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box office: week of December 11

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
Hyde Park On HudsonFocus Features4$81,362$20,341$81,362
BURN: One Year On The FrontlinesArea23a4$54,407$13,602$64,286
Rust And BoneSony Pictures Classics4$52,059$13,015$128,544
Beware of Mr. BakerIndependent1$10,349$10,349$36,548
Lost Angels: Skid Row Is My HomeCinema Libre1$7,039$7,039$7,039
Silver Linings PlaybookThe Weinstein Company371$2,171,665$5,854$13,964,405
A Werewolf BoyCJ Entertainment19$85,033$4,475$123,634
In Our NatureCinedigm Entertainment1$4,378$4,378$4,378
The Rabbi's CatIndependent1$4,301$4,301$4,301
HitchcockFox Searchlight181$712,544$3,937$1,661,670
Anna KareninaFocus Features422$1,544,859$3,661$6,603,042
Back To 1942China Lion Entertainment18$56,604$3,145$212,475
Somewhere BetweenLong Shot Factory1$2,768$2,768$171,368
The Central Park FiveIFC Films10$27,622$2,762$123,333
California SoloStrand Releasing2$5,008$2,504$9,246
Wagner & MeFirst Run2$4,891$2,446$17,947
TchoupitoulasOscilloscope Pictures1$2,379$2,379$2,379
Love, MarilynSubmarine Deluxe1$2,370$2,370$6,950
Keep The Lights OnMusic Box Films1$1,951$1,951$241,842
MasqueradeCJ Entertainment1$1,839$1,839$898,830
Chasing IceSubmarine Deluxe57$102,401$1,797$502,780
Waiting For LightningIDP/Samuel Goldwyn Films11$19,537$1,776$19,537
DeadfallMagnolia Pictures11$19,391$1,763$19,391
Thieves, TheWell Go USA, Inc.2$3,181$1,591$681,554
North Sea TexasStrand Releasing3$4,349$1,450$16,252
Only The YoungOscilloscope Pictures1$1,446$1,446$1,446
Brooklyn CastleProducers Distribution Agency4$5,490$1,373$183,733
The Other SonCohen Media Group43$55,978$1,302$963,591
KumareKino Lorber1$1,284$1,284$130,836
A Royal AffairMagnolia Pictures43$53,889$1,253$459,087
The FlatIFC Films17$20,789$1,223$418,729
The Big PictureMPI Media5$5,952$1,190$151,457
A Late QuartetEntertainment One Films63$73,290$1,163$995,642
The SessionsFox Searchlight197$218,973$1,112$4,948,342
SamsaraOscilloscope Pictures8$8,891$1,111$2,550,746
The House I Live InAbramorama Entertainment4$4,215$1,054$176,368
StarletMusic Box Films10$9,386$939$70,568
This Must Be The PlaceThe Weinstein Company5$4,540$908$136,339
The Waiting RoomInternational Film Circuit5$4,390$878$168,112
Searching For Sugar ManSony Pictures Classics42$36,822$877$2,893,916
The Perks Of Being A WallflowerLionsgate175$138,498$791$16,858,393
Cheerful Weather For The WeddingIFC Films1$727$727$727
My Worst NightmareStrand Releasing1$668$668$7,993
All TogetherKino Lorber1$638$638$37,238
ArbitrageRoadside Attractions25$15,580$623$7,877,441
The Loneliest PlanetIFC Films6$3,685$614$123,174
SmashedSony Pictures Classics29$15,928$549$356,987
The MasterThe Weinstein Company23$12,069$525$15,895,739
Diana Vreeland: The Eye Has To TravelIDP/Samuel Goldwyn Films15$7,176$478$928,157
Lay The FavoriteRadius-TWC61$20,998$344$20,998
CitadelCinedigm Entertainment2$584$292$12,169
Well-Digger's DaughterKino Lorber1$258$258$370,981
Intouchables, TheThe Weinstein Company12$2,913$243$13,049,078
Celeste And Jesse ForeverSony Pictures Classics2$366$183$3,094,687
Orchestra Of ExilesFirst Run2$328$164$24,710
Chicken With PlumsSony Pictures Classics4$586$147$253,705
AlpsKino Lorber1$143$143$15,292
Escape Fire: Fight To Rescue American HeRoadside Attractions2$189$95$83,876
Free RadicalsKino Lorber1$74$74$3,627

box office news archive

  • The Playlist
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    ‘The Fault In Our Stars’ Weeps Its Way To #1, Tom Cruise’s ‘Tomorrow’ Falters With Less Than $30 Million

    Opening to slightly smaller numbers than predicted, Shailene Woodley’s romantic weepie “The Fault In Our Stars” took the number one slot this weekend, perhaps proving that you don’t need science-fiction or high concept in order for a YA novel to connect with audiences. While its weekend debut was be...

