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box office: week of December 4

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
Rust And BoneSony Pictures Classics2$24,738$12,369$65,059
Beware of Mr. BakerIndependent1$12,195$12,195$16,748
Silver Linings PlaybookThe Weinstein Company371$3,090,131$8,329$10,740,112
HitchcockFox Searchlight50$408,692$8,174$787,574
Anna KareninaFocus Features384$2,245,570$5,848$4,106,921
The Central Park FiveIFC Films7$33,148$4,735$77,040
The ThievesWell Go USA, Inc.2$7,772$3,886$673,075
California SoloStrand Releasing1$3,412$3,412$3,412
The Waiting RoomInternational Film Circuit5$11,477$2,295$159,524
Young And WildIFC Films2$3,798$1,899$3,798
The House I Live InAbramorama Entertainment1$1,840$1,840$168,889
Just 45 Minutes From BroadwayRainbow Releasing2$3,322$1,661$80,148
KumareKino Lorber1$1,567$1,567$129,552
Brooklyn CastleProducers Distribution Agency4$6,131$1,533$175,971
The Big PictureMPI Media4$6,116$1,529$142,387
The SessionFox Searchlight226$333,315$1,475$4,582,181
The Other SonCohen Media Group40$57,864$1,447$877,933
Somewhere BetweenLong Shot Factory2$2,832$1,416$164,327
Holy MotorsIndomina Media25$35,242$1,410$332,510
A Royal AffairMagnolia Pictures41$57,591$1,405$373,000
The FlatIFC Films19$24,487$1,289$386,414
A Late QuartetEntertainment One Films74$93,371$1,262$877,525
StarletMusic Box Films9$10,402$1,156$55,956
MasqueradeCJ Entertainment3$3,395$1,132$895,123
Diana Vreeland: The Eye Has To TravelIDP/Samuel Goldwyn Films12$13,553$1,129$912,840
Universal Soldier: Day Of ReckoningMagnolia Pictures3$3,181$1,060$3,181
Imposter, TheIndomina Media2$2,115$1,058$898,317
SamsaraOscilloscope Pictures25$25,126$1,005$2,525,346
This Must Be The PlaceThe Weinstein Company7$6,584$941$128,398
Wuthering HeightsOscilloscope Pictures10$8,936$894$96,889
Searching For Sugar ManSony Pictures Classics53$46,570$879$2,836,187
DragonRadius-TWC14$11,137$796$11,137
The MasterThe Weinstein Company23$17,403$757$15,873,233
This Is Not A FilmIndependent1$615$615$75,465
ArbitrageRoadside Attractions35$19,939$570$7,850,886
Loneliest Planet, TheIFC Films10$5,406$541$116,617
Dangerous LiaisonsWell Go USA, Inc.1$480$480$53,755
All TogetherKino Lorber1$458$458$35,613
IntouchablesThe Weinstein Company19$8,577$451$13,043,105
Now, ForagerArgot Pictures 4$1,558$390$6,702
28 Hotel RoomsOscilloscope Pictures3$1,002$334$16,017
Well-Digger's DaughterKino Lorber1$268$268$370,254
SmashedSony Pictures Classics15$3,710$247$338,247
Gregory Crewdson: Brief EncountersZeitgeist2$490$245$25,871
Radio UnnameableKino Lorber1$243$243$19,498
Keep The Lights OnMusic Box Films3$701$234$239,282
CitadelCinedigm Entertainment7$1,378$197$10,903
Celeste And Jesse ForeverSony Pictures Classics2$360$180$3,093,802
Chicken With PlumsSony Pictures Classics7$765$109$252,519
Girl ModelFirst Run1$62$62$21,154
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box office news archive

  • Thompson on Hollywood
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    'Iron Man 3''s Big Overseas Opening Fans High Stateside Expectations; Why AMC and Regal Wrangled with Disney (VIDEO)

    by Tom Brueggemann on April 25, 2013

    Disney/Marvel's "Iron Man 3" opened in 11 territories Wednesday, with a reported $13.2 million gross. That's more than previous series entries and more than the first day for last year's Disney/Marvel smash "The Avengers" in France.

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    MORE: Box Office, Box Office, Box Office, Comics, Walt Disney Pictures, Iron Man 3
  • Thompson on Hollywood
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    CinemaCon: Sony Relies on Low-Risk Sequels, Comedies, and Faithfuls Adam Sandler, Will Smith

    by Anne Thompson on April 23, 2013

    After seeing several CinemaCon studio presentations in a row, you start to see the retreads coming. The requisite rehash of 2012 hits, adding up to $4.1 billion worldwide, did not reveal that both "The Amazing Spider-Man" and "Men in Black 3" cost too much to return serious profits, or that the glob...

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    MORE: Box Office, Box Office, Box Office, Sequel, Spider-Man, Elysium
  • Thompson on Hollywood
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    Arthouse Audit: 'Home Run,' 'Filly Brown' Show Surprise Indie Strength

    by Tom Brueggemann on April 21, 2013

    The top arthouse performers this week were unexpected outsiders that did not follow the usual release patterns for high-end critically-driven openings, which is increasingly the norm among independent and specialized releases. In fact "Home Run" from Samuel Goldwyn (distributed by partner IDP Films)...

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    MORE: Filly Brown, Upstream Color, Box Office, Box Office, Box Office
  • Thompson on Hollywood
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    Weekend Top Ten Box Office: Tom Cruise's 'Oblivion' Scores At Home After Foreign Success

    by Tom Brueggemann on April 21, 2013

    The spring box office is still treading water as the industry awaits the launch of the summer season in two weeks, when Disney's "Iron Man 3" is expected to surpass any opening this year so far. For now we have to settle for the better-than-expected opening of a glossy sci-fi thriller from veteran s...

