| Title | Distributor | Locations | Gross | Per Location | Overall Gross |
|---|---|---|---|---|---|
| Rust And Bone | Sony Pictures Classics | 2 | $24,738 | $12,369 | $65,059 |
| Beware of Mr. Baker | Independent | 1 | $12,195 | $12,195 | $16,748 |
| Silver Linings Playbook | The Weinstein Company | 371 | $3,090,131 | $8,329 | $10,740,112 |
| Hitchcock | Fox Searchlight | 50 | $408,692 | $8,174 | $787,574 |
| Anna Karenina | Focus Features | 384 | $2,245,570 | $5,848 | $4,106,921 |
| The Central Park Five | IFC Films | 7 | $33,148 | $4,735 | $77,040 |
| The Thieves | Well Go USA, Inc. | 2 | $7,772 | $3,886 | $673,075 |
| California Solo | Strand Releasing | 1 | $3,412 | $3,412 | $3,412 |
| The Waiting Room | International Film Circuit | 5 | $11,477 | $2,295 | $159,524 |
| Young And Wild | IFC Films | 2 | $3,798 | $1,899 | $3,798 |
| The House I Live In | Abramorama Entertainment | 1 | $1,840 | $1,840 | $168,889 |
| Just 45 Minutes From Broadway | Rainbow Releasing | 2 | $3,322 | $1,661 | $80,148 |
| Kumare | Kino Lorber | 1 | $1,567 | $1,567 | $129,552 |
| Brooklyn Castle | Producers Distribution Agency | 4 | $6,131 | $1,533 | $175,971 |
| The Big Picture | MPI Media | 4 | $6,116 | $1,529 | $142,387 |
| The Session | Fox Searchlight | 226 | $333,315 | $1,475 | $4,582,181 |
| The Other Son | Cohen Media Group | 40 | $57,864 | $1,447 | $877,933 |
| Somewhere Between | Long Shot Factory | 2 | $2,832 | $1,416 | $164,327 |
| Holy Motors | Indomina Media | 25 | $35,242 | $1,410 | $332,510 |
| A Royal Affair | Magnolia Pictures | 41 | $57,591 | $1,405 | $373,000 |
| The Flat | IFC Films | 19 | $24,487 | $1,289 | $386,414 |
| A Late Quartet | Entertainment One Films | 74 | $93,371 | $1,262 | $877,525 |
| Starlet | Music Box Films | 9 | $10,402 | $1,156 | $55,956 |
| Masquerade | CJ Entertainment | 3 | $3,395 | $1,132 | $895,123 |
| Diana Vreeland: The Eye Has To Travel | IDP/Samuel Goldwyn Films | 12 | $13,553 | $1,129 | $912,840 |
| Universal Soldier: Day Of Reckoning | Magnolia Pictures | 3 | $3,181 | $1,060 | $3,181 |
| Imposter, The | Indomina Media | 2 | $2,115 | $1,058 | $898,317 |
| Samsara | Oscilloscope Pictures | 25 | $25,126 | $1,005 | $2,525,346 |
| This Must Be The Place | The Weinstein Company | 7 | $6,584 | $941 | $128,398 |
| Wuthering Heights | Oscilloscope Pictures | 10 | $8,936 | $894 | $96,889 |
| Searching For Sugar Man | Sony Pictures Classics | 53 | $46,570 | $879 | $2,836,187 |
| Dragon | Radius-TWC | 14 | $11,137 | $796 | $11,137 |
| The Master | The Weinstein Company | 23 | $17,403 | $757 | $15,873,233 |
| This Is Not A Film | Independent | 1 | $615 | $615 | $75,465 |
| Arbitrage | Roadside Attractions | 35 | $19,939 | $570 | $7,850,886 |
| Loneliest Planet, The | IFC Films | 10 | $5,406 | $541 | $116,617 |
| Dangerous Liaisons | Well Go USA, Inc. | 1 | $480 | $480 | $53,755 |
| All Together | Kino Lorber | 1 | $458 | $458 | $35,613 |
| Intouchables | The Weinstein Company | 19 | $8,577 | $451 | $13,043,105 |
| Now, Forager | Argot Pictures | 4 | $1,558 | $390 | $6,702 |
| 28 Hotel Rooms | Oscilloscope Pictures | 3 | $1,002 | $334 | $16,017 |
| Well-Digger's Daughter | Kino Lorber | 1 | $268 | $268 | $370,254 |
| Smashed | Sony Pictures Classics | 15 | $3,710 | $247 | $338,247 |
| Gregory Crewdson: Brief Encounters | Zeitgeist | 2 | $490 | $245 | $25,871 |
| Radio Unnameable | Kino Lorber | 1 | $243 | $243 | $19,498 |
| Keep The Lights On | Music Box Films | 3 | $701 | $234 | $239,282 |
| Citadel | Cinedigm Entertainment | 7 | $1,378 | $197 | $10,903 |
| Celeste And Jesse Forever | Sony Pictures Classics | 2 | $360 | $180 | $3,093,802 |
| Chicken With Plums | Sony Pictures Classics | 7 | $765 | $109 | $252,519 |
| Girl Model | First Run | 1 | $62 | $62 | $21,154 |
On a Sunday when studio films look to take home most of the top Oscars (not always the case), their new pictures aren't playing well with audiences. Only three studio pics make the top ten, while mini-majors and independents carry most of the weight. The continued success of such companies as Weinst...
