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box office: week of October 30

indiewire's weekly box office recap:

Title Distributor Locations Gross Per Location Overall Gross
Long Shot: The Kevin Laue StoryDutchmen Films1$16,501$16,501$16,501
The SessionsFox Searchlight20$217,353$10,868$376,996
District Of CorruptionRocky Mountain Pictures3$25,086$8,362$25,086
The Loneliest PlanetIFC Films2$15,689$7,845$15,689
Orchestra Of ExilesFirst Run1$6,719$6,719$6,719
The ThievesWell Go USA, Inc.22$105,652$4,802$532,699
The FlatIFC Films9$36,822$4,091$70,968
The Waiting RoomInternational Film Circuit4$13,537$3,384$102,860
Brooklyn CastleProducers Distribution Agency8$26,628$3,329$50,500
The Other SonCohen Media Group41$125,691$3,066$125,691
The Big PictureMPI Media6$17,819$2,970$40,330
Hating BreitbartRocky Mountain Pictures4$10,994$2,749$54,066
Diana Vreeland: The Eye Has To TravelIDP/Samuel Goldwyn Films26$57,232$2,201$653,710
Simon and the OaksThe Film Arcade14$29,225$2,088$75,318
Perks Of Being A WallflowerLionsgate736$1,449,493$1,969$11,257,172
SmashedSony Pictures Classics21$39,592$1,885$145,105
The House I Live InAbramorama Entertainment12$22,314$1,860$107,922
Tai Chi ZeroVariance Films23$41,410$1,800$158,999
You've Been TrumpedInternational Film Circuit2$3,188$1,594$23,592
Keep The Lights OnMusic Box Films5$7,516$1,503$218,083
SamsaraOscilloscope Pictures67$95,202$1,421$2,179,675
Somewhere BetweenIndependent6$8,420$1,403$107,846
ArbitrageRoadside Attractions125$165,389$1,323$7,338,652
The MasterThe Weinstein Company201$258,270$1,285$15,208,652
Searching For Sugar ManSony Pictures Classics114$137,728$1,208$2,192,640
The PaperboyMillennium Entertainment76$89,327$1,175$538,352
Middle Of NowhereAFFRM25$26,360$1,054$163,042
Escape FireRoadside Attractions4$4,056$1,014$56,084
Wuthering HeightsOscilloscope Pictures12$10,012$834$62,129
The Other Dream TeamThe Film Arcade14$11,641$832$119,653
Sleepwalk With MeIFC Films32$25,945$811$2,218,647
Bringing Up Bobby Monterey Media2$1,600$800$4,678
IntouchablesThe Weinstein Company48$36,992$771$12,885,031
Nobody WalksMagnolia Pictures7$5,372$767$15,532
Liberal ArtsIFC Films20$14,443$722$280,670
War of the ButtonsThe Weinstein Company8$5,399$675$38,661
The Queen of VersaillesMagnolia Pictures8$5,035$629$2,380,933
Atlas Shrugged Part 2Atlas Distribution Company147$91,419$622$3,205,472
Husbands In GoaUTV Communications1$600$600$10,135
The OrangesIDP/ATO5$2,892$578$364,875
Chicken With PlumsSony Pictures Classics11$6,080$553$226,770
UnforgivableStrand Releasing2$1,052$526$153,785
V/H/S Magnolia Pictures19$9,231$486$87,628
Trade Of InnocentsMonterey Media3$1,295$432$13,649
Wake In FrightDrafthouse Films10$4,201$420$31,956
2 Days In New YorkMagnolia Pictures7$2,916$417$626,231
Deep Dark CanyonIndependent1$396$396$4,401
The Eye of the StormSycamore Entertainment Group1$368$368$81,461
Celeste And Jesse ForeverSony Pictures Classics11$3,886$353$3,087,503
How To Survive A PlagueIFC Films9$2,979$331$118,490
Robot & FrankIDP/Samuel Goldwyn Films24$7,845$327$3,255,610
To Rome With LoveSony Pictures Classics19$5,313$280$16,677,746
ComplianceMagnolia Pictures8$1,922$240$318,622
Barfi!UTV Communications1$228$228$2,804,874
Bad Blood... The HungerIndependent10$1,872$187$1,872
Ghastly Love of Johnny XStrand Releasing1$86$86$86

box office news archive

  • Thompson on Hollywood
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    6

    Arthouse Audit: Sony Pictures Classics Rolls Out Oscar Bounty

    Sony Pictures Classics is looking forward to a big Oscar night with foreign contenders "Amour" and "No" as well as two leading documentary entries, "Searching for Sugar Man" and "The Gatekeepers." The question is where the specialty box office goes after ...

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  • Thompson on Hollywood
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    3

    Melissa McCarthy Rules Weekend Box Office Top Ten

    On a Sunday when studio films look to take home most of the top Oscars (not always the case), their new pictures aren't playing well with audiences. Only three studio pics make the top ten, while mini-majors and independents carry most of the weight. The continued success of such companies as Weinst...

