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box office: week of November 6

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
A Late QuartetEntertainment One Films9$75,279$8,364$75,279
The SessionsFox Searchlight69$468,312$6,787$943,230
This Must Be The PlaceThe Weinstein Company2$7,754$3,877$7,754
Hating BreitbartRocky Mountain Pictures8$25,826$3,228$81,432
The Other SonCohen Media Group50$153,309$3,066$330,423
Holy MotorsIndomina Media5$15,234$3,047$83,665
The FlatIFC Films24$72,224$3,009$143,192
The Big PictureMPI Media7$20,687$2,955$96,783
The ThievesWell Go USA, Inc.18$43,968$2,443$628,261
Escape FireRoadside Attractions4$9,688$2,422$67,717
The Loneliest PlanetIFC Films11$25,964$2,360$44,392
Diana Vreeland: The Eye Has To TravelIDP/Samuel Goldwyn Films24$54,523$2,272$744,522
Simon and the OaksThe Film Arcade13$28,867$2,221$119,097
Brooklyn CastleProducers Distribution Agency13$27,068$2,082$87,199
District Of CorruptionRocky Mountain Pictures3$6,220$2,073$31,954
The Perks of Being a WallflowerLionsgate622$1,241,870$1,997$13,059,220
SmashedSony Pictures Classics21$34,097$1,624$198,690
17 GirlsStrand Releasing1$1,510$1,510$14,080
North Sea TexasStrand Releasing3$4,487$1,496$4,487
Gregory Crewdson: Brief EncountersZeitgeist1$1,492$1,492$1,492
The ImposterIndomina Media10$14,584$1,458$857,661
Searching For Sugar ManSony Pictures Classics105$149,114$1,420$2,410,566
Orchestra Of ExilesFirst Run5$6,985$1,397$13,704
Somewhere BetweenIndependent6$8,379$1,397$120,078
The DetailsRadius-TWC14$18,528$1,323$18,528
The MasterThe Weinstein Company138$180,599$1,309$15,511,394
My Worst NightmareStrand Releasing3$3,695$1,232$5,478
The House I Live InAbramorama Entertainment11$13,546$1,231$132,348
Paperboy, TheMillennium Entertainment42$48,416$1,153$628,198
Inch'AllahEntertainment One Films16$18,050$1,128$416,009
The IntouchablesThe Weinstein Company28$31,273$1,117$12,937,504
SamsaraOscilloscope Pictures62$68,267$1,101$2,303,520
Tai Chi ZeroVariance Films13$13,881$1,068$190,407
Keep The Lights OnMusic Box Films5$5,236$1,047$226,935
Well-Digger's DaughterKino Lorber5$5,205$1,041$351,923
ArbitrageRoadside Attractions116$119,225$1,028$7,533,493
The Other Dream TeamThe Film Arcade5$4,781$956$128,977
The Queen of VersaillesMagnolia Pictures6$5,252$875$2,390,059
The BayRoadside Attractions23$19,926$866$19,926
Sleepwalk With MeIFC Films18$14,297$794$2,244,439
The Eye of the StormSycamore Entertainment Group1$664$664$83,297
Robot & FrankIDP/Samuel Goldwyn Films14$9,066$648$3,269,939
Beasts Of The Southern WildFox Searchlight15$9,510$634$11,225,465
War of the ButtonsThe Weinstein Company6$3,736$623$45,602
Liberal ArtsIFC Films17$9,256$544$298,701
All TogetherKino Lorber3$1,478$493$30,626
Wuthering HeightsOscilloscope Pictures11$5,111$465$70,435
V/H/S (VHS)Magnolia Pictures8$3,699$462$97,348
Killer JoeLD Entertainment7$3,179$454$2,000,727
Photographic MemoryFirst Run1$412$412$6,301
Deep Dark CanyonIndependent1$396$396$4,797
RevisionariesKino Lorber3$1,139$380$16,536
Nobody WalksMagnolia Pictures4$1,510$378$20,067
This Is Not A FilmIndependent1$357$357$74,850
Meet The FokkensKino Lorber1$349$349$28,632
Trade Of InnocentsMonterey Media3$1,039$346$15,059
2 Days In New YorkMagnolia Pictures4$1,361$340$629,359
How To Survive A PlagueIFC Films2$677$339$121,201
To Rome With LoveSony Pictures Classics5$1,688$338$16,682,329
Chicken With PlumsSony Pictures Classics18$4,032$224$233,225
ChakravyuhEros Entertainment79$14,783$187$145,499
Jack And DianeMagnolia Pictures2$294$147$294
AlpsKino Lorber3$314$105$13,841
Celeste And Jesse ForeverSony Pictures Classics14$1,157$83$3,089,507
HeadshotKino Lorber1$28$28$1,166

box office news archive

  • Thompson on Hollywood
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    Warner Bros. Studio Post-Robinov: Do They Need a Strategy Reboot?

