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Reviews

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    REVIEW | Legend of the Fall: Richard Kelly's "Southland Tales"

    [An indieWIRE review from Reverse Shot. Writer Jeff Reichert is co-founder and editor of Reverse Shot and is a Senior Vice President overseeing publicity and marketing at Magnolia Pictures.]

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    REVIEW | Mean Girls: Noah Baumbach's "Margot at the Wedding"

    It's with great disappointment I report that "Margot at the Wedding," Noah Baumbach's follow-up dramedy, is not only nowhere near as sharp as its predecessor, "The Squid and the Whale," but a failure in its own right. Leaving behind "Squid"'s relatable adolescent's-eye view on divorce for a hackneye...

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    REVIEW | The Earth Trembles: Joel and Ethan Coen's "No Country for Old Men"

    The term "return to form" may be overused, but it certainly applies to the Coen Brothers' new adaptation of Cormac McCarthy's novel "No Country for Old Men" -- in its visual economy, maddeningly beautiful symmetry, and eccentric mundanity the film is a reminder of why the Coens were initially tagge...

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    REVIEW | Lost in the Supermarket: Julien Temple's "Joe Strummer: The Future Is Unwritten"

    By the year 2015, any band that made the cover of NME in the Seventies will have been the subject of either a feature-length documentary (with commentary by Bono) or frontman biopic. As one to whom pop music and film both have both meant a great deal, I can't understand how this arrangement benefits...

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    REVIEW | Me, Myself & I: Ash Christian's "Fat Girls"

    The indie gay cinema movement in America was a necessary response not only to mainstream studio filmmaking but also to the hetero bias of other "alternative" cinema avenues; because of the outsider status of the films it was once difficult to too harshly criticize their narrative and aesthetic fault...

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    REVIEW | Star Power: Theodore Braun's "Darfur Now"

    "Darfur Now," Theodore Braun's infectiously optimistic, if perfunctorily realized, documentary about the ongoing humanitarian crisis in Sudan arrives in theaters at a crucial moment. While the civil war in that wartorn region rages unabated, demanding more international visibility, the wave that br...

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    REVIEW | Fallen Down: Anthony Hopkins's "Slipstream"

    William Gaddis's slim final novel, "Agape Agape," takes the form of a stream-of-consciousness rant delivered by a highly erudite narrator on his death bed that encompasses scattered memories, ruminations on late 19th and 20th century Western culture, and elderly grumblings about the experience of mo...

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    REVIEW | Noble Rot: Steven Sawalich's "Music Within"

    Likable yet bland, Ron Livingston has been cursed with an earnest, puppy dog face that, while charming, makes him hard to take seriously as a dramatic actor, or even an intriguing comic one. He's not untalented, just dull, and in that sense he's perfectly cast as the protagonist of "Music Within." T...

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    REVIEW | Brothers in Lawlessness: Sidney Lumet's "Before the Devil Knows You're Dead"

    If our cultural arbiters are to be believed, the Seventies are back. "Serious," "adult," "provocative," and other signifiers of high-minded Hollywood adorn multiplex posters ("Michael Clayton," "The Assassination of Jesse James By The Coward Robert Ford"), which perhaps says more about the desperati...

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    Happy Trails: Jonathan Demme's "Jimmy Carter Man from Plains"

    Titled like an old-fashioned Western where a man in a white hat gallops in to save a town from ruthless villains, Jonathan Demme's "Jimmy Carter Man from Plains" portrays the 39th president as an intrepid political lone ranger, unafraid of provoking discussion on sensitive international matters at a...

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