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Moview Reviews, Movie Ratings, TV Show, Television Ratings

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    TIFF Review: 'Mr. Pip' Features A Fine Hugh Laurie Performance, But Fails On Most Other Levels

    From Andrew Adamson, the director who brought us the first two "Shrek" and "Narnia" movies, "Mr. Pip" is a rather feeble attempt at more serious subject matter than talking lions and animated ogres. A literary adaptation of a coming-of-age story, with links to Charles Dickens’ classic "Great Expecta...

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    TIFF Capsule Review: 'Arthur Newman'

    It takes some doing to make the only interesting thing about a character the fact that he has faked his own disappearance and assumed a new identity. Nevertheless, the title character in “Arthur Newman” – played by Colin Firth at his dourest – proves to be such a bore that it’s downright miraculous he finds the gumption to pull off this piece of “Passenger”-like subterfuge in the early scenes of this relentlessly drab and thoroughly enervating debut feature by Dante Ariola. The script by Becky Johnston (“The Prince of Tides,” “Seven Years in Tibet”) is a hefty serving of Mid...

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    TIFF Capsule Review: 'Great Expectations'

    It’s hard to understand how things could’ve gone so wrong with this latest adaptation of Charles Dickens’ classic cautionary tale of class mobility. For one thing, director Mike Newell is wise to have eschewed the genteel trappings of the many TV incarnations in favor of a grubby, even brutal naturalism more akin to Roman Polanski’s 2005 version of “Oliver Twist” or Andrea Arnold’s more radical take on Emily Bronte’s “Wuthering Heights.” What’s more, Newell scores at least two casting coups by enlisting Helena Bonham Carter as Miss Havisham and Ralph Fiennes as Magwitch, two...

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    TIFF Capsule Review: 'Mr. Pip'

    Readers of Lloyd Jones’ much-acclaimed 2006 novel may be the only viewers who have the patience to sit through this badly botched and largely incoherent adaptation by director Andrew Adamson, a veteran of the “Shrek” and “Narnia” franchises. Working from his own screenplay, Adamson even fails to provide much of an entry point for this based-on-true-events story, which takes place on a remote South Pacific island whose inhabitants’ resistance to mining exploitation led to civil war in Papua New Guinea in the early 1990s. The action centers on the bond between Matilda (Xzannjah), a 12-year-old islander, an...

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    TIFF Review: 'Arthur Newman' An Intentionally Listless Story About A Boring Everyman

    What if we are all Arthur Newman? This is the question that director Dante Ariola and screenwriter Becky Johnston beg in "Arthur Newman," their tepid, imaginatively uninvolved drama about two strangers that fall in love while trying to escape their banal past lives. Ariola and Johnston’s film follow...

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    TIFF Capsule Review: 'Love Is All You Need'

    Danish director Susanne Bier's follow-up to her Oscar-winning "In a Better World" is a welcome change from the overdone weightiness of her last few films in favor of a conventionally heartwarming romance about aging loners finding a catharsis in companionship. Trine Dyrholm plays Ida, a hairdresser and cancer survivor whose solemn life is complicated when she comes home for a doctor's visit to find her husband fooling around with a woman half her age. The timing couldn't be worse, since Ida's young daughter plans to get married soon at an orange grove in Italy. At the height of her frustration, Ida literally slams...

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    TIFF Capsule Review: 'Quartet'

    Dustin Hoffman's directorial debut is mainly of note because the iconic actor takes his first stab at working behind the camera. The lightweight story, an adaptation of Ronald Harwood's play about a retirement home for aging classical musicians, plays by the rules and lets the performances lead the way. Former opera stars Wilf (Billy Connolly) and Reggie (Tom Courtney) enjoy old age without much pressure. While Reggie enjoys teaching as a means of bridging the gap between classic music and popular forms, the boisterous Wilf gleefully hits on fellow retiree Cissy (Pauline Collins) while the trio gleefully reminisce about their halcy...

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    TIFF Review: Overwrought 'The Impossible' Drowns In A Sea Of Melodrama

    If "The Impossible" moves viewers to do anything, it may be to upgrade their life insurance policy to cover injuries due to tsunami. Because as we watch the Bennett family get whisked away by helipcopter at the end of the film to the facilities of a hospital in Singapore, leaving the tragedy of the ...

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    Review: 'Branded' Is An Incomprehensible Sci-Fi Mash-Up That Thinks It's Much More Clever Than It Actually Is

    The trailers for “Branded” promise a kind of the-world-is-not-what-it-seems science fiction head-turner in the vein of “The Matrix,” with an emphasis on the cultural fixation around name brands. They tantalizingly teased: What if, instead of giving you pleasure, those same brands were feeding off of...

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    TIFF Review: Bloodless 'Byzantium' A Vampire Tale Without Fangs

    Between "Twilight" on the big screen, and "True Blood" and "Vampire Diaries" on the cable dial, among countless other books, graphic novels and more, if you're a fan of bloodsuckers, there's likely a flavor out there for you. And with countless other projects in the pipeline from Will Smith's direct...

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