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    You'll Never Guess Which Country Loves Tom Cruise the Most

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  • Box Office Insider
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    Why Hispanic Audiences Are A Box Office Asset

    Guest blog by Aaron M. Sanchez This Sunday at the Produced By Conference, there was a panel, "Increase your opening weekend box office: How the Hispanic audience can make all the difference." The panel consisted of John Fithian, President and CEO of National Associaton of Theater Owners; Gail H...

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    Why 'Jupiter Ascending' Really Got Pushed (TRAILER)

    Want to know the real reason why Warner Bros. is pushing back "Matrix" creators Andy and Lana Wachowski's “Jupiter Ascending,” starring Mila Kunis and a puckish Channing Tatum, from summer season July 18 to off-peak Feb. 6, 2015? It's not only the recent studio trend to invest more time and money in...

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  • Women and Hollywood
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    Why Young Women Are the Hottest Box Office Demographic

    How "The Fault in Our Stars" made $48 million in its opening weekend on a $12 million production budget with minimal traditional advertising.

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  • Box Office Insider
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    Dreamworks Aims To Regain The Magic With "HTTYD 2" While Jonah And Channing Give it The Old College Try In "22 Jump Street"

    It certainly has been a challenging run for Dreamworks Animation over the last two years. Since June 2012's "Madagascar 3", the company has released four films to mixed results. This week they attempt to regain glory with "How To Train Your Dragon 2".

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  • Box Office Insider
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    Cruise Rules Overseas Box Office As World Cup Looms

    Here's the good news for Warners...Tom Cruise's "Edge Of Tomorrow" opened to a very strong $82 million over the weekend, including a huge $25 from China. Now for the bad news, the World Cup starts on Thursday, which will put a huge damper on the international box office.

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  • Thompson on Hollywood
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    Arthouse Audit: 'Obvious Child' Stands Out Among Tepid Openers

    Although a decent line-up of current openers continues to provide a steady flow of specialized film customers as these films expand, the early summer newbies keep falling short -- and none compare to the top June players of recent years.

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  • Indiewire
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    Specialty Box Office: 'Obvious Child' a Hit For A24; 'Chef' Hits $10 Million

    Here's a rundown of the specialty box office this weekend, which saw Sebastian Junger's doc "Korengal" top openers in its exclusive engagement debut, narrowly beating out the per-theater-average of Kelly Reichardt's "Night Moves," which was in one more theater. News wasn't quite so good for other op...

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    Weekend B.O. June 6-8 (The Power Of Teenage Girl Audiences, And A Question)

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    Despite Saturday Drop, "The Fault In Our Stars" Garners Glorious $48 Million Debut

    It's probably better to look at the end rather than the means in the case of "The Fault In Our Stars" this weekend. The end result was a stunning $48.2 million weekend, easily outpacing the competition as tween and older females flocked to the multiplex as if an episode of Oprah's Favorite Things wa...

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  • Thompson on Hollywood
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    Top Ten: 'Fault In Our Stars' Soars at Box Office as 'Edge of Tomorrow' Hopes for International Boost

    The weekend after Angelina Jolie propelled "Maleficent" (Buena Vista), an expensive summer tentpole, to significant success, Shailene Wooley did the same with the low-budget romance-amid-illness "The Fault in Our Stars" (20th Century Fox). Building on a core of interest from the young adult novel an...

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  • The Playlist
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    ‘The Fault In Our Stars’ Weeps Its Way To #1, Tom Cruise’s ‘Tomorrow’ Falters With Less Than $30 Million

    Opening to slightly smaller numbers than predicted, Shailene Woodley’s romantic weepie “The Fault In Our Stars” took the number one slot this weekend, perhaps proving that you don’t need science-fiction or high concept in order for a YA novel to connect with audiences. While its weekend debut was be...

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  • Thompson on Hollywood
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    Friday Box Office: 'Fault In Our Stars' Continues Female-Driven Rebound, While Cruise's 'Edge of Tomorrow' Is Spotty

    With the strong initial grosses for "The Fault in Our Stars" (20th Century Fox), another young adult novel has turned into a significant hit.

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