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Moview Reviews, Movie Ratings, TV Show, Television Ratings

  • Leonard Maltin
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    The Intouchables—movie review

    Last year, Harvey Weinstein brought a French film called 'The Artist' to the U.S. and wound up with an armful of Academy Awards. This year he’s presenting another Gallic import that not only was a box-office smash, but features Omar Sy, who beat out Jean Dujardin for the Best Actor prize at the Césa...

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  • The Playlist
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    Cannes Review: Leos Carax's 'Holy Motors' Is An Anything Goes Stew Of Big Ideas That Doesn't Always Work

    Hilarious and dull, fascinating and pretentious, there is no doubt that Leos Carax's "Holy Motors" is memorable. Whether it's actually any good is up for debate. Bold and confounding in equal measure, Carax's first feature in over a decade is less a movie than a collection of s...

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  • Thompson on Hollywood
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    Cannes 2012: Lee Daniels' Nasty 'Paperboy' Reviews In A Poem

    Lee Daniels' "The Paperboy" has arrived at Cannes, and it's receiving quite a reception. With stars like Nicole Kidman, Zac Efron, John Cusack, Matthew McConaughey and Macy Grey, it was always going to get attention. But critics are having a field day with its pulpy content.

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  • Thompson on Hollywood
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    Weekend Preview: 'Moonrise Kingdom' Rules; The Audacious 'Oslo, August 31st' & France's 'Intouchables'

    "Moonrise Kingdom" is the obvious must-see this holiday weekend, following its warm reception as the Cannes opening night film and the slew of delighted reviews that followed. Fans of director Wes Anderson won't be disappointed; this is a film that only he could make...

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  • The Playlist
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    Review: 'The Intouchables' Is A Crowd-Pleaser For Simpletons

    “The Intouchables” is a study in contrasts. In one corner, there is Phillipe (Francois Cluzet), a wealthy, white renaissance man paralyzed from the waist down. He is mobile, exiting his home for fine dining, purchasing artwork, and attending the opera. He cannot continue to live the finer life witho...

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  • Shadow and Act
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    Review - "The Intouchables" Is Like "Bringing Down The House" Minus The Negro Spiritual

    Maybe I’m just numb after almost 12 months of coverage of this film on S&A; but I came out of my screening of it, and the most I could muster up in terms of a reaction to what I saw was just a shrug.

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  • The Playlist
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    Cannes Review: Lee Daniels' 'The Paperboy' With Matthew McConaughey & Nicole Kidman Is A Disastrous Flop

    Many people will tell you that "The Paperboy" -- based on Pete Dexter's novel, brought to the screen by "Precious" director Lee Daniels -- is a trash masterpiece, an instant camp classic, so bad it's good. These people, these critics, are simply not to be trusted about any question of judgment for a...

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  • Indiewire
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    CANNES REVIEW: Is Lee Daniels' 'The Paperboy' So Bad Its Good? Only If That's What You Want From It.

    Lee Daniels' "The Paperboy" is a rare case of serious commitment to outright silliness. The director's follow-up to "Precious" fries its dramatic content with a blazingly absurd grindhouse style as extreme as the humidity bearing down on his characters.

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  • Indiewire
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    CANNES REVIEW: Ben Wheatley's 'Sightseers' Finds the Romance, and His Voice, in a Horror-Comedy

    British filmmaker Ben Wheatley has earned a following on the genre film festival circuit for a pair of distinctive movies with two very different moods. His 2009 debut "Down Terrace" followed a family of criminals through a series of amusing misadventures, suggesting Wheatley's procliv...

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  • Indiewire
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    Carlos Reygadas' 'Post Tenebras Lux' Is a Mess of Half-Baked Ideas

    A key distinction between Mexican director Carlos Reygadas' completely baffling "Post Tenebras Lux" and his previous feature "Silent Light" comes from comparing their opening sequences. "Silent Light" begins with a supremely lyrical shot of natural imagery slowly fa...

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