band Mellow. It's an incredibly underrated film -- Jason Schwartzman and Giancarlo Giannini play sleazy, Italian film directors and producers and they steal every scene with delicious aplomb -- and one you should watch, even if it was routinely ignored at the time.

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  • Thompson on Hollywood
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    Oscar Watch: 248 Films Eligible for Best Picture

    Oscar Watch: 248 Films Eligible for Best Picture

    The Academy has gone through all the submissions for best picture this year and counts two hundred forty-eight feature films that are eligible. To be eligible for 83rd Academy Awards® consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days. Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format. Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category.

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    More: Awards, Oscars
  • The Playlist
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    Sarah Jessica Parker, Pierce Brosnan, Kelsey Grammer & More Team For 'I Don't Know How She Does It'

    Christina Hendricks, Olivia Munn & SNL's Seth Meyers Also Among Ensemble CastIt seems that women -- at least in popular culture -- can never get their life together even if they have a perfect job, great kids and a loving husband. Chick lit and chick flicks have no problem continually driving this message home, pitching dizzy, exhausted women into a world where having to do more than one thing at once seems overwhelming.

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  • The Playlist
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    Exclusive: Javier Bardem Talks The Sorrow, Joy Of Being 'Biutiful' & Working With Terrence Malick

    Oscar-Winning Actor Also Says Reported Project With Tony Scott Is "Not Real"A dying street hustler with two young children, a bi-polar ex-wife and a dicey career in the black market of Barcelona, Alejandro González Iñárritu's harrowing humanist drama, “Biutiful,” follows the final days of Uxbal, as he struggles to prepare all the parts of his life to go on without him. Oh yes, and to complicate things, the man coming to terms with his own mortality has a special gift/curse; he sees dead people. At times touching, at others shocking and bleak, this film certainly produces affect, but it is biutiful indeed, and due in no small part to the performance of lead actor Javier Bardem. We recently had a chance to speak to the Oscar winner about the film’s critics, Hollywood's rallying around the film, the painful exercise of living the character Uxbal, his latest project with Terrence Malick and more.

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  • Thompson on Hollywood
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    Scott's State of Cinema, Firth's King George Speech, Franco Fights Boredom

    A year from now, most 2010 releases will be forgotten, to be replaced by sequels and flashy remakes. As the first decade of the twenty-first century closes, the NYT's A.O. Scott explores the themes of 2010 (defining the first year of the new decade, perhaps). He shares thirty examples of films from 2010 that "defy expectations and break patterns." 2010 will only become the "answer to a trivia question" for films that maintain their relevance over time, he asserts. Was 2010 a good year in film? "Who cares?…The movies — good and bad alike — shed a blinking, blurry light on the times, illuminating our collective fears, fantasies and failures of will." Below, a sampling of his postulations on the Cinematic State of Things:

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