| Title | Distributor | Locations | Gross | Per Location | Overall Gross |
|---|---|---|---|---|---|
| Rust And Bone | Sony Pictures Classics | 6 | $57,407 | $9,568 | $209,053 |
| Hyde Park On Hudson | Focus Features | 36 | $292,796 | $8,133 | $404,816 |
| Silver Linings Playbook | The Weinstein Company | 371 | $2,109,274 | $5,685 | $16,979,323 |
| Beware of Mr. Baker | Independent | 1 | $4,414 | $4,414 | $45,252 |
| Let Fury Have The Hour | CAVU Pictures | 1 | $3,386 | $3,386 | $3,386 |
| BURN: One Year On The Frontlines | Area23a | 4 | $12,236 | $3,059 | $104,613 |
| A Werewolf Boy | CJ Entertainment | 20 | $52,381 | $2,619 | $222,581 |
| Any Day Now | Music Box Films | 16 | $40,489 | $2,531 | $40,489 |
| Anna Karenina | Focus Features | 409 | $1,022,214 | $2,499 | $8,380,517 |
| Lost Angels: Skid Row Is My Home | Cinema Libre | 1 | $2,436 | $2,436 | $11,489 |
| Hitchcock | Fox Searchlight | 561 | $1,107,659 | $1,974 | $3,071,871 |
| Save The Date | IFC Films | 2 | $3,755 | $1,878 | $3,755 |
| Masquerade | CJ Entertainment | 1 | $1,844 | $1,844 | $902,340 |
| The Central Park Five | IFC Films | 22 | $38,329 | $1,742 | $175,801 |
| Somewhere Between | Long Shot Factory | 2 | $2,919 | $1,460 | $177,633 |
| Samsara | Oscilloscope Pictures | 11 | $14,203 | $1,291 | $2,587,430 |
| The Big Picture | MPI Media | 3 | $3,866 | $1,289 | $158,411 |
| Chasing Ice | Submarine Deluxe | 53 | $65,559 | $1,237 | $612,089 |
| The House I Live In | Abramorama Entertainment | 1 | $1,223 | $1,223 | $181,782 |
| A Late Quartet | Entertainment One Films | 46 | $51,339 | $1,116 | $1,084,339 |
| This Must Be The Place | The Weinstein Company | 3 | $3,071 | $1,024 | $142,242 |
| The Flat | IFC Films | 15 | $14,817 | $988 | $445,919 |
| Deadfall | Magnolia Pictures | 17 | $16,649 | $979 | $45,392 |
| The Sessions | Fox Searchlight | 151 | $147,487 | $977 | $5,208,538 |
| Well-Digger's Daughter | Kino Lorber | 2 | $1,828 | $914 | $375,009 |
| Deep Dark Canyon | Independent | 2 | $1,808 | $904 | $6,209 |
| In Our Nature | Cinedigm Entertainment | 1 | $893 | $893 | $6,175 |
| Tchoupitoulas | Oscilloscope Pictures | 2 | $1,774 | $887 | $5,551 |
| A Royal Affair | Magnolia Pictures | 56 | $46,514 | $831 | $534,267 |
| Keep The Lights On | Music Box Films | 1 | $820 | $820 | $243,536 |
| Wagner & Me | First Run | 4 | $3,278 | $820 | $26,031 |
| Only The Young | Oscilloscope Pictures | 2 | $1,530 | $765 | $3,558 |
| The Loneliest Planet | IFC Films | 5 | $3,644 | $729 | $128,519 |
| Searching For Sugar Man | Sony Pictures Classics | 31 | $22,555 | $728 | $2,931,599 |
| The Intouchables | The Weinstein Company | 25 | $18,091 | $724 | $13,069,901 |
| Brooklyn Castle | Producers Distribution Agency | 2 | $1,356 | $678 | $186,690 |
| The Master | The Weinstein Company | 14 | $9,361 | $669 | $15,912,499 |
| Arbitrage | Roadside Attractions | 10 | $6,507 | $651 | $7,890,701 |
| North Sea Texas | Strand Releasing | 2 | $1,259 | $630 | $20,512 |
| Khiladi 786 | Eros Entertainment | 115 | $61,563 | $535 | $352,684 |
| End Of Watch | Open Road | 172 | $91,195 | $530 | $40,469,936 |
| Cheerful Weather For The Wedding | IFC Films | 2 | $1,016 | $508 | $1,949 |
| California Solo | Strand Releasing | 2 | $853 | $427 | $10,911 |
| Smashed | Sony Pictures Classics | 10 | $4,157 | $416 | $368,887 |
| Starlet | Music Box Films | 4 | $1,654 | $414 | $76,210 |
| The Waiting Room | International Film Circuit | 3 | $1,082 | $361 | $174,991 |
| All Together | Kino Lorber | 1 | $343 | $343 | $37,734 |
| Diana Vreeland: The Eye Has To Travel | IDP/Samuel Goldwyn Films | 14 | $4,532 | $324 | $938,476 |
| Revisionaries, The | Kino Lorber | 1 | $164 | $164 | $18,262 |
| Jason Becker: Not Dead Yet | Kino Lorber | 2 | $319 | $160 | $794 |
| Universal Soldier: Day Of Reckoning | Magnolia Pictures | 2 | $319 | $160 | $5,247 |
| Citadel | Cinedigm Entertainment | 2 | $192 | $96 | $12,663 |
For Hollywood, it was a hit-and-miss summer. Audiences flocked to a handful of films in a very big way (most notably "The Avengers" and "The Dark Knight Rises," both among the ten highest-grossing films of all time), but there also were more major disappointments than a summer ha...
