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Moview Reviews, Movie Ratings, TV Show, Television Ratings

  • The Playlist
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    SXSW '12 Review: 'Shut Up And Play The Hits' Is LCD Soundsystem’s 'The Last Waltz'

    Less of a documentary and more of a document, "Shut Up And Play The Hits" captures the week before, the day after and the very occasion of LCD Soundsystem’s Madison Square Garden farewell concert on April 2, 2011.

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    Review: 'The Kid With The Bike' Rides Into Trouble, Crashes Into A Savior

    All the books on parenting notwithstanding, it's always been pretty simple: kids not only want love, they need it. And in the latest from Jean Pierre and Luc Dardenne that need is amplified into a mellifluous tone of desperation encapsulated in little Cyril (Thomas Doret) the titular 'kid with a bik...

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    Review: Tony Kaye's 'Detachment' Is A Fascinating Mess You Can't Look Away From

    Though it had flown mostly under the radar, cinephiles were pretty thrilled a few weeks ago when the Tribeca Film Festival announced the addition of “Detachment” to its lineup. Not only was the cast top notch but behind the director's chair was British provocateur Tony Kaye, the filmmaker behind the...

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  • Indiewire
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    Critical Consensus: Ben Kenigsberg and Matt Singer Discuss SXSW 2012

    Time Out Chicago film editor Ben Kenigsberg and Criticwire blogger Matt Singer discuss this year's SXSW Film Festival, which continues through the weekend.

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    SXSW '12 Review: Secrets, Revelations & An Unlikely Friendship Emerge In The Compelling 'Starlet'

    Sean Baker’s film “Starlet” wants to play a little trick on you. It’s a fun trick, and you might be more enjoyable figuring it out on your own, but it’s the most important and interesting part of the movie, so it’s hard to talk about its merits without giving it away. In fact, the main crux of the f...

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  • The Playlist
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    SXSW '12 Review: Pascal Laugier's 'The Tall Man' An Unfocused & Silly Horror Tale

    A few years ago there was a sort of mini-horror movie renaissance in France, with a bunch of talented young directors paying homage to their favorite American horror films the only way they knew how – by making them incredibly French. Under the stewardship of older French genre provocateurs (l...

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    SXSW '12 Review: 'Intruders' A Mish-Mash Of Horror Tropes In An Undercooked Procedural

    How do you make the most of a ghost story in the age of post-meta horror films? If you're Juan Carlos Fresnadillo, you run with the idea of a fairy tale until you've copied and pasted so many tropes that "Intruders" emerges as a messy puddle.

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  • Leonard Maltin
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    New And Notable Film Books, Part One

    As usual, books keep piling up much faster than I can possibly read them, so rather than wait until I can compose full-length reviews I’m going to highlight a handful of recent arrivals I’ve only had a chance to skim. I will have more for you shortly, as there is still a healthy stack of...

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    SXSW '12 Review: 'Somebody Up There Likes Me' A Surprisingly Ambitious Deadpan Charmer

    Bob Byington’s "Somebody Up There Likes Me" is about a guy who doesn’t grow up. In fact, he doesn’t even age over the film’s span of about three decades in his life. It may have something to do with a mysterious briefcase, the origins of which are only ever suggested by animated cloud interludes and...

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    SXSW '12 Review: 'Monsieur Lazhar' A Meek & Restrained Crowd Pleaser

    When "A Separation" won the Academy Award for best foreign language film last month, I was thrilled -- Asghar Farhadi's splendid domestic drama is one of the best things I've seen in the past few years. But it also came as a genuine surprise, because I was convinced the Canadian fi...

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