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box office: week of May 14

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
Stories We TellRoadside Attractions2$27,053$13,527$27,053
One Track Heart: Story of Krishna DasZeitgeist1$11,515$11,515$13,594
What Maisie KnewMillennium Entertainment3$24,560$8,187$55,712
The IcemanMillennium Entertainment17$111,863$6,580$239,392
Arthur NewmanCinedigm Entertainment1$5,204$5,204$202,193
Post Tenebras LuxStrand Releasing1$4,801$4,801$16,622
Kon-TikiThe Weinstein Company22$84,749$3,852$225,497
Love Is All You NeedSony Pictures Classics10$37,178$3,718$88,164
SightseersIFC Films2$7,384$3,692$7,384
Painting, TheGKIDS1$3,626$3,626$3,626
MudRoadside Attractions852$2,535,642$2,976$8,555,621
Venus And SerenaMagnolia Pictures4$10,981$2,745$10,981
Scatter My Ashes At Bergdorf'sEntertainment One Films23$44,423$1,931$106,780
Go Goa GoneEros Entertainment92$170,044$1,848$170,044
RenoirIDP/Samuel Goldwyn Films86$150,288$1,748$1,291,576
Reluctant FundamentalistIFC Films46$73,819$1,605$244,277
Ain't In It For My HealthKino Lorber4$6,401$1,600$29,398
Tai Chi HeroWell Go USA, Inc.2$3,035$1,518$27,495
Desperate Acts Of MagicIndependent2$2,952$1,476$5,908
Something In The AirIFC Films10$14,160$1,416$35,162
Deceptive Practice: Mysteries & MentorsKino Lorber3$4,232$1,411$58,292
The Source FamilyIndependent11$14,095$1,281$31,549
Free The MindInternational Film Circuit2$2,365$1,183$18,442
The SapphiresThe Weinstein Company118$137,879$1,168$1,837,769
Hava Nagila: The MovieInternational Film Circuit11$12,098$1,100$305,770
LoreMusic Box Films6$6,369$1,062$884,207
Not TodayFreestyle Releasing5$5,279$1,056$159,130
The Place Beyond The PinesFocus Features669$705,333$1,054$20,008,869
Dead Man's BurdenCinedigm Entertainment1$1,020$1,020$9,814
At Any PriceSony Pictures Classics50$50,947$1,019$124,534
The Company You KeepSony Pictures Classics394$400,501$1,017$4,130,751
Oversimplification Of Her BeautyVariance Films2$2,027$1,014$21,774
Home RunIDP/Samuel Goldwyn Films131$131,187$1,001$2,722,641
The Angel's ShareIFC Films38$37,580$989$217,394
No One LivesAnchor Bay53$47,798$902$47,798
KochZeitgeist1$884$884$339,812
NoSony Pictures Classics39$33,693$864$2,247,188
DisconnectLD Entertainment180$155,169$862$1,295,503
Sound CityVariance Films3$2,411$804$411,322
From Up On Poppy HillGKIDS37$29,667$802$897,111
No Place On EarthMagnolia Pictures10$7,755$776$139,893
StarbuckEntertainment One Films9$6,978$775$3,777,571
GatekeepersSony Pictures Classics19$13,103$690$2,376,991
Spring BreakersA24 Films16$11,014$688$14,030,738
Ginger And RosaA24 Films22$15,033$683$849,186
Searching For Sugar ManSony Pictures Classics7$4,638$663$3,662,322
QuartetThe Weinstein Company59$36,143$613$18,158,903
LeonieMonterey Media3$1,815$605$52,178
BlancanievesCohen Media Group11$6,643$604$236,395
56 UpFirst Run3$1,739$580$693,930
Kiss Of The DamnedMagnolia Pictures7$4,031$576$8,649
To The WonderMagnolia Pictures40$22,902$573$505,948
TranceFox Searchlight40$21,836$546$2,268,692
A Place At The TableMagnolia Pictures5$2,698$540$230,522
CampFreestyle Releasing3$1,568$523$314,958
EmperorRoadside Attractions11$5,374$489$3,319,356
Mumia: Long Distance RevolutionaryFirst Run2$968$484$35,806
The Lords of SalemAnchor Bay15$5,943$396$1,163,509
Silver Linings PlaybookThe Weinstein Company323$123,892$384$131,927,475
The Waiting RoomInternational Film Circuit1$375$375$244,092
AmourSony Pictures Classics4$1,498$375$6,738,954
AftershockRadius-TWC110$40,179$365$40,179
Silence, TheMusic Box Films2$663$332$83,009
Molly MaxwellEntertainment One Films1$318$318$9,067
Room 237IFC Films22$5,518$251$259,765
Gimme The LootIFC Films6$1,245$208$97,768
Fists Of LegendCJ Entertainment1$88$88$134,065
Greenwich Village: Music That Defined AKino Lorber1$85$85$22,560
Fierce Green FireFirst Run1$63$63$29,570
When The Iron Bird FliesKino Lorber1$61$61$9,658

box office news archive

  • Thompson on Hollywood
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    Warner Bros. Studio Post-Robinov: Do They Need a Strategy Reboot?

