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Festivals

  • Thompson on Hollywood
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    Cannes Review: James Franco's 'As I Lay Directing'

    Back in her “Pretty Women” days, I interviewed the young Julia Roberts and at one point she mentioned her dog, which she called Faulkner. Well, that’s one way to add some intellectual heft to your resume. Is it so different with James Franco, choosing “As I Lay Dying” as his first directorial featur...

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    Cannes Film Fest Diary 3: Seduced by 'The Past,' Abandoned by a Brazilian Beach Bikini Party

    At 8:30am Friday morning, I got it. What Cannes is truly all about. You get something in theory, and then there’s the moment you get it through experience. Asghar Farhadi’s “The Past” had just begun, and I thought back to what a friend said was the real reason to attend Cannes: because you see the b...

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  • The Playlist
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    Cannes Review: The Rich Also Cry In Valeria Bruni-Tedeschi’s 'A Castle In Italy'

    It’s hard not to read a degree of self-justification into Valeria Bruni-Tedeschi’s (mostly) French-language comedy-drama “A Castle In Italy,” so we’re not really going to try. We took notice of the film in advance mainly because it made headlines as the Cannes Competition’s sole entry from a female ...

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  • Indiewire
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    Cannes So Far: Indiewire's Mid-Festival Wrap-Up

    The 66th edition of the Cannes Film Festival is now at its halfway mark, and although we are still waiting on major directors like Alexander Payne, Roman Polanski, Jim Jarmusch and Steven Soderbergh to unveil their films, the festival has already provided a promising amount of buzz and excitement. F...

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    Cannes: Asghar Farhadi Talks Fest Favorite 'The Past,' Starring Tahar Rahim and Berenice Bejo

    In what’s turning out to be a very strong year for the Cannes Competition, it’s hard to pick a front-runner at the festival’s midway point. As many critics rate the chances of Hirokazu Kore-Eda’s “Like Father, Like Son” (not least because of a family-ties dynamic many assume will appeal to Jury pres...

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  • Sydney Levine
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    Welcome to Cannes!!

    A few pictures straight from guest blogger Peter Belsito and Sydney at Cannes.

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  • Thompson on Hollywood
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    As Restored 'Cleopatra' Hits the Cannes Croisette, Film Critics Look Back at the 'Most Notorious Epic Ever' (TRAILER)

    Joseph L. Manciewicz's four-plus-hour epic "Cleopatra," celebrating its 50th anniversary this year, screens on the Croisette May 21 in a newly restored print. The restoration will expand worldwide the next day, May 22, for a six-day run in select theater chains, and film journalists look back on one...

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    Cannes Deals: Sony Pictures Classics Snaps Up Asghar Farhadi's 'The Past,' Radius Nabs 'Blue Ruin' and More (VIDEOS)

    Sony Pictures Classics has won US rights to "The Past," the new film by Asghar Farhadi (director of 2012 Best Foreign Language Oscar winner "A Separation") starring Tahar Rahim, Berenice Bejo and Ali Mosaffa. The film, which centers on the complex divorce between a French woman and an Iranian man, p...

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  • Indiewire
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    'Ain't Them Bodies Saints'' Doomed Lovers Rooney Mara and Casey Affleck on Cannes Reception and Those Terrence Malick Comparisons

    A few months after world premiering at Sundance to great acclaim, David Lowery's "Badlands"-style love story "Ain't Them Bodies Saints" had its European unveiling at Cannes over the weekend, following in the footsteps of last year's "Beasts of the Southern Wild," which went on a similar journey befo...

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  • Thompson on Hollywood
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    Cannes Market: Dardenne Brothers' 'Two Days, One Night,' Gosling's 'How to Catch a Monster,' Dominik's 'Blonde' and More

    Films have been selling like hotcakes at the Cannes Market this past weekend. Below, news on the Dardenne brothers' latest, Ryan Gosling's directorial debut, Andrew Dominik's Marilyn Monroe biopic and more.

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