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Moview Reviews, Movie Ratings, TV Show, Television Ratings

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    Cannes Review: Age & Illness Test Love In Michael Haneke's Unflinching 'Amour'

    Michael Haneke makes it clear from the opening of the film exactly where he's going in "Amour." Kicking off with a literal bang, a team of police officers force open the door of a flat in France, and with masks over their mouths, they walk around the apartment, open the windows and fin...

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    The Good and the Bad of Cristian Mungiu's Post-Palme Drama 'Beyond the Hills'

    Romanian director Cristian Mungiu seemingly came out of nowhere in 2007 to snatch the Palme d'Or for his last feature, the tightly constructed abortion drama "4 Months, 3 Weeks, and 2 Days," a distinctly powerful work. With so much pressure on the filmmaker from this early stage, Mungiu faced an imp...

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    Review: 'Antiviral,' Directing Debut of David Cronenberg Son Brandon, Pays Flimsy Homage to Dad's Work

    Editor's note: A version of this review originally ran during the Cannes Film Festival. "Antiviral" opens this week.

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    Cannes Review: Brandon Does David Proud, 'Antiviral' A Classic Cronenberg Freak Fest

    There is no doubt that no matter what Brandon Cronenberg decided to make as his first movie, the shadow of his father would loom large. So whether it just runs in the family, or if it was a calculated decision to do something audiences would expect from the Cronenberg mantle, full credit to Brandon ...

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    John Hillcoat's Lame 'Lawless' Makes a Case For a Moratorium on Westerns

    John Hillcoat's grimy 2005 Aussie western "The Proposition" marked the rare case of the genre done justice in modern times. His decision to direct "Lawless," an adaptation of Matt Bondurant's Prohibition-set novel "The Wettest County in the World," should provid...

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    Cannes Review: The Bondurant Boys Deal Moonshine & Violence In John Hillcoat's Lively 'Lawless'

    "It's not violence that sets men apart, it's the distance they're willing to go," Forrest Bonduarant (Tom Hardy) tells his youngest brother Jack (Shia LaBeouf) in "Lawless." And with a set of brass knuckles in his pocket and a pistol in his waistband, he knows what he's talking about. That theme is ...

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    CANNES REVIEW: Pablo Larrain Expands His Obsession With the Pinochet Era In Brilliant Gael Garcia Bernal Vehicle 'No'

    With his last two features, "Tony Manero" and "Post Mortem," Chilean director Pablo Larraín quickly established himself as the preeminent chronicler of his country's lingering demons from its years of oppression under the dictatorship of Augusto Pinochet. For his third...

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    Cannes Review: It's Ad Men vs. Bad Men in Pablo Larrain's Exciting, Funny, Moving 'No' Starring Gael Garcia Bernal

    Playing as part of the Director's Fortnight, Pablo Larraín's "No" is exactly the kind of film you hope to stumble across at Cannes -- a film that hadn't been on your radar until buzz from too many quarters too diverse to be ignored made you seek it out, discovering a fil...

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    Cannes Review: Faith & Love Collide In Cristian Mungiu's Powerful 'Beyond The Hills'

    Can blind, unquestioning devout faith be just as corrupting as sin? Can love be as all consuming as evil? These are the big, broad themes being explored in Cristian Mungiu's deliberate and somewhat cryptic "Beyond The Hills," a very slow burn drama that finds both religious and emotion...

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    Cannes Review: Xavier Dolan's Messy 'Laurence Anyways' Is Both Ambitious & Admirable

    "The sky's the limit," Fred (Suzanne Clement) says when she's asked about what people will say when her boyfriend Laurence (Melvin Poupad) decides to become a woman. It's 1989 and she believes that her generation is ready to handle transsexuality -- and perhaps they are -- but ...

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