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box office: week of Tue Dec 11 17:20:00 EST 2012

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
Hyde Park On HudsonFocus Features4$81,362$20,341$81,362
BURN: One Year On The FrontlinesArea23a4$54,407$13,602$64,286
Rust And BoneSony Pictures Classics4$52,059$13,015$128,544
Beware of Mr. BakerIndependent1$10,349$10,349$36,548
Lost Angels: Skid Row Is My HomeCinema Libre1$7,039$7,039$7,039
Silver Linings PlaybookThe Weinstein Company371$2,171,665$5,854$13,964,405
A Werewolf BoyCJ Entertainment19$85,033$4,475$123,634
In Our NatureCinedigm Entertainment1$4,378$4,378$4,378
The Rabbi's CatIndependent1$4,301$4,301$4,301
HitchcockFox Searchlight181$712,544$3,937$1,661,670
Anna KareninaFocus Features422$1,544,859$3,661$6,603,042
Back To 1942China Lion Entertainment18$56,604$3,145$212,475
Somewhere BetweenLong Shot Factory1$2,768$2,768$171,368
The Central Park FiveIFC Films10$27,622$2,762$123,333
California SoloStrand Releasing2$5,008$2,504$9,246
Wagner & MeFirst Run2$4,891$2,446$17,947
TchoupitoulasOscilloscope Pictures1$2,379$2,379$2,379
Love, MarilynSubmarine Deluxe1$2,370$2,370$6,950
Keep The Lights OnMusic Box Films1$1,951$1,951$241,842
MasqueradeCJ Entertainment1$1,839$1,839$898,830
Chasing IceSubmarine Deluxe57$102,401$1,797$502,780
Waiting For LightningIDP/Samuel Goldwyn Films11$19,537$1,776$19,537
DeadfallMagnolia Pictures11$19,391$1,763$19,391
Thieves, TheWell Go USA, Inc.2$3,181$1,591$681,554
North Sea TexasStrand Releasing3$4,349$1,450$16,252
Only The YoungOscilloscope Pictures1$1,446$1,446$1,446
Brooklyn CastleProducers Distribution Agency4$5,490$1,373$183,733
The Other SonCohen Media Group43$55,978$1,302$963,591
KumareKino Lorber1$1,284$1,284$130,836
A Royal AffairMagnolia Pictures43$53,889$1,253$459,087
The FlatIFC Films17$20,789$1,223$418,729
The Big PictureMPI Media5$5,952$1,190$151,457
A Late QuartetEntertainment One Films63$73,290$1,163$995,642
The SessionsFox Searchlight197$218,973$1,112$4,948,342
SamsaraOscilloscope Pictures8$8,891$1,111$2,550,746
The House I Live InAbramorama Entertainment4$4,215$1,054$176,368
StarletMusic Box Films10$9,386$939$70,568
This Must Be The PlaceThe Weinstein Company5$4,540$908$136,339
The Waiting RoomInternational Film Circuit5$4,390$878$168,112
Searching For Sugar ManSony Pictures Classics42$36,822$877$2,893,916
The Perks Of Being A WallflowerLionsgate175$138,498$791$16,858,393
Cheerful Weather For The WeddingIFC Films1$727$727$727
My Worst NightmareStrand Releasing1$668$668$7,993
All TogetherKino Lorber1$638$638$37,238
ArbitrageRoadside Attractions25$15,580$623$7,877,441
The Loneliest PlanetIFC Films6$3,685$614$123,174
SmashedSony Pictures Classics29$15,928$549$356,987
The MasterThe Weinstein Company23$12,069$525$15,895,739
Diana Vreeland: The Eye Has To TravelIDP/Samuel Goldwyn Films15$7,176$478$928,157
Lay The FavoriteRadius-TWC61$20,998$344$20,998
CitadelCinedigm Entertainment2$584$292$12,169
Well-Digger's DaughterKino Lorber1$258$258$370,981
Intouchables, TheThe Weinstein Company12$2,913$243$13,049,078
Celeste And Jesse ForeverSony Pictures Classics2$366$183$3,094,687
Orchestra Of ExilesFirst Run2$328$164$24,710
Chicken With PlumsSony Pictures Classics4$586$147$253,705
AlpsKino Lorber1$143$143$15,292
Escape Fire: Fight To Rescue American HeRoadside Attractions2$189$95$83,876
Free RadicalsKino Lorber1$74$74$3,627
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box office news archive

