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  • The Playlist
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    Watch: Ryan Gosling Confronts Michelle Williams In Clip From 'Blue Valentine'

    So far, the clips from "Blue Valentine" have largely focused on the happier times between the central couple Dean and Cindy played by Ryan Gosling and Michelle Williams, but in the latest look to hit the web, things are not going so well.

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  • Thompson on Hollywood
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    New MGM Chairmen Birnbaum and Barber Will Turn On Green Light by Mid-December. Whither Bond?

    Now that the U.S. Bankruptcy Court for the Southern District of New York has approved MGM's reorganization plan, by mid-December, if all goes smoothly, the lean and mean MGM will have emerged from Chapter 11 bankruptcy, MGM's secured lenders will exchange some $5 billion (which includes accrued interest and fees) for most of the equity in MGM, JPMorgan Chase will have raised $500 million for operations funding, and Spyglass partners Gary Barber and Roger Birnbaum will take over the studio as co-chairman and chief executive officers of MGM Inc. That means they can start greenlighting movies and TV shows.

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  • The Playlist
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    Ron Perlman Out Of 'The Hobbit,' Nic Cage Talks "Abstract" 'Ghost Rider 2' & More Sequel News

    Jeff Bridges Talks Sequel To 'The Last Picture Show'; 'American Pie 4' In The Works & More-Ron Perlman has confirmed that with the exit of Guillermo del Toro, he too will be skipping "The Hobbit." "I'm not doing [it]," he told ComingSoon. His giant forehead will next be seen in "Season of the Witch" and will probably be a candidate to show up in del Toro's "At The Mountains of Madness." -Nicolas Cage confirmed to io9 that "Ghost Rider: Spirit of Vengeance" is more of a standalone story than an actual sequel to 2007's dodgy "Ghost Rider." "This one is completely reconceived," he says, comparing the original to a "fairy tale," adding, "It's not even connected to the first one, it's a different origin story. But I think it will be a brand new experience." Cage adds, "...we're getting into some really abstract stuff that I think will mess with people's minds." He also states that the involvement of directors Brian Taylor and Mark Neveldine were the reason he signed to do the project in the first place, which certainly makes it seem like he doesn't owe millions of dollars to the IRS. But hey, castles don't pay for themselves.

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  • Matt Dentler's Blog
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    Turn Off the Dark

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  • The Playlist
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    Exclusive: Darren Aronofsky Talks Natalie Portman's "Terrors & Metamorphosis" In 'Black Swan'

    Filmmaker Says Ballet Horror Was 10 Years In The Making; Is Glad His Old Boxing Project 'The Fighter' Is In Good Hands It's more than appropriate that when we sat down to chat with Darren Aronofsky, director of this week's flat-out brilliant ballet world thriller "Black Swan," we would do so under a giant framed photograph of Peter Cushing, Christopher Lee, Vincent Price, and John Carradine. The icons of horror seemed to be giving Aronofsky their blessing, and on the eve of his own super-spooky movie, seemed to be saying: "Welcome to the club." He's in good company. And "Black Swan" is a very worthy inclusion in the canon of horror greats.

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  • Spout
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    NASA Finds Arsenic-Based Alien Lifeform: Ivan Reitman's "Evolution" to Come True?

    Today NASA announces that it has discovered an arsenic-based bacteria with a DNA block that's completely alien to everything we've ever known. The lifeform was actually found on Earth, in Caifornia's Mono Lake, but we can assume it came from another world via meteor (or a spaceship of some kind). Is there anything to be afraid of? Well, the first thing I thought of when I heard about the arsenic connection was Ivan Reitman's 2001 barely veiled "Ghostbusters" remake, "Evolution." But I recalled incorrectly that the aliens in the film were arsenic-based. They were nitrogen-based. Arsenic was only mentioned when David Duchovny's character theorizes that the aliens could be killed with selenium the same way Earth's carbon-based organisms can all be killed with arsenic.

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  • SydneysBuzz
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    Sundance Film Festival Offers A Window on the World (with Contacts)

    Sundance's announcement yesterday of the 4 main categories plus Premieres - U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition, World Cinema Documentary Competition -- is a mash of many cultures not only in "World" sections, but within the U.S. sections themselves. Consistent with my vision (and wish) to see world cultures enter the mainstream of independent features as I write about Africa (and its diaspora), Latino films, and about women filmmakers (♀), and Asia, a look at the Sundance lineup takes us beyond these cultures as they increasingly merge with one another. European cinema also looks healthy from here with exportable films in all sections. Here is a view, thus far, of the films as a windows into cultures beyond what we see in mainstream Hollywood, a welcome return to Sundance roots. The Competition and Premiere titles are below.Benavides Born by Amy Wendel, Photo by Noam J. ChristopherLast year, Sundance Film Festival showed approximately 115 features. Of those 25 (20%) were directed by women ♀ . In the Premiere section, out of 16 films 7 had women directors. This year out of 14 Premieres 1 is directed by a woman, Jill Sprecher's The Convincer. Oh well...For the 2011 Sundance Film Festival, 115 feature-length films were selected, representing 28 countries by 40 first-time filmmakers, including 25 in competition. These films were selected from 3,812 feature-length film submissions composed of 1,943 U.S. and 1,869 international feature-length films. 92 films at the Festival will be world premieres.

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  • REVERSEBLOG: the reverse shot blog
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    Bird-Brained: Darren Aronofsky's "Black Swan"

    If nothing else, Black Swan will certainly be the nuttiest movie to be mistaken for serious art in 2010, a true distinction as these last beleaguered twelve months of moviegoing saw contenders like Gaspar Noé’s harebrained Enter the Void and Andrei Konchalovsky’s utterly baffling The Nutcracker in 3D fall by the wayside. Darren Aronofsky has a leg up on his competitors: his horror movie about a good girl gone mad is set in the rarefied world of professional ballet (note the conspicuous exteriors of Lincoln Center, home to a film festival that, until The Wrestler, hadn’t been particularly accommodating to Aronofsky’s work), kibble for a gray-haired audience that likely passed over Pi, Requiem for a Dream, and (hee hee) The Fountain, but who help set the terms of the debate about what’s important or frivolous in our theaters and year-end awards shows. That crowd may well be stunned silent by what they find in here: this cracked fantasy is no The Red Shoes. Though perhaps they may share the reaction of the Philadelphia Film Festival audience I saw Black Swan with not long ago: waves of gut-busting laughter. Whether or not Aronofsky’s also laughing is an open question. Read Jeff Reichert's review of Black Swan.

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  • Thompson on Hollywood
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    Suspect in Ronni Chasen Slaying Shoots Self

    Suspect in Ronni Chasen Slaying Shoots Self

    The LA Times is reporting that around 6 PM Wednesday, as Beverly Hills police were serving a search warrant at the Harvey Apartments on a man suspected to be connected to the slaying of publicist Ronni Chasen, the man shot himself. The identity of the man and the nature of his connection to Chasen were not reported. UPDATE: The Wrap uncovers more details.

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  • The Playlist
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    Plot Details Emerge For Terrence Malick's 'The Burial'

    This is a story we hemmed and hawed on doing mostly because it seems like a sucker punch to gut the details on Terrence Malick's next film, "The Burial." And while the info is now making the rounds, for all the extensive plotting revealed, Malick has never been one to stick directly to a script, and the weightier thematic issues and the tone and tenor of the finished work often emerges throughout the editing process. So for everything that is mentioned here, how the final product is shaped probably isn't best described by simple plot beats. But needless to say, if you don't want to know anything about the film stop reading here. Seriously.

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