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Reviews

  • Indiewire
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    SUNDANCE REVIEW: "Kid-Thing" Is An Eccentric Curiosity, Courtesy the Zellner Bros.

    Austin-based sibling filmmakers Nathan and David Zellner make movies in a loony vacuum in which the only constant is a fixation on the bizarre. While technically geared toward comedy, neither their feature-length "Goliath" (which also premiered in the NEXT section, at Sundance 2009) nor in...

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  • Spout
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    Sundance 2012: "Teddy Bear" is a Sweet Drama With a Lovably Large Breakout Performance

    The main conceit of Mads Matthiesen’s “Teddy Bear” (aka "10 Timer til Paradis") which was previously established in his 2007 short film “Dennis,” is that its protagonist is a bulging bodybuilder who ironically isn’t macho at all. The idea that this guy, Dennis, is introverted, awkward with women and...

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  • The Playlist
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    Review: Utterly Superficial 'Ultrasuede: In Search Of Halston' Doc Is Marred By Its Clueless & Vain Director

    Inept, amateurish and largely risible, the fashion documentary “Ultrasuede: In Search Of Halston” is generally an embarrassing effort. But not because its subject isn’t worth documenting (quite the opposite actually), but because its creator is a dilettante buffoon; a clownish self-involved figure w...

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  • Shadow and Act
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    Sundance 2012 Review - "An Oversimplification Of her Beauty" (A Complex Exploration Of The Dance Between Id, Ego & Super Ego)

    They say that there's something of every artist in the work they create, whether a conscious decision or not; and the act of creating with the intent to surrender your creation (and in essence a piece of yourself) to a potentially scrutinizing audience, requires some degree of courage on the par...

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  • Indiewire
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    SUNDANCE REVIEW | Why 'Red Hook Summer' Is Both Spike Lee's Weakest and Most Sincere Work In Years

    SUNDANCE REVIEW | Why 'Red Hook Summer' Is Both Spike Lee's Weakest and Most Sincere Work In Years

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  • Thompson on Hollywood
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    Kinky Classic 'Belle de Jour' gets the Criterion Treatment

    Séverine Serizy, the glacial, inscrutable masochist at the center of Luis Buñuel's masterpiece "Belle de Jour," leads perhaps the most irreconcilable of double lives.

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  • The Playlist
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    Review: 'Man On A Ledge' Steps Over The Edge Into B-Movie Ridiculousness

    When Nick Cassidy (Sam Worthington) climbs out of a widow gets on the ledge of the Roosevelt Hotel, right in the middle of Manhattan, his life has so gone to shit you can believe he's ready to end it. Having recently escaped custody while attending his father's funeral, Nick has already spen...

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  • The Playlist
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    Sundance Review: 'Lay The Favorite' A Comedy That's An Empty Bet

    “You can't blame Stephen Frears for trying” seems to be the mantra for "Lay the Favorite," a mild romp through the T&A world of Las Vegas, gambling and literary adaptation. After all, "High Fidelity" is an iconic film to obsessive nerds (Need proof? See: every...

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  • The Playlist
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    Sundance Review: 'Simon Killer' Loses That Lovin' Feeling On The Streets Of Paris

    Simon (Brady Corbet) is lost. After being dumped by his high school sweetheart after a relationship that ran the length of their college years, the newly graduated, newly single American flees to Paris to get away from it all and find himself. Of course, the problem with undertaking such a journey o...

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  • The Playlist
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    Sundance Review: Less 'Wrong' Than Bad, Quentin Dupieux's Followup To 'Rubber' Proves Him To Be A Half-Hit Wonder

    Received at film fests and among cult cinema fans with the giddy glee of an inside joke, Quentin Dupieux's "Rubber" was a film more celebrated than ultimately worthy of celebration. Dupieux's piss-take on '70s killer-car horror (and, by extension, all cinema) as a psychic rubbe...

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