    The risk of changing management is that new executives face a steep learning curve. Some figure out the rules of the game fast enough to keep their jobs. Others--see Gail Berman at Paramount, Rich Ross at Disney--do not.

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  • Women and Hollywood
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    Cate Blanchett: "People Want to See Stories With Women at the Center"

    Blanchett's remarks were in advance of her receiving Women in Film's Crystal Award for Excellence in Film on June 11.

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  • Thompson on Hollywood
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    You'll Never Guess Which Country Loves Tom Cruise the Most

    Which country loves Tom Cruise the most? The movie geeks over at Vulture have crunched the data. Yes, Cruise's newest offering, Doug Liman's "Edge of Tomorrow," got steamrolled here in the U.S. over the weekend, bringing in just $29 million, well behind box office champ "The Fault in Our Stars" and ...

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  • Box Office Insider
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    Why Hispanic Audiences Are A Box Office Asset

    Guest blog by Aaron M. Sanchez This Sunday at the Produced By Conference, there was a panel, "Increase your opening weekend box office: How the Hispanic audience can make all the difference." The panel consisted of John Fithian, President and CEO of National Associaton of Theater Owners; Gail H...

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  • Thompson on Hollywood
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    Why 'Jupiter Ascending' Really Got Pushed (TRAILER)

    Want to know the real reason why Warner Bros. is pushing back "Matrix" creators Andy and Lana Wachowski's “Jupiter Ascending,” starring Mila Kunis and a puckish Channing Tatum, from summer season July 18 to off-peak Feb. 6, 2015? It's not only the recent studio trend to invest more time and money in...

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  • Women and Hollywood
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    Why Young Women Are the Hottest Box Office Demographic

    How "The Fault in Our Stars" made $48 million in its opening weekend on a $12 million production budget with minimal traditional advertising.

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  • Box Office Insider
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    Dreamworks Aims To Regain The Magic With "HTTYD 2" While Jonah And Channing Give it The Old College Try In "22 Jump Street"

    It certainly has been a challenging run for Dreamworks Animation over the last two years. Since June 2012's "Madagascar 3", the company has released four films to mixed results. This week they attempt to regain glory with "How To Train Your Dragon 2".

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  • Box Office Insider
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    Cruise Rules Overseas Box Office As World Cup Looms

    Here's the good news for Warners...Tom Cruise's "Edge Of Tomorrow" opened to a very strong $82 million over the weekend, including a huge $25 from China. Now for the bad news, the World Cup starts on Thursday, which will put a huge damper on the international box office.

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  • Thompson on Hollywood
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    Arthouse Audit: 'Obvious Child' Stands Out Among Tepid Openers

    Although a decent line-up of current openers continues to provide a steady flow of specialized film customers as these films expand, the early summer newbies keep falling short -- and none compare to the top June players of recent years.

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  • Indiewire
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    Specialty Box Office: 'Obvious Child' a Hit For A24; 'Chef' Hits $10 Million

    Here's a rundown of the specialty box office this weekend, which saw Sebastian Junger's doc "Korengal" top openers in its exclusive engagement debut, narrowly beating out the per-theater-average of Kelly Reichardt's "Night Moves," which was in one more theater. News wasn't quite so good for other op...

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  • Shadow and Act
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    Weekend B.O. June 6-8 (The Power Of Teenage Girl Audiences, And A Question)

    Girl power rules, as the collective forces beats out Tom Cruise

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  • Box Office Insider
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    Despite Saturday Drop, "The Fault In Our Stars" Garners Glorious $48 Million Debut

    It's probably better to look at the end rather than the means in the case of "The Fault In Our Stars" this weekend. The end result was a stunning $48.2 million weekend, easily outpacing the competition as tween and older females flocked to the multiplex as if an episode of Oprah's Favorite Things wa...

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  • Thompson on Hollywood
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    Top Ten: 'Fault In Our Stars' Soars at Box Office as 'Edge of Tomorrow' Hopes for International Boost

    The weekend after Angelina Jolie propelled "Maleficent" (Buena Vista), an expensive summer tentpole, to significant success, Shailene Wooley did the same with the low-budget romance-amid-illness "The Fault in Our Stars" (20th Century Fox). Building on a core of interest from the young adult novel an...

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  • The Playlist
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    ‘The Fault In Our Stars’ Weeps Its Way To #1, Tom Cruise’s ‘Tomorrow’ Falters With Less Than $30 Million

    Opening to slightly smaller numbers than predicted, Shailene Woodley’s romantic weepie “The Fault In Our Stars” took the number one slot this weekend, perhaps proving that you don’t need science-fiction or high concept in order for a YA novel to connect with audiences. While its weekend debut was be...

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  • Thompson on Hollywood
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    Friday Box Office: 'Fault In Our Stars' Continues Female-Driven Rebound, While Cruise's 'Edge of Tomorrow' Is Spotty

    With the strong initial grosses for "The Fault in Our Stars" (20th Century Fox), another young adult novel has turned into a significant hit.

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