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  • The Playlist
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    Colin Firth To Take Revenge As 'The Railway Man'

    Sure, he may be a prim-and-proper British gentleman, but it seems clear Colin Firth wants to break out of that ghetto. While he ultimately flirted with but turned down the dark drama "Stoker," he will turn to the wrong side of the law for the upcoming "Gambit." And now, he's going to take the revenge route as "The Railway Man," in which Firth would play Eric Lomax, a real-life army officer who suffered at the hands of Japanese soldiers during World War II, only to seek revenge decades later.

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    More: Actors
  • Hope for Film
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    Allow Me To Take YOU To Venice To Experience DARK HORSE

    It's pretty crazy how fast everything moves these days. We are able to leap countries and time to find what we missed continents away.

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    More: New Movies
  • The Playlist
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    Matt Damon Hasn't Got Time For Your 'Bourne Legacy' Shenanigans

    For a while, the rumor was floating that the spinoff film "The Bourne Legacy" would in some way utilize Matt Damon's Jason Bourne character, possibly in a cameo. Hell, the guy's already in the title. This ignores the politics of tentpole moviemaking, as the very act of rebooting serves many strategies, one of them being, "We're sick of paying the people who bring us success." So even with the 'Bourne' franchise achieving ever-escalating box office grosses ($442 million worldwide on the last entry), Damon, director Paul Greengrass and Universal couldn't reach a suitable agreement regarding a fourth film, leading to the significantly cheaper team of director Tony Gilroy and star Jeremy Renner.

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  • Caryn James
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    Cough, Cough! Gwyneth Paltrow, Jude Law, Matt Damon in Soderbegh's Plagued "Contagion"

    I guess it never hurts to be reminded to cover your mouth when you cough, but Steven Soderbergh’s plague-thriller Contagion should have been so much more than a star-filled health warning.

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  • The Playlist
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    Ron Howard To Direct '364' From 'Safe House' Writer David Guggenheim

    Ron Howard's always got more than a few irons in the fire, and he's about to add one more. Universal has acquired "364," a ridiculous-sounding pitch from David Guggenheim, the writer of the upcoming Denzel Washington/Ryan Reynolds starrer "Safe House." The story concerns a man who spends exactly 364 days of the year trying to plan how he'll spend the one day annually in which he has super powers. So, a seasonal Superman.

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  • The Playlist
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    TIFF '11 Review: Manipulative & Melodramatic 'A Separation' Is A Soap Opera Morality Tale

    The fall festival circuit is all about buzz, and while the frontrunners for the awards season can usually be spotted a mile away, it's the sleeper sensations everyone keeps an eye out for now. As Telluride wrapped up this weekend, the Iranian film "A Separation" directed by Asghar Farhadi, began building some serious heat. Thought it has been playing international festivals all summer long and won multiple awards in Berlin earlier this year including the Golden Bear, the very strong word out of Colorado, led by a rave by Jeff Wells over at Hollywood Elsewhere -- who admitted to missing the first third of the picture -- put the movie on the schedule for many of the folks headed to Toronto. Believe it or not, the film (as of this date anyway) has even edged into the IMDB Top 250. And now that we've caught up with it we have to ask: did we see a completely different movie?

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  • Hope for Film
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    The End Of The Auteur Era Of Film?

    People like to get credit for their work, but have they been getting the right credit for it? Are we able to recognize when something is a collaboration as opposed to a work of an individual who has hired a team to execute it?

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  • REVERSEBLOG: the reverse shot blog
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    Venice Film Festival 2011: Dispatch One

    A few weeks ago in Locarno, an acquaintance (I believe it was Filipino director Raya Martin) fittingly described this year’s Venice Film Festival line-up as “a monumental name-dropping.” And boy, was he right. Here are a few names that dropped during the first four days of the festival (pardon, the “international exhibition of film art,” according to the literal translation from the Italian title): Polanski, Cronenberg, Garrel, Soderbergh, Solondz, Pacino, Haynes, McQueen . . . and Madonna. Faced with such abundance, one has to make difficult choices. I resolved to commit to Orizzonti (Horizons), an experimental section that’s historically had surprises in store. This decision was made simpler by the organization’s strict, hierarchical entry system: after a few failed attempts to get into the major screenings, I figured it was time to venture into the unknown.

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  • The Playlist
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    HBO Picks Up Aaron Sorkin's News Room Drama, The Formerly Titled 'More As The Story Develops'

    Get ready for a weekly dose of Aaron Sorkin once again. After a number of celebrated television ventures including "Sports Night," "The West Wing" and most recently "Studio 60 On The Sunset Strip," Sorkin will soon be back on the small screen, as his hour-long, untitled news-room drama series, formerly called "More As The Story Develops," was picked up by HBO this week.

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  • The Playlist
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    First Look Clip From Rodrigo Garcia & Glenn Close's 'Albert Nobbs'

    After premiering to largely lukewarm reviews last weekend at the recent Telluride Film Festival, we now have our first look clip at Glenn Close in her titular, gender-bending role in Rodrigo Garcia's "Albert Nobbs."

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