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Filmmaking, Movie Making, Film Production, Film Marketing

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    How I Shot That: Shooting Sundance Drama 'The Sleepwalker' with Booklight Grip

    Cinematographer Zachary Galler talked with us about shooting U.S Dramatic entry "The Sleepwalker" at 2014 Sundance. He has also shot for film "She's Lost Control," which will premiere at Berlin later this year, as well as horror film "The Confines."

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    How I Shot That: Going Hand-Held in Sundance Drama 'Low Down'

    Cinematographer Christopher Blauvelt's latest project is "Low Down," directed by Jeff Preiss and screening at Sundance 2014.

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    How I Shot That: Capturing the Tension with One Camera in Sundance Documentary 'Private Violence'

    Rex Miller is an experienced documentary cinematographer, with projects including 2014's "Althea," HBO's "The Loving Story," "Behind These Walls," and the 2013 series "A Chef's Life." Cynthia Hill's "Private Violence" delves into two women's true stories of surviving domestic violence.

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    How I Shot That: Andrew Rossi on His Sundance Doc 'Ivory Tower'

    Before his latest documentary "Ivory Tower," Andrew Rossi's previously shot "Page One: Inside the New York Times," "Le Cirque: A Table In Heaven" and his first film "Eat This New York." "Ivory Tower" premiered in the U.S. Documentary section at Sundance.

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    How I Shot That: The Golden Moments in Sundance Documentary 'Rich Hill'

    Cinematographer Andrew Droz Palermo spoke to us about shooting "Rich Hill," a U.S. Documentary entry at 2014 Sundance Film Festival.

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    How I Shot That: Capturing the Private Moments in Sundance Entry 'Cesar's Last Fast'

    James Chressanthis has worked on numerous projects over the last several years as a cinematographer. His latest, "Cesar's Last Fast" screening at The Sundance Film Festival, is a documentary chronicling Cesar Chavez's 36-day water-only fast in 1988. Here's how he shot it.

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    Female Directors at Sundance Have a Long Way to Go, New Study Finds

    There has been no overall change in the number of female directors and producers at Sundance over the past decade, a new study commissioned by the Sundance Institute and Women in Film Los Angeles found.

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    How I Shot That: Photographing Sundance Entry 'Camp X-Ray' Through a 6-Inch Window

    James Laxton brings his film "Camp X-Ray" to Sundance this year. His previous projects include "The Myth of the American Sleepover," "For a Good Time Call," "Medicine for Melancholy," "California Solo," and "Adult World."

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    Alix Madigan Thinks Ted Hope is Wrong: Here's Her Keynote From the Sundance 2014 Producers Lunch

    Alix Madigan, who has both “Laggies” and “White Bird in a Blizzard” at Sundance 2014, has a different point of view — one that she presented as the keynote speaker at the Sundance Producers Lunch on January 19. Sundance has kindly provided us with the opportunity to republish her remarks in full.

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