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  • Indiewire
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    Specialty Box Office: 'Filly Brown' and 'Home Run' Overperform With Strong Debut Weekends

    by Peter Knegt on April 21, 2013

    Youssef Delara and Michael D. Olmos' "Filly Brown" and David Boyd's "Home Run" each scored this weekend with semi-limited debuts. Both films ended up in the overall top 15 with screen counts under 500, grossing $1.3 million and $1.6 million, respectively."Brown" -- which Indomina bought back at the ...

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  • Thompson on Hollywood
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    'Oblivion' Hauls in Nearly Half of Friday's Top 10 Gross

    by Tom Brueggemann on April 20, 2013

    With much of the nation's eyes glued to coverage of the Watertown manhunt (which ended after 9 p.m. E.D.T.), Universal's Tom Cruise-starrer "Oblivion" still managed a solid $13 million opening day gross (which includes early shows late Thursday night). The total for the Top 10 films for the day over...

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    MORE: Box Office, Box Office, Box Office, Oblivion, Tom Cruise, Universal/Focus Features, Universal Pictures
  • Thompson on Hollywood
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    CinemaCon: Warner Bros. Reveals Slate Led by Nolan/Snyder 'Man of Steel,' 'Pacific Rim,' 'Gatsby'

    by Anne Thompson on April 19, 2013

    Warner Bros. believes in franchises, none more than Superman, which studio chief Jeff Robinov has been struggling to reboot for some time now--after audiences protested Bryan Singer's "Superman Returns." Thus "Man of Steel" was the high point of the 90-year-old studio's CinemaCon presentation this w...

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    MORE: Box Office, Box Office, CinemaCon, Pacific Rim, Man of Steel, Superman, The Great Gatsby, Baz Luhrmann
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    Indie Box Office Preview: Will Rob Zombie Score With 'Lords of Salem'?

    by Peter Knegt on April 19, 2013

    Rob Zombie isn't usually typical "specialty market fare," with his last three features -- "The Devil's Rejects" and the two new "Halloween" films -- each getting initial wide releases that led to sizable opening weekend grosses (the "Halloween" films took in $26 million and $16 million, respectively...

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    MORE: Box Office, The Lords of Salem, The Place Beyond The Pines
  • Thompson on Hollywood
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    Universal's Adam Fogelson Makes a Splash at CinemaCon

    by Anne Thompson on April 18, 2013

    Universal Pictures chairman Adam Fogelson has been playing nice with national exhibitors ever since he tried to make "Tower Heist" available on VOD three weeks after the theatrical opening back in 2011. The exhibitors pushed back, and Fogelson backed off--for the moment.

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    MORE: Box Office, CinemaCon, Universal
  • Women and Hollywood
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    Quote of the Day from CinemaCon

    by Melissa Silverstein on April 17, 2013

    CinemaCon is underway in Las Vegas.  It is the annual event where the theatre owners are presented with the blockbusters that they will be showing in their theatres this summer.  

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    MORE: Research, Box Office
  • Thompson on Hollywood
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    CinemaCon: Fithian Looks Back at 2012, Universal New Model Studio

    by Anne Thompson on April 17, 2013

    Every year CinemaCon rolls out the $100 Million Reel; it's a tradition to remind the exhibitors of the movies that scored in their theaters. "Something for everyone" is the theme that rang out Tuesday. The 2012 boom, said NATO chief John Fithian and others, was about delivering a diversity of high q...

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  • Thompson on Hollywood
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    Weekend Box Office: '42' Leads Weekend, Breaks Baseball Movie Records, 'Scary' Series Ends

    by Tom Brueggemann on April 14, 2013

    Old-fashioned period baseball biopic "42" opened surprisingly well and shows signs of long-term play. The Jackie Robinson film provides struggling Warner Bros. with a much-needed hit. But the weekend was modest overall, with a top ten grossing about $105 million, the same as last year, but down from...

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  • Thompson on Hollywood
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    Friday Box Office: '42' Bright Spot on Weak Weekend

    by Tom Brueggemann on April 13, 2013

    "42," which was not a guaranteed success as a sports movie with mixed reviews about an African-American hero played by an unknown. For the first time this year, a Warner Bros. release exceeded expectations by opening at over $9 million.

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    MORE: Box Office, Box Office, Box Office, Biopics
  • Indiewire
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    Indie Box Office Preview: How Will Malick's 'To The Wonder' Perform In Its Debut Frame?

    by Peter Knegt on April 12, 2013

    Terrence Malick isn't exactly known as known as a box office king, but his five previous films have managed some pretty impressive numbers considering that their content isn't exactly mainstream. Two years ago,  "The Tree of Life" opened to a massive $93,230 average from four theaters (and even...

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    MORE: Box Office, Box Office Preview, To the Wonder
  • Thompson on Hollywood
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    Arthouse Audit: Self-Distributed 'Upstream Color' Shines in NY; 'Trance' & 'Company You Keep' Solid, Not Great

    by Tom Brueggemann on April 7, 2013

    Three new openings showed potential this weekend. In its exclusive New York date, Shane Carruth's self-distributed "Upstream Color" broke new ground as an alternative to the others' more conventional releases. The other two more expensive films directed by past Oscar director winners, Danny Boyle...

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    MORE: Box Office, Box Office, Box Office, Upstream Color, The Place Beyond the Pines, The Company You Keep

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