indieWIRE:BOT™ - Box Office Table for January 5
Box office results for the weekend ending January 3, 2004, sorted by per-screen average. For people with current browsers, clicking on a column header will resort the table by that column (clicking a second time will reverse the sorting order.)
| Title |
Distributor |
Screens |
Gross |
Per Screen |
Overall Gross |
| Hotel Rwanda |
United Artists |
7 |
$142,378 |
$20,340 |
$426,803 |
| William Shakespeare's Merchant of Venice |
Sony Pictures Classics |
4 |
$69,868 |
$17,467 |
$103,260 |
| The Assassination of Richard Nixon |
ThinkFilm |
5 |
$37,547 |
$7,509 |
$55,255 |
| The Woodsman |
Newmarket Films |
13 |
$83,077 |
$6,391 |
$197,623 |
| The Aviator |
Miramax |
1796 |
$11,364,664 |
$6,328 |
$31,541,390 |
| Born Into Brothels |
ThinkFilm |
1 |
$6,300 |
$6,300 |
$55,045 |
| Bad Education |
Sony Pictures Classics |
47 |
$282,562 |
$6,012 |
$1,759,188 |
| Sideways |
Fox Searchlight |
370 |
$2,150,398 |
$5,812 |
$22,404,206 |
| In The Realms of the Unreal |
Wellspring |
3 |
$17,167 |
$5,722 |
$70,465 |
| House of Flying Daggers |
Sony Pictures Classics |
161 |
$741,890 |
$4,608 |
$4,157,199 |
| A Very Long Engagement |
Warner Independent Pictures |
167 |
$692,061 |
$4,144 |
$2,653,128 |
| The Sea Inside |
Fine Line |
5 |
$18,784 |
$3,757 |
$142,474 |
| A Love Song for Bobby Long |
Lions Gate Films |
8 |
$28,243 |
$3,530 |
$41,771 |
| Beyond The Sea |
Lions Gate Films |
383 |
$1,340,773 |
$3,501 |
$1,917,756 |
| Sky Blue |
Self Distributed |
1 |
$3,022 |
$3,022 |
$3,022 |
| Finding Neverland |
Miramax |
1054 |
$2,590,313 |
$2,458 |
$24,676,372 |
| Notre Musique |
Wellspring |
3 |
$7,240 |
$2,413 |
$70,282 |
| Postmen in the Mountains |
Shadow Distribution |
3 |
$7,225 |
$2,408 |
$117,656 |
| Kinsey |
Fox Searchlight |
228 |
$531,360 |
$2,331 |
$6,734,321 |
| Moolaade |
New Yorker Films |
2 |
$4,123 |
$2,062 |
$109,790 |
| The Motorcycle Diaries |
Focus Features |
93 |
$189,754 |
$2,040 |
$15,724,900 |
| Short Cut to Nirvana: Kumbh Mela |
Self Distributed |
3 |
$6,081 |
$2,027 |
$69,084 |
| Bear Cub |
TLA Releasing |
4 |
$7,259 |
$1,815 |
$66,096 |
| Callas Forever |
Regent Releasing |
6 |
$10,228 |
$1,705 |
$330,761 |
| Veer-Zaara |
Yash Raj Films |
10 |
$14,246 |
$1,425 |
$2,874,425 |
| What the Bleep Do We Know? |
Samuel Goldwyn Films/Roadside Attractions |
58 |
$68,416 |
$1,180 |
$10,091,903 |
| Vera Drake |
Fine Line |
19 |
$22,226 |
$1,170 |
$2,122,643 |
| Being Julia |
Sony Pictures Classics |
43 |
$47,841 |
$1,113 |
$3,555,620 |
| Tarnation |
Wellspring |
7 |
$7,388 |
$1,055 |
$478,112 |
| Almost Peaceful |
Empire Pictures |
1 |
$1,055 |
$1,055 |
$89,931 |
| Guerrilla: The Taking of Patty Hearst |
Magnolia Pictures |
2 |
$2,096 |
$1,048 |
$72,933 |
| Seducing Doctor Lewis |
Wellspring |
3 |
$2,473 |
$824 |
$469,551 |
| Lightning In A Bottle |
Sony Pictures Classics |
6 |
$4,920 |
$820 |
$136,367 |
| Red Lights |
Wellspring |
2 |
$1,500 |
$750 |
$634,064 |
| Rosenstrasse |
Samuel Goldwyn Films |
4 |
$2,951 |
$738 |
$727,467 |
| I Heart Huckabees |
Fox Searchlight |
43 |
$26,129 |
$608 |
$12,596,975 |
| Fear and Trembling |
Cinema Guild |
1 |
$551 |
$551 |
$23,965 |
| Zelary |
Sony Pictures Classics |
1 |
$524 |
$524 |
$329,729 |
| La petite Lili |
First Run Features |
1 |
$492 |
$492 |
$21,983 |
| Garden State |
Fox Searchlight/Miramax |
24 |
$10,717 |
$447 |
$26,754,251 |
| Napoleon Dynamite |
Fox Searchlight |
114 |
$47,898 |
$420 |
$44,411,050 |
| A Talking Picture |
Kino International |
1 |
$387 |
$387 |
$10,645 |
| Untold Scandal |
Kino International |
2 |
$594 |
$297 |
$44,599 |
| Enduring Love |
Paramount Classics |
1 |
$276 |
$276 |
$349,117 |
| Deserted Station |
First Run Features |
1 |
$118 |
$118 |
$11,837 |
| Head in the Clouds |
Sony Pictures Classics |
1 |
$72 |
$72 |
$398,179 |
| The Machinist |
Paramount Classics |
26 |
$521 |
$20 |
$1,004,511 |
indieWIRE:BOT™ is compiled from information voluntarily submitted to indieWIRE by distributors of the films listed. indieWIRE:BOT™ utilizes per-screen average of the movies reported as an indicator of a film's current strength in the marketplace, its current comparative quality, and its current brand consciousness, rather than providing a scorecard for revenue watchers.
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