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Ben Affleck

  • Thompson on Hollywood
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    Director Watch: Nichols and Hoffman Do Salesman, Aronofsky for Wolverine 2, Affleck and Morel

    Philip Seymour Hoffman will play Willy Loman on Broadway next fall in Tony and Oscar winning director Mike Nichols' take on Arthur Miller's Death of a Salesman. It's a role Hoffman has been lusting after, Nichols told the NY Times. The pair, who worked together in 2001 for a Central Park production of The Seagull, have been planning the production for months and agreed upon Linda Emond to play across from Hoffman as Linda Loman. Nichols is not worried about Hoffman's 43 years vs. Loman's 60-something, "what matters is finding the right man to play the part." Brian Dennehy played the part in 1999 when he was 60 and Dustin Hoffman played the ro...

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    Weekend Box Office: Word-of-Mouth Sells Social Network Over Newbies Life as We Know It, Secretariat

    Strong word-of-mouth propelled The Social Network to a strong hold over two openers with femme appeal, the Katharine Heigl rom-com Life as We Know It and the 70s true story sports drama Secretariat, starring Diane Lane. Anthony D'Alessandro reports.A soft Columbus Day weekend frame totaling an estimated $76 million, off 16% from a year ago, slowed moviegoing for new entries this weekend, but kept holdovers alive. Sony’s The Social Network remained online with the masses, hanging onto No. 1 with $15.5 million, off a sweet 31%.  The film saw a 32% spike between Friday and Saturday, clearly indicating that word-of-mouth continues to be strong f...

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    Oscar Talk: Frontrunners King's Speech vs. The Social Network, Why The Fighter Isn't A Shoo-In

    It's only September, which means that Kris Tapley and I are declaring The King's Speech and The Social Network frontrunners---for now. Which films could possibly supplant them? Toy Story 3 is an animated sequel. I argue that The Fighter is directed by the one and only David O. Russell, while Kris po...

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    Salon The Town Review Attacks Affleck for Celebrity Malaise

    While the rest of the world is restoring Ben Affleck to star status after his well-reviewed and well-attended The Town opening, Salon's Andrew O'Hehir is playing Armond White. He detects "troubling signs of celebrity malaise" in The Town, compared to Affleck's directorial debut Gone Baby Gone: "you...

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    Contraband Stars Beckinsale, Wasikowska vs. Phoenix, Panettiere as Amanda Knox

    - Working Title is remaking 2008 thriller Reykjavik-Rotterdam (Iceland's 2009 Oscar submission) for American audiences. Kate Beckinsale will reportedly star opposite Mark Wahlberg in the retitled Contraband. He plays an alcohol smuggler-turned-security guard being lured back into below-ground busine...

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    Oscar Talk: Post-Toronto, 127 Hours, King's Speech, Social Network, I'm Still Here

    In Contention's Kris Tapley and I talked in the same city for this week's Oscar Talk. He's seen Catfish and The Social Network; I saw a bunch of new movies in Venice and Toronto including I'm Still Here, Rabbit Hole, Beginners, and I Saw the Devil.

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    Weekend Box Office: Affleck's The Town Breaks Warners September B.O. Record

    With The Town, Ben Affleck proves that he can open a movie--if he directs it. Not only did the Warner/Legendary movie score with critics at Venice and Toronto fests (earning a remarkable 93% on the Tomatometer) but it beat out the weekend boxoffice competition with a $23.8 million estimate. That's a...

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  • Leonard Maltin
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    film review: The Town

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  • Thompson on Hollywood
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    TIFF: Affleck Talks The Town

    After playing Venice and Toronto, Ben Affleck's sophomore directing effort The Town, in which he stars himself this time, opens Friday. It's a straightforward entertaining character-driven genre piece set in Boston based on a novel by Chuck Hogan about a Charlestown gang of bank robbers who are unde...

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    The Town: Early Reviews

    Following its September 8th premiere at the Venice Film Festival, reviews for Ben Affleck's second film (in theatres September 17th) are decidedly mixed, though none (excluding The Guardian's harsh review, after the jump) go so far as to deny it is a worthwhile slice of gritty Boston crime in tune w...

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