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box office: week of October 30

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
Long Shot: The Kevin Laue StoryDutchmen Films1$16,501$16,501$16,501
The SessionsFox Searchlight20$217,353$10,868$376,996
District Of CorruptionRocky Mountain Pictures3$25,086$8,362$25,086
The Loneliest PlanetIFC Films2$15,689$7,845$15,689
Orchestra Of ExilesFirst Run1$6,719$6,719$6,719
The ThievesWell Go USA, Inc.22$105,652$4,802$532,699
The FlatIFC Films9$36,822$4,091$70,968
The Waiting RoomInternational Film Circuit4$13,537$3,384$102,860
Brooklyn CastleProducers Distribution Agency8$26,628$3,329$50,500
The Other SonCohen Media Group41$125,691$3,066$125,691
The Big PictureMPI Media6$17,819$2,970$40,330
Hating BreitbartRocky Mountain Pictures4$10,994$2,749$54,066
Diana Vreeland: The Eye Has To TravelIDP/Samuel Goldwyn Films26$57,232$2,201$653,710
Simon and the OaksThe Film Arcade14$29,225$2,088$75,318
Perks Of Being A WallflowerLionsgate736$1,449,493$1,969$11,257,172
SmashedSony Pictures Classics21$39,592$1,885$145,105
The House I Live InAbramorama Entertainment12$22,314$1,860$107,922
Tai Chi ZeroVariance Films23$41,410$1,800$158,999
You've Been TrumpedInternational Film Circuit2$3,188$1,594$23,592
Keep The Lights OnMusic Box Films5$7,516$1,503$218,083
SamsaraOscilloscope Pictures67$95,202$1,421$2,179,675
Somewhere BetweenIndependent6$8,420$1,403$107,846
ArbitrageRoadside Attractions125$165,389$1,323$7,338,652
The MasterThe Weinstein Company201$258,270$1,285$15,208,652
Searching For Sugar ManSony Pictures Classics114$137,728$1,208$2,192,640
The PaperboyMillennium Entertainment76$89,327$1,175$538,352
Middle Of NowhereAFFRM25$26,360$1,054$163,042
Escape FireRoadside Attractions4$4,056$1,014$56,084
Wuthering HeightsOscilloscope Pictures12$10,012$834$62,129
The Other Dream TeamThe Film Arcade14$11,641$832$119,653
Sleepwalk With MeIFC Films32$25,945$811$2,218,647
Bringing Up Bobby Monterey Media2$1,600$800$4,678
IntouchablesThe Weinstein Company48$36,992$771$12,885,031
Nobody WalksMagnolia Pictures7$5,372$767$15,532
Liberal ArtsIFC Films20$14,443$722$280,670
War of the ButtonsThe Weinstein Company8$5,399$675$38,661
The Queen of VersaillesMagnolia Pictures8$5,035$629$2,380,933
Atlas Shrugged Part 2Atlas Distribution Company147$91,419$622$3,205,472
Husbands In GoaUTV Communications1$600$600$10,135
The OrangesIDP/ATO5$2,892$578$364,875
Chicken With PlumsSony Pictures Classics11$6,080$553$226,770
UnforgivableStrand Releasing2$1,052$526$153,785
V/H/S Magnolia Pictures19$9,231$486$87,628
Trade Of InnocentsMonterey Media3$1,295$432$13,649
Wake In FrightDrafthouse Films10$4,201$420$31,956
2 Days In New YorkMagnolia Pictures7$2,916$417$626,231
Deep Dark CanyonIndependent1$396$396$4,401
The Eye of the StormSycamore Entertainment Group1$368$368$81,461
Celeste And Jesse ForeverSony Pictures Classics11$3,886$353$3,087,503
How To Survive A PlagueIFC Films9$2,979$331$118,490
Robot & FrankIDP/Samuel Goldwyn Films24$7,845$327$3,255,610
To Rome With LoveSony Pictures Classics19$5,313$280$16,677,746
ComplianceMagnolia Pictures8$1,922$240$318,622
Barfi!UTV Communications1$228$228$2,804,874
Bad Blood... The HungerIndependent10$1,872$187$1,872
Ghastly Love of Johnny XStrand Releasing1$86$86$86

box office news archive

  • Box Office Insider
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    Despite Saturday Drop, "The Fault In Our Stars" Garners Glorious $48 Million Debut

    It's probably better to look at the end rather than the means in the case of "The Fault In Our Stars" this weekend. The end result was a stunning $48.2 million weekend, easily outpacing the competition as tween and older females flocked to the multiplex as if an episode of Oprah's Favorite Things wa...

