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Reviews

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    REVIEW | Object Desire: Claire Denis’s “35 Shots of Rum”

    In the simple steadfast training of the camera lens, cinema has the ability to give seemingly mundane objects or actions an almost supernatural provenance; in so doing, it can change how we see the world. It sounds like a lofty notion, but it’s actually a literal truth. Chantal Akerman&rs...

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    REVIEW | Todd Intact: "Life During Wartime" Maintains Solondz' Droll Satiric Aura

    This review was originally published as part of indieWIRE’s coverage of the 2009 Toronto International Film Festival. “Life During Wartime” opens this Friday, July 23rd at the IFC Center in New York.

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    REVIEW | From The Heart: Rodrigo Garcia's "Mother and Child"

    In his 2005 film “Nine Lives,” Rodrigo Garcia did something cinematically unexpected. Bringing to the women’s picture a rigorous aesthetic design, “Nine Lives,” made up of nine disparate segments about different female characters shot in elaborate single takes, successfully translated the structure ...

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    REVIEW | Interpersonal Lyricism: An Exciting Filmmaker Is Born With "Mother"

    Xavier Dolan's "I Killed My Mother" marks the emergence of an exciting new filmmaking talent. The Montreal actor, a mere 20 years old, displays a startlingly mature perspective on human behavior in his triple threat position as writer-director-star. He plays Hubert, a gay teen constantly at odds wit...

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    REVIEW | Running Scared: Claire Denis's "White Material"

    At one point in Claire Denis's ravaging new film, "White Material," Isabelle Huppert's Maria, a coffee plantation owner in an African country increasingly torn apart by escalating civil war violence, is driving her grown son, Manuel, on a tractor to bring him medical attention for a minor injury to ...

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    REVIEW | Mindlessness Over Matter: Jaco van Dormael's "Mr. Nobody"

    Quick, what do string theory, the butterfly effect, 21st-century dystopia, the possibility of quasi-immortality, the unquantifiablity of time, the impermanence of memory, death, love, second sight, the heartache of divorce, missions to Mars, and Jared Leto's baby blues have in common? After seeing "...

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    REVIEW | "Superbad" Meets "Fight Club": "Revolt" Hints At Cera's Versatility

    "Youth in Revolt" stars Michael Cera as a hyper-intelligent 16-year-old virgin desperate to escape his bubble of a boring life. If that description sounds familiar, it's because the "Arrested Development" star has done this routine before. But he does it well, and this charming romantic comedy offer...

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    REVIEW | Simplistically Charming "Capitalism" Doesn't Quite Add Up

    Michael Moore's "Capitalism: A Love Story" delivers the documentarian's standard mix of historical survey and stunt activism with a simplistic charm. Focusing on mortgage foreclosure sales and other beasts of the recession, Moore aims for a universal rallying call to action. He strings police tape a...

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    REVIEW | Hamburg with Cheese: Fatih Akin's "Soul Kitchen"

    German-Turkish director Fatih Akin's penchant for plot contrivance and convolution would seem to have found the perfect fit in the high-decibel comic confection "Soul Kitchen." Appropriately broad (as opposed to his last film, "The Edge of Heaven," which could have used more subtlety in place of its...

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    REVIEW | Egoyan's Accidental Black Comedy "Chloe" Succeeds as Guilty Pleasure

    Part film noir, part unintentional B-movie parody, Atom Egoyan's "Chloe" is a weirdly compelling expansion of the themes permeating the director's work. Marred by an uneven screenplay, numerous implausibility issues and oddly dry, moody performances, it nevertheless maintains a basic guilty pleasure...

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