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  • Thompson on Hollywood
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    Friday Box Office: 'Fault In Our Stars' Continues Female-Driven Rebound, While Cruise's 'Edge of Tomorrow' Is Spotty

    With the strong initial grosses for "The Fault in Our Stars" (20th Century Fox), another young adult novel has turned into a significant hit.

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  • Thompson on Hollywood
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  • Box Office Insider
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    No Fault Performance: "Fault In Our Stars" Rolls To Enormous Opening Night

    Tweens ran rampant at the multiplex last night and figuring in the Thursday shows, "The Fault In Our Stars" rocked to a $26 million opening night.

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  • Indiewire
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    Indie Box Office Preview: Are 'Child' and 'Case Against 8' As Obvious Hits As We'd Hope?

    In a new weekly fixture here at Indiewire, we're previewing notable new specialty releases in terms of their box office potential.

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  • Box Office Insider
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    Weekend Top 10 Projections: Why Weepy Tweens Will Topple Tom's "Tomorrow"

    Look for females to find no "Fault In Our Stars" this weekend as the tween rom/drama seeks to expand past its core 12-20 year old demographic and lure older women into the multiplex. If they can pull off that feat then first place is a given as "Maleficent" and "Edge Of Tomorrow" will have to settl...

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  • Box Office Insider
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    Bollywood This Weekend: Akshay Kumar Proves A Soldier Is Never Off Duty In "Holiday"

    Back in action, Akshay Kumar returns to Bollywood screens this week with perhaps his most serious outing ever, "Holiday: A Soldier Is Never Off Duty".

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    Hit Or Miss: How "Maleficent" Overperformed, Seth and Charlize Died In The West And "Chef" and "Belle" Continue To Benefit From Great Release Dates

    There are usually one or two executives at every studio whose main job it is to attempt to work with the MPAA ratings board to nip here or tuck there to achieve a desired rating for each film. Kudos to whoever that person is at Disney for securing a PG rating for "Maleficent"!

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  • Thompson on Hollywood
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    John Green's Enthusiastic Fan Base Bodes Well for 'The Fault in Our Stars'

    John Green's fans love him. As in, LOVE him. The "Fault in Our Stars" scribe has nearly 2.5 million(!) followers on Twitter and his vlogbrothers YouTube videos routinely rack up 500,000 to a million hits.

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  • Women and Hollywood
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    Maleficent Soars to the Top of the Box Office with $170 Mil in Global Ticket Sales

    To the surprise of no one (except maybe studio execs), female audiences made the Angelina Jolie vehicle a hit.

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  • Box Office Insider
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    "Maleficent" Sleeping Beautifully Overseas With $100 Million Ransom

    In the penultimate week prior to the start of the World Cup, Disney's "Maleficent" edged out Fox's "X-Men: Days Of Future Past" to top the overseas box office. The Angelina Jolie film took in a nice round number of $100 million while the X-Men gang was a close second at $95 million.

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  • Box Office Insider
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    Warners Remains Market Share King But "Maleficent" Moves Disney Into 2nd

    Warners has a solid hold on the studio box office market share derby and thanks to a big weekend with "Maleficent", Disney has now slipped into the #2 slot. The next few weeks should see Fox move into contention with both "The Fault In Our Stars" and "How To Train Your Dragon 2". Should be interes...

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  • Thompson on Hollywood
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    Career Watch: Has 'Maleficent' Restored Angelina Jolie's Box Office Mojo?

    Reviews were mixed. But for moviegoers, the $70 million opening for "Maleficent" -- an Angelina Jolie record -- for a rare female summer action adventure suggests that they were transfixed by the sight of the right actress in a perfect-fit role.

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  • Thompson on Hollywood
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    Arthouse Audit: 'Restrepo' Sequel 'Korengal' Tops Specialty Box Office; Kelly Reichardt's 'Night Moves' Takes Second

    An eclectic group of new releases failed to provide any films with more than niche potential in upcoming weeks. The standout is "Korengal" (Saboteur), a sequel of sorts to the Oscar-nominated documentary feature "Restrepo," which had a New York opening in the range of its predecessor. "Night Moves" ...

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  • Indiewire
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    Specialty Box Office: Kelly Reichardt's 'Night' Has Decent Moves; Sebastian Junger's 'Korengal' Stronger

    Here's a rundown of the specialty box office this weekend, which saw Sebastian Junger's doc "Korengal" top openers in its exclusive engagement debut, narrowly beating out the per-theater-average of Kelly Reichardt's "Night Moves," which was in one more theater. News wasn't quite so good for other op...

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