Read More »Sony Pictures Classics continued to belatedly benefit from its nominations on this slow Oscar weekend, with foreign language film nominee "No" -- directed by Pablo Larraín and starring Gael Garcia Bernal -- expanded from 4 to 6 screens in its second weekend and found the best per-th...
Read More »Six of the nine Oscar Best Picture nominees have already passed the $100 million mark, the highest level since the number was increased from five in 2009. These are the biggest numbers, even with ticket price adjustments, in recent box-office history. A number of factors contributed to the result-- ...
Read More »Oscar Weekend is often not prime time for new openings. But this year looks weak even by that standard. Continuing a pattern that hasn't varied now for several weeks, grosses for the day were down again, this Friday about 25% from last year (also right before the awards).
Read More »While it's been a spotty 2013 so far for new specialized openings, Sony Pictures Classics' Chilean-election drama (and Oscar nominee) "No" was a winner over the four-day holiday weekend in limited initial release, proving itself the strongest new art-house performer since "Quartet" last month, and f...
Read More »Sony Pictures Classics continued to belatedly benefit from its Oscar nominations, with foreign language film nominee "No" -- directed by Pablo Larraín and starring Gael Garcia Bernal -- opened on 4 screens this weekend to excellent numbers. The film took in $74,476 for a $18,619 ave...
Read More »Over a month ago -- before the Oscar nominations were announced -- we asked whether we were heading toward the biggest box office ever for a best picture race. In terms of the overall combined gross of the nominees, we acknowledged that was a bit of a longshot thanks to the inclusion of "Avatar...
Read More »Good news: four wide releases grossed over $20 million for the four-day Presidents' Day weekend. On paper that looks solid. Pictures with varied appeal--male action, comedy, young female, kids--marked a return to more normal moviegoing after weeks of adult-sewing films, with a few genre films grabbi...
Read More »After a disastrous weekend when grosses dipped to half of last year's, two new releases and one strong holdover continued the Thursday Valentine's Day rebound. Friday's Top Ten total is close to the 2012 sum. Three of the week's four new films premiered a day earlier. All three fell off their initia...
Read More »Sorry Rex Reed—looks like there are many, many people who want to see a Melissa McCarthy starring in a movie.
Read More »With few significant new openings these days and competition for multiple adult-appealing Oscar contenders still significant, "Lore" and "A Glimpse Inside the Mind of Charles Swan III" both posted just average opening grosses. The snow in New York likely had some impact on box office there (both fil...
Read More »A weekend standout amid weather closings, "Identity Thief" outdid expectations for a terrific opening. While a number of recent releases and older Oscar contenders held up well (following the depleted Super Bowl weekend), most or all of the Top 10 films are successes. So what's the worry?
Read More »The good news: Universal's Melissa McCarthy comedy "Identity Thief" scored the best Friday gross of any film so far this year. Battling both a Northeastern blizzard-- which closed theaters across the most populated stretch of the country-- and inferior reviews, it easily surpassed the first-day gros...
Read More »After a January of weak specialized openings (led by First Run's "56 Up"), February is showing some life with four new documentary releases and a shorts program. The standouts are Sony Pictures Classics' Oscar-nominated "The Gatekeepers" in two cities and Zeitgeist's "Koch" in New York. Arthouses in...
Read More »It was a piss-poor weekend at the box office. Grosses showed somewhat more strength Saturday than Friday. The Super Bowl always damages both audience turnout and viable new releases, but this looks like the worst in total gross since at least 2007, and less than that when higher ticket prices are in...
Read More »
RT @indiewire: Seth MacFarlane will not host the Oscars again... suggests Joaquin Phoenix instead: http://t.co/zip4DPVxZz
Posted 3 minutes ago
RT @indiewire: Matt Damon, Michael Douglas and Steven Soderbergh talk 'Behind the Candelabra' at Cannes: http://t.co/NffrGDGyte
Posted 3 minutes ago
RT @indiewire: Matt Damon, Michael Douglas and Steven Soderbergh talk 'Behind the Candelabra' at Cannes: http://t.co/NffrGDGyte
Posted 8 minutes ago
“@indiewire: Matt Damon, Michael Douglas and Steven Soderbergh talk 'Behind the Candelabra' at Cannes: http://t.co/ZQObq4a3yv”
Posted 12 minutes ago