  • Indiewire
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    24

    The 5 Biggest Disappointments at the 2012 Specialty Box Office

    by Peter Knegt on Fri Jan 04 10:55:58 EST 2013

    There were indeed a lot of good news to come out of the 2012 indie box office, as yesterday's article on the year's 10 biggest specialty market success stories can attest. But it wasn't all roses and dollar signs, as these 5 major specialty disappointments make clear:

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    32

    The 10 Biggest Success Stories at the 2012 Specialty Box Office

    by Peter Knegt on Thu Jan 03 13:25:48 EST 2013

    With 2012 a memory, it's time to take a look back at a year at the indie box office. Yesterday, we ran down the top 50 grossing specialty films of 2012 in a simple list format, and noted that generally the year was a big improvement over 2011 in terms of specialty-market milestones. Today we'...

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  • Indiewire
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    Quentin & Harvey: Just How Big Will 'Django Unchained' Pay Off for Both?

    by Jay A. Fernandez on Wed Jan 02 19:31:26 EST 2013

    After eight days in theaters, Quentin Tarantino’s amped-up Western “Django Unchained” has grossed more than $77 million in the U.S. That puts it $24 million ahead of “Inglourious Basterds,” Tarantino’s highest grosser, at the same eight-day mark.

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    MORE: Django Unchained, Harvey Weinstein, Quentin Tarantino, Box Office, Awards
  • Thompson on Hollywood
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    'Django' Nearly Beats 'Hobbit' for #1 New Year's Day

    by Tom Brueggemann on Wed Jan 02 17:29:04 EST 2013

    The first day of 2013 saw grosses for the top 10 films rise about $3 million - better than 6% - above New Year's 2012. The top 10 stayed the same as for the weekend, with the order finally stabilizing after much shifting, particularly in the top 3. But the film that looks strongest going forward cou...

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    MORE: Box Office, Box Office, Box Office, Django Unchained, Les Miserables, Lord of the Rings/Hobbit, The Hobbit: An Unexpected Journey
  • Thompson on Hollywood
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    Sony Boasts Biggest Year Ever in 2012

    by Anne Thompson on Wed Jan 02 16:20:41 EST 2013

    2012 was Sony Pictures Entertainment's biggest year ever. The studio's films generated $4.440 billion worldwide. The studio hit all time highs with $1.768 billion in domestic ticket sales and $2.672 billion internationally. The studio ended the year as the top-ranked studio in both domestic and worl...

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    MORE: Box Office, Box Office, Sony Pictures
  • Indiewire
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    74

    Here Are the Top-Grossing Specialty Films of 2012, Led By 'The Best Exotic Marigold Hotel'

    by Peter Knegt on Wed Jan 02 11:57:49 EST 2013

    From "The Best Exotic Marigold Hotel" and "Moonrise Kingdom" to "2016: Obama's America" and "Silver Linings Playbook," it was a very impressive year for limited and platform releases.

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  • Indiewire
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    Debate Continues to Rage Over 'Django Unchained' as It Gallops Past $64 Million at the Box Office

    by Jay A. Fernandez on Mon Dec 31 11:06:27 EST 2012

    Notable figures both in and out of Hollywood continue to weigh in on Quentin Tarantino’s “Django Unchained." The ongoing debate about the film can only help its prospects — “Django” is now more than halfway to the domestic box office total of “Inglourious Basterds," in a mere six days.