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  • Indiewire
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    4

    Specialty Box Office: Holdovers Lead Very Slow Oscar Weekend

    Sony Pictures Classics continued to belatedly benefit from its nominations on this slow Oscar weekend, with foreign language film nominee "No" -- directed by Pablo Larraín and starring Gael Garcia Bernal -- expanded from 4 to 6 screens in its second weekend and found the best per-th...

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  • Thompson on Hollywood
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    15

    Six Reasons Why Six Oscar Nominees Delivered Highest Awards Season Grosses in Recent History

    Six of the nine Oscar Best Picture nominees have already passed the $100 million mark, the highest level since the number was increased from five in 2009. These are the biggest numbers, even with ticket price adjustments, in recent box-office history. A number of factors contributed to the result-- ...

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  • Thompson on Hollywood
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    7

    'Snitch' Edges Out 'Identity Thief' for Friday in Another Down Weekend

    Oscar Weekend is often not prime time for new openings. But this year looks weak even by that standard. Continuing a pattern that hasn't varied now for several weeks, grosses for the day were down again, this Friday about 25% from last year (also right before the awards).

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  • Thompson on Hollywood
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    7

    Arthouse Audit: Smart Audiences Give 'No' a 'Yes'

    While it's been a spotty 2013 so far for new specialized openings, Sony Pictures Classics' Chilean-election drama (and Oscar nominee) "No" was a winner over the four-day holiday weekend in limited initial release, proving itself the strongest new art-house performer since "Quartet" last month, and f...

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  • Indiewire
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    23

    Specialty Box Office: Arthouse Auds Say Yes To 'No'; 'Gatekeepers,' 'Amour' and 'Quartet' Expand Strong (UPDATED)

    Sony Pictures Classics continued to belatedly benefit from its Oscar nominations, with foreign language film nominee "No" -- directed by Pablo Larraín and starring Gael Garcia Bernal -- opened on 4 screens this weekend to excellent numbers. The film took in $74,476 for a $18,619 ave...

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  • Indiewire
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    20

    Oscars: The Box Office Bonanza of This Year's Best Picture Nominees

    Over a month ago -- before the Oscar nominations were announced -- we asked whether we were heading toward the biggest box office ever for a best picture race. In terms of the overall combined gross of the nominees, we acknowledged that was a bit of a longshot thanks to the inclusion of "Avatar...

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  • Thompson on Hollywood
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    3

    Weekend Box Office Top Ten: Bruce Willis is Back, But Melissa McCarthy Stays Close, 'Silver Linings' Passes $100 Million

    Good news: four wide releases grossed over $20 million for the four-day Presidents' Day weekend. On paper that looks solid. Pictures with varied appeal--male action, comedy, young female, kids--marked a return to more normal moviegoing after weeks of adult-sewing films, with a few genre films grabbi...

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  • Thompson on Hollywood
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    6

    Weekend Box Office Returns to Normal: 'Good Day to Die Hard' & 'Safe Haven' Open, 'Silver Linings' Heads for $100 Million

    After a disastrous weekend when grosses dipped to half of last year's, two new releases and one strong holdover continued the Thursday Valentine's Day rebound. Friday's Top Ten total is close to the 2012 sum. Three of the week's four new films premiered a day earlier. All three fell off their initia...

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  • Women and Hollywood
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    Melissa McCarthy Dominates Weekend Box Office

    Sorry Rex Reed—looks like there are many, many people who want to see a Melissa McCarthy starring in a movie.

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  • Thompson on Hollywood
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    6

    Arthouse Audit: 'Lore' and 'Charles Swan' Modest Openers, Holdovers Stay Strong

    With few significant new openings these days and competition for multiple adult-appealing Oscar contenders still significant, "Lore" and "A Glimpse Inside the Mind of Charles Swan III" both posted just average opening grosses. The snow in New York likely had some impact on box office there (both fil...

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  • Thompson on Hollywood
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    4

    Weekend Box Office Top Ten: 'Identity Thief' First Breakout of 2013 Amid Weak Field

    A weekend standout amid weather closings, "Identity Thief" outdid expectations for a terrific opening. While a number of recent releases and older Oscar contenders held up well (following the depleted Super Bowl weekend), most or all of the Top 10 films are successes. So what's the worry?

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  • Thompson on Hollywood
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    0

    Friday Box Office: 'Identity Thief' Outpaces Weak Pack

    The good news: Universal's Melissa McCarthy comedy "Identity Thief" scored the best Friday gross of any film so far this year. Battling both a Northeastern blizzard-- which closed theaters across the most populated stretch of the country-- and inferior reviews, it easily surpassed the first-day gros...

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  • Thompson on Hollywood
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    Arthouse Audit: Four Docs and Oscar Shorts Program Buoy Specialized Weekend Box Office

    After a January of weak specialized openings (led by First Run's "56 Up"), February is showing some life with four new documentary releases and a shorts program. The standouts are Sony Pictures Classics' Oscar-nominated "The Gatekeepers" in two cities and Zeitgeist's "Koch" in New York. Arthouses in...

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