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Reviews

  • The Playlist
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    Review: Lynne Ramsay's 'We Need To Talk About Kevin' Is Bleak, But Haunting

    "We Need to Talk About Kevin" is one of the most beautifully bleak psychological fake-outs the cinema's given us in years, as Lynne Ramsay ("Ratcatcher," "Morvern Callar") directs an adaptation of Lionel Shriver's 2003 novel. At first blush, Ramsay's film would appear to be a look into the genesis a...

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    Review: 'Don't Go In The Woods' A Horror/Musical That Hits A Sour Note

    Sometimes your headlines write themselves. When a film features a warning right in the title, that’s playing with fire. In the case of Vincent D’Onofrio's woeful directorial debut, the warning is more than prophetic. Based on a script by Sam Bisbee and Joe Vinciguerra and a story by ...

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    Review: 'Fake It So Real' An Intimate Look At An Independent Wrestling Federation

    “People say jazz is the great American art form. Jazz is dead. I think wrestling is the great American art form." - PITT

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  • Indiewire
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    What to See, What to Skip: New Reviews this Week

    Who said January has nothing to offer in the new releases category? If you’re looking for a film about gospel singing goodness, a film where Giovanni Ribisi and Ben Foster continue their slow morph into becoming the same person, or a film that will destroy any nostalgic love that you had towards Fru...

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    Perverts, Cannibals and Female Empowerment Make 'The Divide' Better Than You Think

    Apocalyptic cinema has the potential to be trite or poignant, but rarely both at once. For every "Dr. Strangelove," "Planet of the Apes" or "Night of the Living Dead," there are countless retreads of the same barren landscape littered with grisly showdowns and mutant as...

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  • Leonard Maltin
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    Contraband—movie review

    If ever there were a typical January movie, it’s Contraband, a film so dreary (and downright distasteful) that no studio would think of releasing it in December, when all eyes are focused on quality. I never saw the 2008 Icelandic film on which it’s based, but I presume it must have...

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  • Leonard Maltin
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    Joyful Noise—movie review

    It takes the combined personalities of Queen Latifah and Dolly Parton to wring entertainment value out of Joyful Noise, which they do to some degree, but it’s the lively choral music performances that partially salvage this kettle of corn. As longtime rivals in a small Georgia church choir, La...

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    Review: Xavier Gens' 'The Divide' Is Silly, Clichéd Apocalyptic Trash

    It seemed, to us at least, that there was a strangely apocalyptic cloud that was cast over many of the SXSW film festival selections in 2011 – things like "Bellflower" all the way up to "Attack the Block" had a definite "end of days" feel. "The Divide" m...

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    Review: Don't Let The Awkward & Clumsy 'Loosies' Pick Your Pocket

    The poster for “Loosies,” a new film written, produced, and starring Peter Facinelli, best known for his role as the big daddy vampire in the “Twilight” movies, makes it look incredibly dangerous and edgy despite the fact that its name suggests some son-of-“Porky’s” sex comedy (it’s a reference to b...

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  • Shadow and Act
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    Brit Drama Critiquing Institutionalized Racism In The UK ("SUS") Makes TV Debut This Month (Trailer + Review)

    Brit actor/writer/producer Clint Dyer's devastating critique of institutional racism, also known as the feature length film titled SUS - a film I praised often in 2010 as it made its film festival circuit run - will be making its TV debut on BBC1 (for our UK readers who still haven't se...

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