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    MORE: Quentin Tarantino, Django Unchained, Box Office, Antoine Fuqua, Spike Lee
  • Thompson on Hollywood
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    Arthouse Audit: 'Zero Dark Thirty,' 'Amour' Lead Limited Releases

    by Tom Brueggemann on Sun Dec 30 16:20:18 EST 2012

    With the Top Ten continuing to skew to adult-oriented, critically acclaimed films, specialized theaters playing more limited releases continue to scuffle, often at levels below previous holiday seasons. "Zero Dark Thirty" and "Amour" stood out again in their two-city platforms, although both decline...

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  • Thompson on Hollywood
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    Post-Holiday Weekend Box Office: Three Top Films Battle for Placement

    by Tom Brueggemann on Sun Dec 30 13:34:03 EST 2012

    Three juggernauts grossing $28 million or more dominated a strong post-Christmas weekend, all jockeying for position since last Tuesday. The shakeout led to the top film on December 25 ("Les Miserables") falling to third by the weekend, beat out by top dog "The Hobbit" followed by "Django Unchained....

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  • Indiewire
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    Specialty Box Office: 'Zero,' 'Amour' and 'Silver' Continue To Soar; 'Promised Land' and 'Memphis' Disappoint in Debuts

    by Peter Knegt on Sun Dec 30 13:22:52 EST 2012

    While "The Hobbit," "Django Unchained" and "Les Miserables" brought a huge boost to the post-Christmas studio box office, a bunch of platform release holdovers -- namely "Zero Dark Thirty," "Amour," "The Impossible" and "Silver Linings...

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  • Thompson on Hollywood
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    Boffo Four-Day Holiday Box Office, Led by 'The Hobbit,' 'Django Unchained' & 'Les Miserables,' Rings Out Record Year

    by Tom Brueggemann on Sat Dec 29 16:10:28 EST 2012

    It's an embarrassment of riches. The days following Christmas have been a rollercoaster ride of ups and downs in grosses. On Friday, "The Hobbit: An Unexpected Journey" repeated the #1 spot it regained on Thursday, but "Django Unchained" climbed ahead of "Les Miserables" for #2, with the latter fall...

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  • Indiewire
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    Bigger Than 'Pulp Fiction'? Tarantino's 'Django Unchained' Earns $34 Million in its First 3 Days

    by Jay A. Fernandez on Fri Dec 28 17:07:21 EST 2012

    Despite -- or, more likely, because of -- the debate raging around Quentin Tarantino's latest genre pastiche "Django Unchained," the film has opened to especially large numbers at the box office, even in its position as perverse holiday counterprogramming. The Weinstein Co., Tarantino&...

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  • Indiewire
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    Holiday Box Office Update: 'Zero' Nears $1 Million in Just 5 Theaters

    by Peter Knegt on Fri Dec 28 10:23:51 EST 2012

    While "Django Unchained," "Les Miserables" and "The Hobbit" led the Christmas box office overall, the limited run of Kathryn Bigelow's "Zero Dark Thirty" continued to fill specialty houses ahead of its January expansion.

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  • Thompson on Hollywood
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    Christmas Box Office Reality: Top Dog 'Les Miserables' Beats Out 'The Hobbit' and 'Django Unchained,' Rest of Field Shows Weakness

    by Tom Brueggemann on Thu Dec 27 16:18:35 EST 2012

    After great openings days on Tuesday, both "Les Miserables" and "Django Unchained" fell 33% on Wednesday, with the result that the order of the top three films shifted from Christmas Day. "The Hobbit," up slightly from Tuesday, edged out "Django" by a clear margin, while falling about $1 million beh...

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  • The Playlist
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    2012 The Year In Box Office: Hits, Flops And Secret Successes

    by Gabe Toro on Thu Dec 27 14:15:04 EST 2012

    So we’re completing a year of record domestic box office returns, but it’s impossible to ignore that the international market is a hefty player, taking a bigger overall chunk of the pie. It’s not good enough for a picture to perform in America – if it doesn’t grab more than half its share from inter...

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