| Title | Distributor | Locations | Gross | Per Location | Overall Gross |
|---|---|---|---|---|---|
| No | Sony Pictures Classics | 6 | $69,752 | $11,625 | $182,034 |
| Gatekeepers | Sony Pictures Classics | 19 | $133,740 | $7,039 | $380,581 |
| Quartet | The Weinstein Company | 356 | $1,125,886 | $3,163 | $8,844,950 |
| Beasts Of The Southern Wild | Fox Searchlight | 73 | $213,575 | $2,926 | $12,572,085 |
| Silver Linings Playbook | The Weinstein Company | 2012 | $5,750,866 | $2,858 | $107,176,012 |
| Lore | Music Box Films | 8 | $20,263 | $2,533 | $124,764 |
| Beware of Mr. Baker | Independent | 1 | $2,445 | $2,445 | $112,248 |
| Like Someone In Love | IFC Films | 9 | $22,004 | $2,445 | $56,138 |
| Koch | Zeitgeist | 9 | $20,992 | $2,332 | $168,038 |
| Happy People: A Year In The Taiga | Music Box Films | 16 | $36,722 | $2,295 | $107,473 |
| Amour | Sony Pictures Classics | 328 | $716,186 | $2,183 | $5,147,243 |
| The Power of Few | Steelyard Pictures | 5 | $9,350 | $1,870 | $17,701 |
| Bless Me, Ultima | Arenas Entertainment | 263 | $470,109 | $1,787 | $608,957 |
| 11 Flowers | First Run | 2 | $3,516 | $1,758 | $3,516 |
| 56 Up | First Run | 32 | $55,669 | $1,740 | $464,617 |
| ABCD | UTV Communications | 9 | $15,392 | $1,710 | $218,257 |
| Special 26 | Viva Entertainment | 54 | $81,790 | $1,515 | $1,022,395 |
| My Worst Nightmare | Strand Releasing | 1 | $1,364 | $1,364 | $21,456 |
| Yossi | Strand Releasing | 7 | $9,034 | $1,291 | $74,171 |
| John Dies At The End | Magnolia Pictures | 17 | $20,202 | $1,188 | $87,744 |
| Searching For Sugar Man | Sony Pictures Classics | 30 | $32,583 | $1,086 | $3,322,289 |
| 2013 Oscar Shorts | Shorts International | 246 | $263,830 | $1,072 | $1,920,809 |
| Sorcerer And The White Snake | Magnolia Pictures | 1 | $977 | $977 | $16,388 |
| Hyde Park On Hudson | Focus Features | 65 | $63,407 | $975 | $6,126,492 |
| Sound City | Variance Films | 17 | $15,924 | $937 | $314,110 |
| West Of Memphis | Sony Pictures Classics | 12 | $11,024 | $919 | $141,928 |
| 5 Broken Cameras | Kino Lorber | 2 | $1,829 | $915 | $98,041 |
| Hitchcock | Fox Searchlight | 16 | $13,828 | $864 | $5,963,608 |
| Inescapable | IFC Films | 2 | $1,545 | $773 | $47,318 |
| The Waiting Room | International Film Circuit | 3 | $2,301 | $767 | $202,954 |
| Rust And Bone | Sony Pictures Classics | 30 | $20,325 | $678 | $1,980,994 |
| Mumia: Long Distance Revolutionary | First Run | 3 | $1,913 | $638 | $14,697 |
| Sessions, The | Fox Searchlight | 16 | $9,552 | $597 | $5,972,478 |
| Anna Karenina | Focus Features | 28 | $16,597 | $593 | $12,802,907 |
| Masquerade | CJ Entertainment | 4 | $1,845 | $461 | $914,422 |
| Combat Dans L'ile | The Film Desk | 1 | $327 | $327 | $49,545 |
| Breathing | Kino Lorber | 1 | $311 | $311 | $4,630 |
| Radio Unnameable | Kino Lorber | 1 | $228 | $228 | $20,346 |
| Race 2 | UTV Communications | 52 | $3,273 | $63 | $1,578,996 |
A24’s SXSW hit “Spring Breakers” from veteran indie Harmony Korine opened in three New York/Los Angeles theaters to a stunning total of $95,000, by far the biggest limited opening of the year, and likely to approach a $100,000 per screen average for the weekend. To give some indication of what a sho...