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  • Thompson on Hollywood
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    Top Ten: 'Fault In Our Stars' Soars at Box Office as 'Edge of Tomorrow' Hopes for International Boost

    The weekend after Angelina Jolie propelled "Maleficent" (Buena Vista), an expensive summer tentpole, to significant success, Shailene Wooley did the same with the low-budget romance-amid-illness "The Fault in Our Stars" (20th Century Fox). Building on a core of interest from the young adult novel an...

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  • The Playlist
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    ‘The Fault In Our Stars’ Weeps Its Way To #1, Tom Cruise’s ‘Tomorrow’ Falters With Less Than $30 Million

    Opening to slightly smaller numbers than predicted, Shailene Woodley’s romantic weepie “The Fault In Our Stars” took the number one slot this weekend, perhaps proving that you don’t need science-fiction or high concept in order for a YA novel to connect with audiences. While its weekend debut was be...

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  • Thompson on Hollywood
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    Friday Box Office: 'Fault In Our Stars' Continues Female-Driven Rebound, While Cruise's 'Edge of Tomorrow' Is Spotty

    With the strong initial grosses for "The Fault in Our Stars" (20th Century Fox), another young adult novel has turned into a significant hit.

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  • Thompson on Hollywood
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  • Box Office Insider
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    No Fault Performance: "Fault In Our Stars" Rolls To Enormous Opening Night

    Tweens ran rampant at the multiplex last night and figuring in the Thursday shows, "The Fault In Our Stars" rocked to a $26 million opening night.

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  • Indiewire
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    Indie Box Office Preview: Are 'Child' and 'Case Against 8' As Obvious Hits As We'd Hope?

    In a new weekly fixture here at Indiewire, we're previewing notable new specialty releases in terms of their box office potential.

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  • Box Office Insider
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    Weekend Top 10 Projections: Why Weepy Tweens Will Topple Tom's "Tomorrow"

    Look for females to find no "Fault In Our Stars" this weekend as the tween rom/drama seeks to expand past its core 12-20 year old demographic and lure older women into the multiplex. If they can pull off that feat then first place is a given as "Maleficent" and "Edge Of Tomorrow" will have to settl...

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  • Box Office Insider
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    Bollywood This Weekend: Akshay Kumar Proves A Soldier Is Never Off Duty In "Holiday"

    Back in action, Akshay Kumar returns to Bollywood screens this week with perhaps his most serious outing ever, "Holiday: A Soldier Is Never Off Duty".

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  • Box Office Insider
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    Hit Or Miss: How "Maleficent" Overperformed, Seth and Charlize Died In The West And "Chef" and "Belle" Continue To Benefit From Great Release Dates

    There are usually one or two executives at every studio whose main job it is to attempt to work with the MPAA ratings board to nip here or tuck there to achieve a desired rating for each film. Kudos to whoever that person is at Disney for securing a PG rating for "Maleficent"!

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  • Thompson on Hollywood
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    John Green's Enthusiastic Fan Base Bodes Well for 'The Fault in Our Stars'

    John Green's fans love him. As in, LOVE him. The "Fault in Our Stars" scribe has nearly 2.5 million(!) followers on Twitter and his vlogbrothers YouTube videos routinely rack up 500,000 to a million hits.

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  • Women and Hollywood
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    Maleficent Soars to the Top of the Box Office with $170 Mil in Global Ticket Sales

    To the surprise of no one (except maybe studio execs), female audiences made the Angelina Jolie vehicle a hit.

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  • Box Office Insider
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    "Maleficent" Sleeping Beautifully Overseas With $100 Million Ransom

    In the penultimate week prior to the start of the World Cup, Disney's "Maleficent" edged out Fox's "X-Men: Days Of Future Past" to top the overseas box office. The Angelina Jolie film took in a nice round number of $100 million while the X-Men gang was a close second at $95 million.

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  • Box Office Insider
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    Warners Remains Market Share King But "Maleficent" Moves Disney Into 2nd

    Warners has a solid hold on the studio box office market share derby and thanks to a big weekend with "Maleficent", Disney has now slipped into the #2 slot. The next few weeks should see Fox move into contention with both "The Fault In Our Stars" and "How To Train Your Dragon 2". Should be interes...

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  • Thompson on Hollywood
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    Career Watch: Has 'Maleficent' Restored Angelina Jolie's Box Office Mojo?

    Reviews were mixed. But for moviegoers, the $70 million opening for "Maleficent" -- an Angelina Jolie record -- for a rare female summer action adventure suggests that they were transfixed by the sight of the right actress in a perfect-fit role.

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