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Celebrating 17 Years of Film.Biz.Fans.

Filmmaking, Movie Making, Film Production, Film Marketing

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    How I Shot That: The Golden Moments in Sundance Documentary 'Rich Hill'

    Cinematographer Andrew Droz Palermo spoke to us about shooting "Rich Hill," a U.S. Documentary entry at 2014 Sundance Film Festival.

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    How I Shot That: Capturing the Private Moments in Sundance Entry 'Cesar's Last Fast'

    James Chressanthis has worked on numerous projects over the last several years as a cinematographer. His latest, "Cesar's Last Fast" screening at The Sundance Film Festival, is a documentary chronicling Cesar Chavez's 36-day water-only fast in 1988. Here's how he shot it.

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    Female Directors at Sundance Have a Long Way to Go, New Study Finds

    There has been no overall change in the number of female directors and producers at Sundance over the past decade, a new study commissioned by the Sundance Institute and Women in Film Los Angeles found.

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    How I Shot That: Photographing Sundance Entry 'Camp X-Ray' Through a 6-Inch Window

    James Laxton brings his film "Camp X-Ray" to Sundance this year. His previous projects include "The Myth of the American Sleepover," "For a Good Time Call," "Medicine for Melancholy," "California Solo," and "Adult World."

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    Alix Madigan Thinks Ted Hope is Wrong: Here's Her Keynote From the Sundance 2014 Producers Lunch

    Alix Madigan, who has both “Laggies” and “White Bird in a Blizzard” at Sundance 2014, has a different point of view — one that she presented as the keynote speaker at the Sundance Producers Lunch on January 19. Sundance has kindly provided us with the opportunity to republish her remarks in full.

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    Online Film Financing Startup Passion First Funding Portal Announced at Sundance

    Passion First Funding Portal, an online film financing company, was announced yesterday at Sundance. It is one of the first portals to be formed under the Jumpstart Our Business Startups Act (JOBS), which was passed in September in an attempt to promote small business ventures.

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    Project of the Day: 'The British Film Industry: Elitist, Deluded or Dormant?'

    Here's your daily dose of an indie film in progress; at the end of the week, you'll have the chance to vote for your favorite.

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    Hollywood Loves A Good Con: Why We Need a System for Vetting Film Investors

    Slated Editorial Director Colin Brown is back with the final installment essay in his series on packaging films.

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    Project of the Day: 'Auroras'

    Here's your daily dose of an indie film in progress; at the end of the week, you'll have the chance to vote for your favorite.

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