Read More »The final weekend of the summer movie season has come and gone, and the specialty box office ended things off somewhat uneventfully. The top newbie was Focus Features' comedy "For a Good Time, Call...,' which took in a decent 4-day gross of $186,077 from 23 locations. The weekend...
Read More »Even on a holiday weekend, the holdover specialized films--especially "Sleepwalk with Me"-- continued to prosper as the new ones opened badly . They boasted the lowest opening per-screen averages since the low-performing post-Christmas period.
Read More »Grosses for Labor Day weekend are about even with last week’s as well as the same as last year (always the weakest holiday), led by overperforming Lionsgate horror entry "The Possession," hitting the youth crowd, while Weinstein's "Lawless" is delivering at expected levels with a discrete older audi...
Read More »As summer 2012 ends, studio execs are heaving sighs of relief. The expense of making and marketing a tentpole blockbuster keeps climbing, and with it the need to gross $500 million or more worldwide to ensure profit. Twelve films will gross more than $100 millon domestically (numbers through 8/26) i...
Read More »It's been a strong summer for specialized movies, but no weekend has had two major new openings like this one. Two new films, "Sleepwalk With Me" and "Samsara," should better than expected results. Among expanding films, "Robot and Frank" showed the most strength, but several other longer-playing...
Read More »It was an unexpectedly potent late summer weekend at the specialty box office, with two openers -- "Sleepwalk With Me" and "Samsara" -- scoring among the best limited debuts of the year and anti-Obama doc "2016: Obama's America" soaring into the overall top 10 to be...
Read More »Consider this a weekend to indulge at the movies. The 70mm documentary "Samsara" is a gorgeous, spiritually rich experience to let wash over you, while "Wild Horse, Wild Ride" examines the equine-and-man relationship and delivers a moving result akin to last year's "Buck...
Read More »We may finally have a successful political documentary made from a conservative perspective on our hands. “2016: Obama’s America” grossed $1.2 million this past weekend in limited release, including showings at New York City’s Regal Union Square theaters that placed it third behind “The Dark Knight ...
Read More »This year has seen an astonishing three films outperform the $10,000 per screen average benchmark on a platform release. That includes this weekend's specialty box office leader, David Cronenberg's exercise in brainy style, "Cosmopolis," boosted by "Twilight" star Robert Pattinson.
Read More »It's the dog days of August. Four new openings aimed at three sets of audiences opened to varying results Friday. None rose above expectations. And the biggest one, Sylvester Stallone's "The Expendables" sequel, came up short.
Read More »David Cronenberg's Robert Pattinson-starring "Cosmopolis" led a slew of specialty debuts at the box office weekend, taking in $72,327 from just 3 screens for a $24,109 average.
Read More »There's no shortage of films opening this weekend, but many will be disappointments if you go in with high expectations. The safest bet is Chris Kenneally's doc "Side by Side," which is both a treat for film buffs and a primer for anyone looking to get behind a camera in today'...
Read More »Meryl Streep can’t do much wrong in our book. Her newest film, Hope Springs, opened this past weekend on over 2,000 screens. A film that cost $30 million to make has now made over $20 million since its release. And it has garnered rave reviews for both Streep and Tommy Lee Jones.
Read More »This week's specialized take fell flat. The new openings (mainly NY exclusives) all performed okay, with none breaking out. But the broader market showed signs of weakness as "Ruby Sparks" failed to impress in its wider break, "Celeste and Jesse Forever" didn't repeat its...
Read More »
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