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Moview Reviews, Movie Ratings, TV Show, Television Ratings

  • The Playlist
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    PIFF '12 Review: All Is Not What It Seems In Beautifully Shot 'The Loneliest Planet'

    It’s true that the “Loneliest Planet,” directed by Julia Loktev (“Day Night Day Night”), is the kind of film that works best if you know little to absolutely nothing about it going in. But then again, couldn’t that be said for just about every film? So before we write this review in to futility befo...

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    PAFF 2012 Highlights #1 - Russ Parr's "The Under Shepherd"

    The 2012 installment of the Pan African Film Festival ended on Monday; I caught a late night flight back to New York City and arrived yesterday, Tuesday morning, and a day later, I'm still getting back into the NYC flow of things.

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    Review: 'The Forgiveness Of Blood' A Tight, Taut, Grounded Dramatic Thriller

    Despite this country being home to a number of diverse cultures and ethnicities, American cinema (both indie and Hollywood) skews heavily toward the Exciting Stories Of The White Man. Of course, some of our favorite films fall into this extremely vague category, but it certainly would be nice to see...

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    How 'Wanderlust' Illustrates the Problem With Every David Wain Movie

    Like every David Wain movie, "Wanderlust" contains the grain of a good idea that never reaches fruition. A kind of spiritual sequel to "Wet Hot American Summer," the most widely revered entry in the Wain oeuvre, "Wanderlust" follows an unemployed New York couple wh...

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    Review: 'Tomorrow, When The War Began' Is A Fairly Engaging Australian Riff On 'Red Dawn'

    There's always been a kind of frayed-edged dangerousness to Australian cinema, a lawlessness that brought refreshing unpredictability to even the most tired of genres. The wildness that defines Australia, with its craggy rock formations and weird-ass creatures, seeps into its movies, to the point th...

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  • Thompson on Hollywood
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    Sundance and SXSW Factual Thriller 'The Imposter' Goes to Indomnia; Reviews

    The Indomina Group has picked up A&E IndieFilms' "The Imposter" for North American distribution. The Sundance entry is also set to play SXSW. Check out the synopsis for the factual thriller below. “Few documentaries are able to draw you in and keep you captivated in the way that 'The Imposter' does,...

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  • Spout
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    Review and Interview: Joshua Marston's Very Impressive "The Forgiveness of Blood"

    One of our favorite films we saw at the 2011 Toronto International Film Festival is "The Forgiveness of Blood," the second feature by "Maria Full of Grace" director Joshua Marston. Film critic Daniel Walber, who was impressed with many aspects of the Albanian-language teen drama,...

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    Review: 'Raising Renee' Weighs Compassion & Responsibility In A Slight Documentary That Doesn't Dig Deep Enough

    At what point does loyalty to family trump personal ambition, and is the decision to put all aspects of your life on hold, for the responsibility of caring for a sibling, always the right decision? These are the questions that emerge, and are partially addressed, in Steven Ascher and Jeanne Jordan&#...

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    Berlinale 2012 Review - "Leave It on The Floor" Musical Explores 'Vogue Ballroom' Underground Culture in L.A.

    As Tambay noted in two previous review posts (Call Me Kuchu and Indignados + Espoir Voyage), S&A reader Denise VanDeCruze (The Mic Movement - Amplifying Art In Berlin & Beyond), currently at the Berlinale Film Festival, is back with another review write-up to share with u...

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    Berlinale 2012 Review: 'Comes A Bright Day' A Warm, Enjoyable, Romance When It Stops Trying To Be A Thriller

    Commercials director Simon Aboud takes to feature writing/directing with this London-set film detailing a young man's meet cute with the girl of his dreams, and the violent armed robbery that subsequently throws them together. If that description sounds a little schizophrenic, it's a quality that pr...

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