Features
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PARK CITY '06: Michael Cain: "The sheer volume of material, over 3200 hours of footage, often ran pe
Every day through the end of the Sundance Film Festival, including weekends, indieWIRE will be publishing two interviews with Sundance '06 competition filmmakers. Sixty filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions.
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PARK CITY '06 BUZZ DAILY: Hardcore American Rock; "Daley" Draws Crowds; Email Jerk, and More Parties
Paul Rachman's "American Hardcore" has already scored a nice amount of press with a New York Times piece at the end of last month. Rachman's film, which recalls the "hardcore" punk phenomenon that swept segments of major cities around the U.S. and Canada in the '80s, is screening in the Sundance Fil...
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PARK CITY '06 CRITIC'S DIARY: "Sunshine" Shines; Focus on Women's Issues in "Morning," "Stay," "Dale
Since its world premiere and subsequent high-dollar acquisition deal on Friday, "Little Miss Sunshine" has been the de facto talk of the festival throughout the weekend - and understandably so. Enormously big-hearted, hip but earnest and rousingly funny in fits and starts, the feature debut of music...
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PARK CITY '06: Max Makowski: "A true indie is made by filmmakers armed with nothing more than a scri
Every day through the end of the Sundance Film Festival, including weekends, indieWIRE will be publishing two interviews with Sundance '06 competition filmmakers. Sixty filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions.
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PARK CITY '06: Tin Dirdamal: "I became a filmmaker by accident."
Every day through the end of the Sundance Film Festival, including weekends, indieWIRE will be publishing two interviews with Sundance '06 competition filmmakers. Sixty filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions.
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PARK CITY '06: Laurie Collyer: "When I used a camera to document what I experienced on the job, I re
Every day through the end of the Sundance Film Festival, including weekends, indieWIRE will be publishing two interviews with Sundance '06 competition filmmakers. Sixty filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions.
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PARK CITY '06 CRITIC'S DIARY: Sundance's Wide Wide World: Int'l Movies Mine Religion, Fate and Famil
Fledgling directors gather every year at Sundance, looking to expose their movies to American audiences for the first time. But contrary to popular opinion, those filmmakers don't just hail from places like New York, Los Angeles, Austin or Memphis. In just the first couple days of the festival, atte...
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PARK CITY '06 BIZ DAILY: Buyer's Buzz On Day One; "Sunshine" Selling; SonyBMG Goes For "Reggaeton"
Thursday's clouds and snow gave way to blue skies and cool temperatures Friday, the first full day of the Sundance Film Festival screenings. And buyers in Park City got their first taste of what this year's lineup has to offer. The widely expected acquisition deal of the weekend is Jonathan Dayton &...
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PARK CITY '06 BUZZ DAILY: "Crossing Arizona" Premiere; Friday Night Party Madness; Saturday Parties
Outside the Holiday Village theater yesterday, a small gathering of press had assembled around a group of people in the parking lot. A CBS crew and a Reuters cameraman were shooting members of the opposing sides of the national immigration debate. Joseph Mathew's "Crossing Arizona," screening in th...
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PARK CITY '06 CRITIC'S DIARY: "Somebodies" A Diamond in the Rough; "Friends," "Everybody" Entertaini
Money changes everything, so it's apt that Sundance, the most renowned and successful film festival in America open with "Friends with Money," Nicole Holofcener's charmingly observant but ultimately disappointing look into the lives of four Los Angeles women and their struggles with affluence. Watch...
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