Read More »Beginning today, March 15, the African American Film Festival Releasing Movement will release their fifth film - Storm Saulter's award winning Better Mus' Come - in New York and Los Angeles.
Read More »Pedro Almodovar’s new comedy “I’m So Excited” (“Los Amantes Pasajeros”) opened to the highest take of any his films in his native Spain last weekend in its initial release. The film, to be released in the U.S. on June 27 by his usual American distributor Sony Pictures Classics, grossed about $2.6 m...
Read More »Specialized distributors continue to try to break beyond the usual review-driven New York/Los Angeles limited openings to find less conventional ways to release films. Among this week’s openings, Mumblecore indie “Somebody Out There Likes Me," starring Second City's own Nick Offerman, premiered to s...
Read More »Led by a strong $80-million opening for “Oz: The Great and Powerful,” the total gross for the weekend was up from both the previous week and the previous year, something that has rarely happened this year so far. The uptick wasn’t enough to reverse the trend so far -- $125 million for the top 10 thi...
Read More »Exactly year after debuted at SXSW, Bob Byington's "Somebody Up There Likes Me" scored a huge exclusive debut at Chicago's Music Box Theater. The film -- which stars and was co-produced by Chicago native Nick Offerman -- grossed an estimated $38,495. The 700 seat theater featured multiple sold out s...
Read More »Disney's "Oz: The Great and Powerful" had a strong opening yesterday, grossing $24 million for the best opening of the year so far--heading toward a likely $75-million-plus total-- and greatly outpacing last week's "Jack the Giant Slayer," which also cost $200 million. But despite the relief both Di...
Read More »This weekend marks the watershed moment in 2013 when the box office will finally lift some boats around the nation's multiplexes. That's thanks to Disney's "Oz: the Great and Powerful," which is expected to deliver some $80 million, which means that other struggling movies in theaters such as "Jack ...
Read More »The dwarfish $28 million domestic that Warner Bros.' “Jack the Giant Slayer” grossed over the weekend was what? A surprise? That the wheel-spinning Bryan Singer would make a soulless 3-D disaster film out of a timeless children’s story was hardly a shock. But the film’s anemic showing was indicativ...
Read More »After months of films with mostly older-audience appeal playing off during the awards circus, Fox Searchlight's "Stoker," a stylish thriller from a noted Asian cult director making his English-language debut, boasted the best limited opening of any 2013 release so far. Although not performing at the...
Read More »After two months of generally slow weekends for 2013 releases (most of the top performers were holdovers from 2012), this weekend kicked off a month of anticipated new specialty releases likely to change the tide.
Read More »Yet another down weekend: the top ten grossed 37% less than 2012's total, continuing a multi-week trend that is becoming a major problem. Grosses did climb a bit from last week, but the new films -- led by $200 million would-be tentpole "Jack the Giant Slayer" -- had much greater potential. None loo...
Read More »Sony Pictures Classics is looking forward to a big Oscar night with foreign contenders "Amour" and "No" as well as two leading documentary entries, "Searching for Sugar Man" and "The Gatekeepers." The question is where the specialty box office goes after ...
Read More »On a Sunday when studio films look to take home most of the top Oscars (not always the case), their new pictures aren't playing well with audiences. Only three studio pics make the top ten, while mini-majors and independents carry most of the weight. The continued success of such companies as Weinst...
Read More »Sony Pictures Classics continued to belatedly benefit from its nominations on this slow Oscar weekend, with foreign language film nominee "No" -- directed by Pablo Larraín and starring Gael Garcia Bernal -- expanded from 4 to 6 screens in its second weekend and found the best per-th...
Read More »
RT @indiewire: Q&A: Julianne Moore Tells Us About Getting In Touch With Her Inner Bookworm in 'The English Teacher' http://t.co/8TASFAmEiW @TribecaFilm
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RT @indiewire: Q&A: Julianne Moore Tells Us About Getting In Touch With Her Inner Bookworm in 'The English Teacher' http://t.co/8TASFAmEiW @TribecaFilm
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mperfect Cinema & #MACHETERO http://t.co/cjkngJJ2tf @FilmThreat @indiewire @filmcourage
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To watch or not to watch? That is the question. #OnlyGodForgives #HoldOn http://t.co/fBREcLXxey via @indiewire
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