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Filmmaking, Movie Making, Film Production, Film Marketing

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    Sundance Cinematographers Tell Indiewire About their Most Difficult Shots

    Though a film's cinematography is shown on-screen, what happens behind the camera often proves to be much more strenuous than meets the eye. Battling against technical difficulties, budgetary restrictions and even some political strife, the 2014 Sundance cinematographers have certainly had their wor...

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    How I Shot That: The Challenges of Filming Sundance's 'Dig' and 'The Case Against 8'

    Cinematographer Joe Anderson spoke to us about filming Toby Halbrooks' short "Dig" and Ben Cotner and Ryan White's "The Case Against 8." "Dig" shows the perspective of a young girl who watches her father dig a hole in their backyard while "The Case Against 8" is a documentary about the trial that le...

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    Sundance Cinematographers Tell Indiewire The Best and Worst Advice They Received

    There's plenty of advice out there for aspiring filmmakers and cinematographers, some great, some garbage. With that in mind, Indiewire asked the cinematographers of the 2014 Sundance Film Festival what was the best and worst advice they ever received, as part of our How I Shot That series.

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    How I Shot That: Using a Wide Angle Lens on the Sundance Satire 'Dear White People'

    Cinematographer Topher Osborn told Indiewire about shooting the Sundance satire "Dear White People," Justin Simien's satire about four black students at an Ivy League school where a riot breaks out following an "African American" party held by white students.

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    What's the Best Film School for Cinematographers? Sundance Cinematographers Tell Indiewire What They Think.

    As part of our "How I Shot That" series, we asked a selection of cinematographers with films at Sundance what the best film school for cinematographers is -- and whether they think cinematographers need to go to film school at all. Here's a selection of their answers.

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    Project of the Day: 'The Goblin Baby'

    Here's your daily dose of an indie film in progress; at the end of the week, you'll have the chance to vote for your favorite.

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    How I Shot That: Filming the Sundance Drama 'Happy Christmas' with Minimal Lighting

    Christmas parties wouldn't exist without the countless lights used for decoration, which made for an interesting experience for cinematographer Ben Richardson, who most recently went to Sundance with the Oscar-nominated "Beasts of the Southern Wild" and now returns with Joe Swanberg's Anna Kendrick-...

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    How I Shot That: Sundance Documentary 'E-Team' Gives an Insider's Look on Filming War Crimes

    Rachel Beth Anderson, cinematographer of "E-Team," which is a documentary playing at the 2014 Sundance Film Festival, discusses with us her experience shooting the film. "E-Team," directed by Katy Chevigny and Ross Kauffman, follows a group of individuals selected by the Human Rights Watch to docume...

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    How I Shot That: Alzheimer's Patients in Sundance Documentary 'Alive Inside: A Story of Music & Memory'

    After shooting a bunch of short films and music videos, cinematographer Shachar Langlev debuted his first feature-length film,"Alive Inside: A Story of Music & Memory" at the 2014 Sundance Film Festival. The documentary, directed by Michael Rossato-Bennett (also a first timer), looks at a powerful e...

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    Zach Braff's 'Wish I Was Here' Sold Big at Sundance, But What Do His Backers Get?

    "Wish I Was Here" sold big at The Sundance Film Festival. How do his Kickstarter backers feel about the film's success?

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